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Oxford Chamber Music Festival
Великобритания
Добавлен 29 фев 2012
Highlights and videos from the Oxford Chamber Music Festival (OCMF).
OCMF is a multi-disciplinary melting pot for musicians, visual artists, writers and film makers, exploring a sense of creative alchemy through a week of eye-opening activities in Oxford.
The festival has featured in Classical Music, BBC Radio 3, The Guardian, Observer and local coverage (Oxford Times and Oxford Magazine). BBC Music Magazine described OCMF as a ‘No.1 unmissable event’ and by Gramophone as one of the top 50 music events in the world. The Daily Telegraph called it ‘...truly festive, different and distinctive...exhilarating atmosphere & artistry.’
OCMF is a multi-disciplinary melting pot for musicians, visual artists, writers and film makers, exploring a sense of creative alchemy through a week of eye-opening activities in Oxford.
The festival has featured in Classical Music, BBC Radio 3, The Guardian, Observer and local coverage (Oxford Times and Oxford Magazine). BBC Music Magazine described OCMF as a ‘No.1 unmissable event’ and by Gramophone as one of the top 50 music events in the world. The Daily Telegraph called it ‘...truly festive, different and distinctive...exhilarating atmosphere & artistry.’
Summer Concert at Christ Church Cathedral, Oxford
Join us in the candlelit surroundings of Christ Church Cathedral, Oxford at our annual Summer Concert featuring works by Ravel, Brahms and the Beatles
Просмотров: 143
Видео
OCMF Trailer
Просмотров 4352 года назад
With the dreaming spires of Oxford as it's backdrop, Oxford Chamber Music Festival (OCMF) is a multi-disciplinary creative melting pot that brings together musicians, visual artists, writers, film makers and educators in a week-long celebration of innovation and inspiring musical experiences. UPCOMING FESTIVAL 2-8 October 2023 'Freigeist' - more info at OCMF.net
Pēteris Vasks 'Summer Dances': Priya Mitchell & Hugo Ticciati
Просмотров 1,3 тыс.4 года назад
Pēteris Vasks wrote these charming 'Summer Dances' for Priya Mitchell and Hugo Ticciati. They gave the World Premiere of his work at the Holywell Music Room in the 2017 edition of Oxford Chamber Music Festival where Vasks was Composer in Residence. This live selection includes dances number III, II then finishing with VII. Priya Mitchell, violin Hugo Ticciati, violin Dance III: Unhurriedly Danc...
Priya Mitchell - The Lark Ascending, Vaughan Williams
Просмотров 1,2 тыс.4 года назад
Priya Mitchell, artistic director and founder of OCMF, plays The Lark Ascending by Vaughan Williams live at the Oxford Town Hall.
Henning Kraggerud & Priya Mitchell: 'Mantra Metamorphoses' Henning Kraggerud
Просмотров 1,6 тыс.4 года назад
World premiere performed at Oxford Chamber Music Festival 2019, 'Scandinavia' that featured artists and composers from all over Scandinavia, including this work from a Norwegian composer. The work was written specially for this Festival where Henning Kraggerud was composer in residence.
Oxford Chamber Music Festival - thank you
Просмотров 3274 года назад
OCMF is indebted to everyone who has supported us over the last 20 years. We made a short video to say 'thank you' through reliving some of the magical moments that have been made possible through this generous support. Beethoven String Quartet in F major Op. 59 No. 1 'Rasumovsky', first movement (extract) performed at OCMF 2007 'Seven' by violinists Henning Kraggerud & Priya Mitchell, violist ...
Marianna Shirinyan, Für Elise Beethoven (extract) for OCMF 2020
Просмотров 4784 года назад
A truly joyous human spirit who exemplifies radiance and positivity is Marianna Shirinyan, who has performed at the festival a number of times. Some of our followers will remember her glorious Mozart concerto at the Holywell in 2013. On 27 April 1810, Beethoven gave his beloved, Therese Malfatti, the gift of one of the most extraordinary and timeless first bars in musical history. We hope that ...
Ruth Padel at OCMF 2020 'Beethoven Variations': Mother Poem
Просмотров 2784 года назад
'Mother Poem' from her book Beethoven Variations. Ruth Padel is an award-winning poet, author, wildlife conservationist and musician, and we are absolutely delighted that she will be joining us at the 2020 festival to talk about her latest book. Beethoven Variations mixes poetry and biography to explore Beethoven's life and work. Padel draws on Beethoven's diaries, letters, memoirs, and above a...
