- Видео 13
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SIMASessions
Добавлен 22 фев 2012
Videography for documentation, performances and more.
Raag Todi - Jeff Lewis & Andrew Buhr - Rudra Vina Jugalbundi- SIMA's 5th Annual Ashta Prahar
This is a performance by Jeff Lewis, disciple of Ustad Zia Mohiuddin Dagar, along with Jeff's student, Andrew Buhr, on the rarely heard Rudra Vina. They performed Raag Todi - Alap, Jor, and Jhala, in an even more rarely heard Jugalbundi (duet) of this rare instrument. The performance took place at the Baha'i Center in Bellevue, Washington on August 3, 2013, under the auspices of SIMA, for their 5th Annual Ashta Prahar (24 hour music cycle.)
Просмотров: 2 015
Видео
Raag Jaijaivanti - Andrew Buhr (double bass)
Просмотров 2,4 тыс.11 лет назад
This is a recital of Andrew Buhr, disciple of Jeff Lewis, in a recital of double bass playing the rare Indian art form of Dhrupad. Andrew here is performing Raag Jaijaivanti-Alap & Jor, for his portion of this Student Recital.
Sadra in Raga Lachhasakh
Просмотров 59311 лет назад
Recorded as part of SIMA Faculty Recital on October 9, 2011.
Raag Marwa - Andrew Buhr (Double Bass)
Просмотров 6 тыс.12 лет назад
This is a recital of Andrew Buhr, disciple of Jeff Lewis, in a never-before-heard recital of double bass playing the rare Indian art form of Dhrupad. Andrew here is performing a condensed version of Raag Marwa-Alap & Jor, for his portion of this Student Recital.
Raag Jog - Jeff Lewis (rudra vina) SIMA Recital
Просмотров 49 тыс.12 лет назад
This is a SIMA (Seattle Indian Music Academy) Faculty Recital of Jeff Lewis, disciple of Ustad Zia Mohiuddin Dagar, on the rarely heard Rudra Vina, performing Raag Jog-Alap, Jor, and Jhala. The performance took place at the Baha'i Center in Bellevue Washington on April 14, 2012.
Prabhat (Raag Kalingada, Teen Taal)
Просмотров 9 тыс.12 лет назад
Composed and Vocalized by Shalini and Nilanjana. Accompanied by Surya Pathak on tabla. Lyrics: | Ga Ma Pa Dha | Pa Ma Ga Ri || Sa _ _ Pa | _ Ga Ma Ga | Pro _ bha _ to _ Aa _ lo _ _Aum _ bo re _ | Ri Sa Ni Dha | Sa _ Ga Ri || Sa _ _ Ni | _ Sa Ri Ga | Mon_ jo _ ri _ Cha_ he _ _ Ro _ bi pa ne ANTARA | Ma Ga Ma Pa | _ Ma Dha Pa || _ Ni Ni Dha | _ Pa Ma Pa | Ae _ mo no _ Di bo sho _ Bi pho le Naahi ...
Russian Concert Tour (Raag Maluha Kedar - Alap) Part. 1
Просмотров 56912 лет назад
Brandon McIntosh - Sarod; Kuntal Roy - Tabla
Russian Concert Tour (Raag Maluha Kedar - Vilambit) Part. 2
Просмотров 94412 лет назад
Brandon McIntosh - Sarod; Kuntal Roy - Tabla
Russian Concert Tour (Raag Maluha Kedar - Drut) Part. 3
Просмотров 63612 лет назад
Brandon McIntosh - Sarod; Kuntal Roy - Tabla
This cat has got it!!!!
Beautiful!
It's simply great. I wish I had the option to click 1000+ likes!
ByGodGrece.hehasplesedGodAlso....chaitanya .joshi.
Great
PT ji' s voice is soo wonderful that I got everytime mad to hear all raagas from his voice
Welcome ,sir je. Parmjit ,Punjab, india.
Welcome , sir je . Parmjit , Punjab india.
Welcome , sir je . Parmjit ,Punjab ,india .
Welcome sir je. Parmjit ,Punjab india.
Welcome , my dear. Parmjit ,Punjab ,india.
Gratitude to Uday Bhawalkar for sharing this bliss. The great artist, still candid yet expert in channeling his voice from down to up in a soft and powerful mode that returns everything and everyone to God's bliss. From France 1000 Suns and 1000 Moons to such a Drupad Master.
