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I also have 2 UF8s and use Logic Pro. I always use 360 mode rather than DAW mode. Is there a way to set it up so that the left UF8 only has the channels on it and the right UF8 only has the track stacks (ie. busses) on there?

I'm still unsure about the difference between a zone and mode. My goal is to have two settings for my pads - one setting will be for drumming (which is the default) the other setting will be for triggering live loop scenes. I've tried setting it using the learn button on a new mode, but it just seems to overwrite and I can't switch between the two settings.

Hi! Thanx for the video. I had this problem for a particular situation. I noticed that my project was very heavy, and I decided to create a 2.0 version to empty it out a bit and get back to work on it. (The reason I didn't do it all over again was because I already had templates ready to do some minor mastering.) To do That I deleted as you did both the tracks from the project and the existing tracks in the Audio folder. Result: the 'file not found' warning appeared. Do you know an alternative way to empty a project as I did, but without this Logic message appearing?

5:21 Alt Command B and 6:47 wouldn’t that ruin the loop?

Hey Eddie, Thomas C here. Great video.. Sent u friend request. Thanks

Sorry but this is not helpful for my situation at all. You don’t even show or explain the learn button that has 3 different lightings settings that even Apple doesn’t tell you what they mean. I am simply trying to g to assign 5 volume and 6 send to bus assignments on a launch XL midi mixer controller but they keep flipping to different assignments, and yes I am clicking on the learn button after the learn, and shutting down the controller surface each time but nothing works as it should. It seems like there is nobody giving all the info you need to make such a simple task work correctly. Sorry but this is so frustrating and I have been producing for over 30 years and using logic for over 20 years so not new to this, am I really that dumb…?

i doesn't turn it off... i still get it.

I couldn't find the input ports options, and I had to go into midi settings in the last page and tick the input ports availability on. Just in case someone was in the same predicament as I... All the best.

Undoubtedly great advice, but where do you find the associated Folder or Package?

Nice tutorial! My strategy for this kind of thing is to map the hardware controller to Smart Controls and then assign the smart controls to each instrument so that it switches assignments automatically when the instrument track is selected. But this is also an option.

Excellent series! Thanks for sharing these tutorials.

For Bank Left and Bank Right, instead of adjusting the multiply parameter, you can change the Bank Type from "By One" to "By Bank"

Is there anyway to buy logic Pro at this point if you’re on Monterey and an Intel Mac?

I don't know about this feature but this is my setup on AKAI Mini MK3 Automation knob is turned on so I can control all parameters in 1 knob including 3rd party plugins (Absolute on Knob 8) All knobs are absolute: Knob 1 - Playhead Bar Knob 2 - Playhead Division Knob 3 - Bus 1 Send Knob 4 - Bus 2 Send Knob 5 - Track Selection Knob 6 - Track Pan Knob 7 - Master Volume CC Bank A CC Pad 1 - Mute Track CC Pad 2 - Solo Track CC Pad 3 - Input Monitoring CC Pad 4 - Arm Record CC Pad 5 - Rewind CC Pad 6 - Stop CC Pad 7 - Play/Stop CC Pad 8 - Record CC Bank B - I haven't mapped it yet. I'll try your set up and maybe try to group my knobs above to a mode (except knob 8). So 8 cc's on bank B times 7 knobs = 45 knobs in total.

Absolutely AMAZING series your Control Surface tutorials Eddie. Have wasted so much time watching rubbish online & still not getting the answers I was looking for. But your collection of vids answers exactly what I’ve looking for re: modes, flips, index, etc. And always explained so well too. Thanks for the effort you put it mate, much appreciated 🙏 Keep ‘em coming !

Hey Buddy, you saved my day!! Thank you very much!!

Thanks so much for taking the time to share your knowledge. Very clear explanation helped me get get a grasp on how this all works. Apple should be paying you for this, no chance of that 😅

dude.. I LOVE you.. I been sitting here digging for info. im setting up a midi twister fighter for plugin controls and was going crazy trying to figure out how to switch plugin controls to isolate what plugin the midi fighter controls... im gonna be switching plugins with a stream deck, then midi fighter for parameters. the midi plugin for stream deck helps a ton. wow, thank you SO much.