Natacha Kudritskaya - L'Entretien des Muses, Rameau @ OCMF
Просмотров 120 тыс.9 лет назад
Natacha Kudritskaya plays Rameau at the Oxford Chamber Music Festival.
Maxim Rysanov and Natacha Kudritskaya - Whispered Lullaby @ OCMF
Просмотров 2 тыс.9 лет назад
Dobrinka Tabakova: Whispered Lullaby Maxim Rysanov (viola), Natacha Kudritskaya (piano) Oxford Chamber Music Festival
Vladimir Mendelssohn About Priya Mitchell - Oxford Chamber Music Festival
Просмотров 2,5 тыс.12 лет назад
Vladimir Mendelssohn About Priya Mitchell - Oxford Chamber Music Festival
Natalie Clein and Natacha Kudritskaya in Rehearsal - Oxford Chamber Music Festival
Просмотров 4,3 тыс.12 лет назад
Natalie Clein -cello and Natacha Kudritskaya -piano. Oxford Chamber Music Festival 2011. www.ocmf.net
Philip Pullmann - Oxford Chamber Music Festival
Просмотров 22112 лет назад
Philip Pullman on Oxford Chamber Music Festival. From 2009 Festival.
Alexander Lonquich - Oxford Chamber Music Festival
Просмотров 1,2 тыс.12 лет назад
Alexander Lonquich piano, Bach Goldberg Variations extract. Oxford Chamber Music Festival 2009.
Oxford Chamber Music Festival
Просмотров 2,1 тыс.12 лет назад
Oxford Chamber Music Festival 2015 Festival Priya Mitchell - Artistic Director 30th September - 3rd October 2015 See www.ocmf.net for more details
😄👍
Omg, is this beautiful........
Ontroerend mooi dank🙏
La clarté du cristal…La fluidité d’une source lente…❤
Спасибо
Впш вариант гениально
❤❤❤ профи... желаю Вам творческих успехов..
Dear God. Played with so much soul.
Cuts to the bone
Weergaloos mooi bedankt
nie jestem znawcą francuskich klawesinistów ale słucha się znakomicie. Kudrritsaya jest wybitną pianistką.
Excellent！！
La subtilité de l' oiseau lyre et la splendeur sublime de l'aigle !
Eine seele am klavier...
De geest van de componist exact dank
Looking forward to seeing Priya with the Cape Town Philharmonic on 21st September 2013: Corigliano Elegy for Orchestra Beethoven Violin Concerto in D, Op. 61 Schumann Symphony No. 4 in D minor, Op. 120 🇿🇦
Obviously she gets Rameau.
Weergaloos mooi zo intiem dank
Une merveille que j’ai vécu aux larmes à Dijon quand vous avez joué en bis cet opus de Rameau… J’ai aussi pleuré l’émotion que vous m’avez offerte. Vos larmes étaient là ; je les ai vues… Chère Vous,sachez combien j’aime vos mains musicales originées à votre esprit. patrice clairet
Uitvoering pakt my erg aan geweldig goed het gevoel dank ////
The absence of frontal shots is the only lack of this video. I would have liked to admire the facial expressions of Natacha Kudritskaya, that I love.
c'est de la poésie ... de la pur poésie ... cette pianiste utilise le piano comme instrument de cette poésie mais c'aurait très bien pu être de la harpe ou de la guitare, le résultat est le même ... un pur moment de grâce ... et je suis claveciniste !
Totalement magique ce lien de N Kudrtskaya avec Rameau ... peut être la meilleure interprétation du moment de cette pièce AU MONDE
Amen
Rameau was an opera composer and a theorist as well,... let's not forget he not only wrote these pieces,... he played them. Who does that nowadays? Anybody?
Magnificent playing. I usually prefer the harpsichord on the 17th and 18th century stuff. But I found with Rameau it's different. His orchestral thinking works so well on the piano and she does a marvelous job. I'm learning this piece on the harpsichord and listening to her, gives great insight. Great job .
