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Mark Hoeler
Добавлен 21 ноя 2006
Ave Maria - Dan Kantor - Saint Isidore Choir
During Covid, in September of 2020, the combined choirs of St. Isidore the Farmer, recorded Daniel Kantor's beautiful Ave Maria. We hope you enjoy it.
We offer it as a prayer for Peace, wherever it's needed.
We offer it as a prayer for Peace, wherever it's needed.
Просмотров: 109
Видео
I Have Loved You, by Michael Joncas, Congregation/Melody Part, Published by OCP.
Просмотров 2911 месяцев назад
I Have Loved You, by Michael Joncas, Congregation/Melody Part, Published by OCP.
I Have Loved You, by Michael Joncas, Chorus Soprano Part, Published by OCP.
Просмотров 4511 месяцев назад
I Have Loved You, by Michael Joncas, Chorus Soprano Part, Published by OCP.
I Have Loved You, by Michael Joncas, Chorus Tenor Part, Published by OCP.
Просмотров 11211 месяцев назад
I Have Loved You, by Michael Joncas, Chorus Tenor Part, Published by OCP.
I Have Loved You, by Michael Joncas, Chorus Alto Part, Published by OCP.
Просмотров 12211 месяцев назад
I Have Loved You, by Michael Joncas, Chorus Alto Part, Published by OCP.
I Have Loved You, by Michael Joncas, Chorus Bass Part, Published by OCP.
Просмотров 5511 месяцев назад
I Have Loved You, by Michael Joncas, Chorus Bass Part, Published by OCP.
Soon and Very Soon Andrae Crouch ALTO PART
Просмотров 312Год назад
Soon and Very Soon, by Andrae Crouch - Alto Part Published by OCP in Choral Praise 4th Edition
Soon and Very Soon Andrae Crouch TENOR PART
Просмотров 262Год назад
Soon and Very Soon, by Andrae Crouch - Tenor Part Published by OCP in Choral Praise 4th Edition
Soon and Very Soon Andrae Crouch BARITONE/BASS PART
Просмотров 156Год назад
Soon and Very Soon, by Andrae Crouch - Baritone/Bass Part Published by OCP in Choral Praise 4th Edition
Soon and Very Soon Andrae Crouch SOPRANO PART
Просмотров 175Год назад
Soon and Very Soon, by Andrae Crouch - Soprano (Melody) Part Published by OCP in Choral Praise 4th Edition
Luciano Pavarotti answers the question, "At what age should the career begin?"
Просмотров 10 тыс.8 лет назад
Luciano Pavarotti answers the question, "At what age should the career begin?"
Luciano Pavarotti answers the question, "What do you do on the day of a performance?"
Просмотров 54 тыс.8 лет назад
Luciano Pavarotti answers the question, "What do you do on the day of a performance?"
Luciano Pavarotti speaks of meeting Beniamino Gigli.
Просмотров 18 тыс.8 лет назад
Luciano Pavarotti speaks of meeting Beniamino Gigli.
Luciano Pavarotti speaks about Concentration, Diaphragm, Throat, Resonance.
Просмотров 116 тыс.8 лет назад
Luciano Pavarotti speaks about Concentration, Diaphragm, Throat, Resonance.
Luciano Pavarotti speaks about Diaphragmatic Support.
Просмотров 183 тыс.8 лет назад
Luciano Pavarotti speaks about Diaphragmatic Support.
Luciano Pavarotti and John Wustman perform Per La Gloria.
Просмотров 11 тыс.8 лет назад
Luciano Pavarotti and John Wustman perform Per La Gloria.
Luciano Pavarotti speaks about and demonstrates Covering the Sound.
Просмотров 235 тыс.8 лет назад
Luciano Pavarotti speaks about and demonstrates Covering the Sound.
Luciano Pavarotti speaks about Elegant Singing.
Просмотров 33 тыс.8 лет назад
Luciano Pavarotti speaks about Elegant Singing.
Pavarotti speaks of using a Breath Holding Exercise
Просмотров 229 тыс.8 лет назад
Pavarotti speaks of using a Breath Holding Exercise
Lower the larynx and sing in chest! This is why opera singers sound horrible today. No proper chest developement
Okay, but I don't understand why this applies particularly to F, F# and G.