Yes, spoke to him just now, he confirmed as of Seattle in 2013
Maestro. Great
Beautiful playing. Your lowest Kharaj string sings exceptionally clearly. Is it wound, by any chance?
Gratitude.....
Magical!!
Truly beautiful
Wow dude so nice thank you xxx ❤
Apratim
Indeed celestial music. Just absorbed in listening
Mesmerized. Become speechless. Namaste 🙏🙏🙏🙏🙏🙏🙏🙏
Paula
Speechless. I have no right to comment though I try to sing this raag. I only sing for Devine.
Beautiful, deep and powerful. Pt. Uday ji is simply an incredible artist
Bhut sunder
🙏🙏🙏🙏
अति सुन्दर
Just see and listen the VOCAL application only with TANPURA support, a very long time like INSTRUMENTAL AALAP JOR JHAALAA. THE CHARACTERISTIC FEATURE OF DHRUPOD MUSIC. VERY TOUGH INDEED.
The tune of HEAVEN. ANCIENT NORTH INDIAN CLASSICAL MUSIC of MIAN TANSEN GHARANA who is a LEGEND and PIONEER now and inspiration also of OUR HINDUSTANI MARGO SANGEET, WORLDWIDE as a meditational tune just like a magical touch of tune. Listened this WORLD LEGENDARY VOCAL ARTIST, the same RAGA, same aspect at SRA, KOLKATA, midnight episode with a great patient like the equal patient of this ARTIST.
Marwa = 'Death', or 'Mara,' The meditation mode is ancient, and from the buddhist period of Dhrupad/North Indian Baroque. It is the buddha in discourse with Mara. Interesting lyricism on entering kharraj that departs from the objective taan, becoming narrative due to the vibrato. Refining it from that vantage... Loving the caveat of Puriya and Bhairav on the heavy draw at the beginning. Could be Durga at the 9 minute mark. Mind the flowers, beloved.
i got lost in the music in headphones, my neighbor had to text me to take the kettle off the stove
अद्भुत... 💐💐💐🥰🥰🥰🥰
Mesmerizing Divine.. 🙏🙏
What a wonderful Malkauns; beautiful rendering.👍👌🙏🏻❤️
very nice that's really nice
Excellent recital. The audio quality is very nice
🙏🙏🙏
Superb...great voice quality..
Amazing performance Pt.Uday Bhawalkar Ji.🙏 What a beautiful rendition of Malkauns 👍 You are "the best Dhrupad" gayak among your contemporaries.!!
Excellent
Beautiful
Wonderful, mesmerizing performance.
❤️🙏❤️
So beautiful ❤️
He has taken dhrupad to ultimate height. Mesmerizing performance as usual.
J#N#P# aka Jashwant Narsidas Ponda###Eh! What does one hear here? A fugue, a calmative threnody? A "Valhalla Exchange" truth? A life restoring "Sanjvni"? A Dagar Brothets elongated holy chant? Or a "Shavason" -like divine silence wrapped in a divine silence. It's a standard remedy for hurry sickness? Verily it is a Rasayana of all these things put together!
Vichitra Veena on the right???
Thats the mighty Rudra veena, the traditional go-to instrument for Dhrupad recitals.
In Gandharva vidyalya the form of dhrupad is strict in some examinations but they don't allow such rendition due to lack of time moreover they focus on rhythmic combination ekpat duppat .😒 How those students will come to know the dhrupad shaili is this one not that typical.
Such a tragedy we call raag daari sangit is more pure form of particular Raaga but it comes with more purity when sung in dhrupad form as it revolves around the microtones. (Shrutis)
can you please provide the aroh avaroh of this raag?
Aaroh avaroh gives very little info about the raag. However, just for your info, this raag belongs to Kalyan thaat, does not have re-dha in the aaroh, and the avaroh has all seven swaras (S G M# P N S" - S" N D P M# G R S). It is close to Marubihag, but uses only teevra ma (M#), unlike Marubihag which uses shuddh ma in addition in some phrases. Also, the phrase PDPS" is found in Maru but not in Marubihag.
@@forestswaras thank you very much😊
@@tridebbhattacharjee8697 Welcome :)
Just to add to that; Jaipur gharānā seems to have its own version of Maru Bihag. Mallikarjun Mansur, Kishori Amonkar and Ashwini Bhide's renditions would be instructive in this regard.