Imho she is truly amazing. She has a RUclips video of this piece - Rameau - Suite en la Gavotte et six Doubles - which I love ruclips.net/video/HuJ-LKEH6W0/видео.html
Love the 'Max effect'. I have a copy of this score. I wonder what the scientific term is called? Playing an open string and placing a particular finger on the another string...
Hemelse klanken dank
Incredible dynamic range, 'pp' clearly audible and airy, 'ff' elementally powerful
Brava! Brava!
Vous jouez beaucoup trop vite !
Vraiment ? Je trouve l'entretien des Muses est joué beaucoup plus lentement que par la plupart des autres pianistes justement
@@TheNarcotricks Je parlais des " Cyclopes": je préfère la version de Sokolov. Aprés, chacun ses préférences !
@@thierrymaindron1980 Non so se ci sia una velocità più "corretta" delle altre. Sicuramente, alla fine contano le preferenze personali. Comunque, anche Víkingur Ólafsson suona Les Cyclopes alla stessa velocità di Natacha Kudritskaya. Mi sembra che la maggiore dinamica data da quest'ultima sia ben apprezzabile, in una esecuzione "moderna".
magnifique ,on ne l'entends pas assez
You can almost hear the whispering muses
This video is mesmerising
Rameau's heart.
Superbe ! merci pour le partage
굳!
Extraordinaire
Très belle interprétation; mais l'harmonisation du piano ne convient pas à cette musique, elle étouffe trop les harmoniques aiguës, dommage...
You know what you are doing! Congratulations! Completely new experience of roccoco clavecinisme meeting possibilities of modern pianism. Why shouldn't someone offer an interpretation full of emotions in line with expressiveness of a modern instrument, despite all known conventions of historically authentic performance?! We can be aware of harpsichord sound and dynamics, but some pieces, as this recording shows us, allow much more sophisticated agogics in performing and ms Kudritskaya offers us her vision today of French keyboard music of 18th century.
It is not rococo
@@TheNarcotricks Oh yes, it is.
@@TrazomGV no, Pancrace Royer is, not Rameau
@@TrazomGV The word "baroque" has been used at first for Rameau
Che Magnificenza! Grazie, grazie, grazie.
I love Rameau so much, it is old music but so new, it comforts the soul, here with this pianist, Rameau on his best, thank you
Mais Rameau est pour le clavecin! Pa de piano!
@@joseluisgimenezperez909 QUELLES EST LA DIFFERENCE?🤔
@@joseluisgimenezperez909 Vous avez tellement raison ! Il ne doit être joué que par clavecin afin que 10 personnes puissent le jouer et que 15 personnes puissent l'entendre. Avec une audience si restreinte, Rameau va mourir assez vite, vous savez.
@@joseluisgimenezperez909 Oh myGod!
C'est chiant.
Elle interprète Scarlatti comme du vulgaire Chopin, Pfffft.
Pardon, Rameau.
Honte à vous, l'ayatollah du conformisme baroque. Elle fait passer par son " interpretation" une émotion apparemment incapable de toucher votre cœur et l'étroitesse de votre mode de pensée
@@michelponcet5810 j'assume, et c'est pas du conformisme, c'est juste que c'est mal interprété, pas techniquement, juste au niveau de l'interprétation, c'est chiant, et ça ne rends pas du tout grâce à Rameau.
Dans toutes les interprétations que j'ai entendues de l'Entretien des Muses, j'ai trouvé que ce morceau annonce Chopin. Il y a des préfigurations presque (je dis bien : presque) textuelles de la célèbre Mazurka en si mineur. D'autre part, j'ai souvent constaté que les gens qui disent préférer entendre la musique baroque jouée au clavecin ne la mémorisent pas quand ils l'entendent seulement au clavecin alors qu'ils la mémorisent immédiatement quand ils l'entendent au piano.
Rameau ; l'autre compositeur
Clearly she knows rules of french baroque , but she didn’t try to imitate harpsichord , but rather bring out the music with her special initiative and piano sound.
Cuando hace los adornos, las apoyaturas, suenan a cielo y parece que la mano está adormilada... gran escuela. Gracias.
¡Qué ductilidad en las manos! está bien entendida la plasticidad barroca cuando no habían pianos.... seguiré este hilo con atención.
Freakin' good pianist... and she played Rameau in eskimo boots!
Конечно Рамо так бы не сыграл но интерпретация супер
Juste splendide ...