Only one Pavarotti! Pretty sure if I ever would have met him, I would faint ❤
❤❤❤❤
If you want to know how to do this in your singing technique as a Tenor contact Maestro Pierinotti at Pierinotti Academy and he will be pleased to help you with this that involves much more of what Luciano says here since he is not explaining that he doesn't sing like the other singers, he is using tilt larynx technique in an agressive way and other way of supporting the voice, that is less agressive than the support used by other singers of those times, he arrived to the covered technique by Arrigo Pola, imitating him, and that technique as the singing technique is totally different of what most of the Tenors do while singing, that's why he sound so different. Maestro Pierinotti learned from Aragall, Freni, Amauri (teacher of Jose Cura) between many other important singers and teachers, through more than 30 years. And he specially went to learn from Mirella Freni one complete year to learn the technique Luciano Pavarotti uses as Freni shared with him the knowdlege and big part of the lessons and career and one year with Giacomo Aragall that shared a lot of knowdlege with Luciano as they sang together and were friends as Aragall used to tell with beautifull anecdotes of them. You can take advantage of all this knowdlege if you are Tenor, Soprano or Counter Tenor and want to approach that technique.
If you want to know how to do this in your singing technique as a Tenor contact Maestro Pierinotti at Pierinotti Academy and he will be pleased to help you with this that involves much more of what Luciano says here since he is not explaining that he doesn't sing like the other singers, he is using tilt larynx technique in an agressive way and other way of supporting the voice, that is less agressive than the support used by other singers of those times, he arrived to the covered technique by Arrigo Pola, imitating him, and that technique as the singing technique is totally different of what most of the Tenors do while singing, that's why he sound so different. Maestro Pierinotti learned from Aragall, Freni, Amauri (teacher of Jose Cura) between many other important singers and teachers, through more than 30 years. And he specially went to learn from Mirella Freni one complete year to learn the technique Luciano Pavarotti uses as Freni shared with him the knowdlege and big part of the lessons and career and one year with Giacomo Aragall that shared a lot of knowdlege with Luciano as they sang together and were friends as Aragall used to tell with beautifull anecdotes of them. You can take advantage of all this knowdlege if you are Tenor, Soprano or Counter Tenor and want to approach that technique.
THE AUGUST 19, 2024 PERFORMANCE OF OPERA BY THE SEA HAS BEEN CANCELED DUE TO THE FORCAST OF RAIN. WE HOPE TO RESCHEDULE FOR NEXT MONDAY, AUGUST 26, 2024.
The diaphragm is actually active when we inhale, and relaxes when we exhale. What he describes is actually a lot of muscle working to keep it from just relaxing completely straight away. Using exercises to train your vocal fold resistance so that less air leaks out is actually way better than just struggling to activate the right abdominal muscles for support. Because when you tense those muscles, it can lead to tension in the voice as well and even vocal damage, because you're using more air to create volume, when you could just add more vocal fold depth to sing louder. You actually need very little air to produce sound. I'm studying to become a vocal coach right now, and this seems to be the latest science around it. I was trained classically before, but this works so much better. Hope someone finds this helpful.
You do not need the latest science. Only listen to good old singers (they are not alive today) and modern singers today. You hear the difference very clearly, modern singers can not sing. So let's try to learn how the great singers sang. Michael Trimble is the last who teaches that method. He is not a teacher, he is opera singer so he knows what he is talking about.
I managed today 2.15 sec....after 2.05, my diafragm started to breath by itself kkkk
He played with TooL in Australia? WHat?
That's boss!
For me we call it singer’s formant. It is when you create the piercing overtone within the vibrato’s resonance via the proper positioning of the oral and esophageal musculature. The resonance does almost all the work for you, enabling you to do so much more and for so much longer. Singing with proper Bel Canto technique not only reduces vocal tension, it literally causes your use of the vocal folds to strengthen them instead of tearing them down. This is not just a matter of style. I sing Gospel, Broadway, and Disney… but using proper technique is simply the correct way to sing inasmuch as without it you are harming your voice.
All greats in their felids are dedicated deep thinkers.
legend love this man
I love the random "è vero" and basically everything about this lesson.
Maestro
This man could have had any woman on this Earth
Luciano Pavarotti the greatest singer to ever walked the Earth.
I find his perception, interesting. It may not be correct, but it was right for him.
He actually doesn’t understand the vocal physiology well. For example, he says the chords are “at rest” when covering. This is 100% wrong, because the fact you are MAKING sound means the chords are ACTIVE
Maybe he means active but relaxed
Bad sound
Herrlich!
Well, I'm beginning at 65! 😅
Fantastic!!!
Thanks a lot!@@mhoeler
Enseñando a usar el twang, sin darse cuenta que está usando el twang
Osito santo te quiero Luciano ❤️❤️❤️❤️❤️❤️❤️
Now this would have been fascinating!
In addition to being among the greatest tenors of all time I praise his proficiency in speaking English. He was probably taught it in grade school. Riposa in Pace maestro.
If anyone needs an explanation of what he means. When holding your breath long enough your diaphragm will start to "fake breathe" and your stomach will move like you are breathing even though you're not. This will make you use your diaphragm by instinct rather then by intent, ie - you have no choice. This will exercise the diaphragm and you will easier make a connection how to use it when you want to. And for you who are wondering "how long is long enough?" you will know when it happens, but it takes some determination to get to that point! But for most probably after 60-90 seconds. One tip to make it easier is to hold your nose shut.
This is so wonderful!!!
Euer ganzes concept interessiert mich nichg mehr. •
Fuck ne ?
Forget everyth ing what i said till now
😂 ( but not now ) is for everybody
Dein arsch rested wenn du dich hinsatst
ITS HARD TO BELIEVE THIS GREAT SINGER DIED BANKRUPT. HOW DID THIS HAPPEN.
Anyone wondering, this is just a long convoluted video saying don't sing with your mouth wide like this 😅 (which stretches your vocal chords and engaging the weaker thin parts of the chords). Sing with your mouth like this 😮, it uses the stronger middle parts of your vocal chords and allows the cavities of the face to have the sound naturally amplify.
I prefer his explanation tbh , that why you’re nobody and he was one of the greatest tenors of the twentieth century
@jakegarlick140 what a weirdly defensive reply. I am shortening exactly what he said, not differing from it, weirdo.
@@Makewomensaneagain no!!!! you started by saying “ anyone wondering , this is a long convoluted video “ we all know what he was saying thank you!!
@jakegarlick140 It was a long conversation. The main points are what I commented. You are weird for being triggered by me extrapolating the technique he eventually discusses. Anyway, off to trigger some other weird people with my innocent comment🤣🤣🤣🤣
I wish he gave some examples of those exercises to remove those impediments
😂😂😂😂😂😂😂😂❤❤❤❤
Precious advice. It's great to be able to learn from this great singer.
Великий учитель и вдохновитель !
A great lesson from the king, maestro Pavarotti, thanks
I wonder how many people fainted trying this 😂
I always thought she was amazing all through the years since elementary school
If they ever do a movie about him, they have to get Jack Black to play Pavarotti
Come al solito i cantanti lirici straordinari non sanno spiegare e dimostrare come ottengono quel suono perché richiederebbe anni. E il loro mestiere è cantare, non insegnare.
A one in a billion Gift indeed. Such an international treasure.
Ofcourse his iq is above 130
👏👏👏👏
The voice starts in the throat. Great point he ven repeated it. That’s the italian school. Bravo.
Sound begins in the larynx, but the resonance creates the voice and original timbre of each singer
@@andrzejzborowski4920 right and there is also resonance in the throat. it’s a great point because we often forget it and start trying to learn/ teach singing based on solely resonance. I had a teacher use the analogy once of upon hearing a fuzzy record, trying to fix it by adjusting the speakers (resonance) instead of cleaning dust off the needle (throat). I’ve found it to be true. Cheers to you.
@@aaroncaruso well that's right. Many bad teachers start to teach only resonance without opening the throat, proper diaphragm support, clear vowels and consonants. They start from the end and then we have to listen weak voices with huge vibrato, short vocal range and mostly out of tune.
@@andrzejzborowski4920 absolutely i agree 100%. cheers and Happy New Year.
@@aaroncaruso Happy New Year
We got a glimpse of what Pavarotti’s belting would sound like.
3 minutes!! wtf