Hello can logic scroll all regions while playing the beat like FL can? 😊 Never mind I found it. “Scroll in play” needs to be selected 🎉

I've been trying to understand what is needed to align tracks like this, and have been struggling to find a proper tutorial. Finally! Not only have you addressed this topic, you have done it concisely and efficiently! Thank you. Sub'd.

Great Video Cheers

Maybe a video on symlinks? I know it's old school, but it's been the cleanest way I've found of relocating my files manually. Just a thought homie.

Hey, as always awesome stuff. Just in case I missed it. Once I've turned my pads into seperate banks, will I no longer be able to use them for drums using drum machine designer for example, or will the pads now only be to change modes? Thanks for all this awesome info!

Question, please. Is it possible to custom assign tracks to faders across multiple banks? I have a large (>50) number of tracks/channels in a project, and I am using folder/summing stacks to hierarchically organize them. For example, I have 3 mics that blend the kick and them sum to a kick stack. The stack is Ch1, and the individual mics are on Ch2, Ch3, and Ch4. Then I have both a top and bottom snare mic that sum to a snare stack. These are on Ch5-7. This continues for the rest of the kit, and then for other instruments, well beyond ch50. I want to map my controller faders just to the summing stacks, so fader 1 would be ch1 for the kick stack, fader 2 would be ch 5 for the snare stack, etc. This seems possible within the first bank of 8 physical faders on my control surface, but what about when I bank right with a multiple of 8? Now I'm going to need physical fader 1 to map to another stack further down the virtual board, say ch 15, for example, and so on. Is it possible to do this, and what would be the approach for doing so? Disclaimer: I have zero experience with controllers, but I have just ordered an X-Touch and am hoping I will be able to do this. Thank you in advance!

Sounds like a psr from the 2000. Not a big step from logic here. I mean buy a yamaha psr and have a lot more than this...

Excellent first look and enthusiasm !

Hi. Thanks for all the useful tutorials. I need your help. Is there a way to control all parameters in Logic with a single knob? I would like to click on any controller with the mouse and change it with my one-knob controller. Is that possible? Thank you.

I guess I didn’t realize you needed the Silicone chip for the mastering assistant

Having used Logic with chord track for a week - the chord track keeps changing edits I do in midi tracks - like an annoying spell checker. That feature is not for me - I have my own ideas after 60+ years of composing music.

Thank you sir, I had disabled the iphone mic from the macOS audio settings, but with this approach is more easy to re-enable the mic when it's needed.

Thanks for the video! was looking for exactly this.

I really like this a LOT, thanks SO much. Sometimes I had a song song already nearly complted and couldn't figure out how to sync new tracks to it. So, I exported the main track. Set it up exactly like you did in new sessions, set Tempo to "adapt", adding all my percussion tracks then exported those and reimported those back into my original song (which already had 16 tracks of live performance). There were too may track of different sources in my original and every time I tried different tempo mapping techniques (so I could quantize a few live percussion tracks to a live acoustic guitar - percussion is not my strong suit) it through EVERYTHING off. So your solution and my work around saved me. THANKS!!! Subbed!

Thank you so much for this I did not even know I could do this with logic. This is a game changer! Thank you again.

This was extremely helpful!!! How did I overlook this feature??? Thanks for your kindness, man!!!

This was a really good explanation. Thanks for this. I used to be an Ableton user but switched to Logic Pro years ago. I love how it has evolved from 10-15 years ago but I feel that Ableton still beat Logic in MIDI mapping. On Ableton, I could map various parameters (high cut filter, a wave table from serum, a reverb wet/dry, a compressor threshold) into just one knob on my MIDI keyboard without a hassle. I would hit record and off I went automating everything with just one knob twist without having to switch between instances. Do you know if there a way to do that in Logic?

Thanks for the insight 👌

Thanks for our session! Its was very enlightening!

Looks like several people aren't happy with the click track as I was going to suggest. I appreciate the demo.

I've only been using Logic for a year but have used computers for decadess and I have never encountered a more convoluted, difficult, counter-intuitive and very, very, very frustrating procedure as the whole control surface assignment set up thing. The user manual might as well be written in soup and it seems that for all the Logic tutorials out there no one really gives a simple and understandable hands-on followable demonstration of what should be a quick and easy thing to do. Except for yourself. Please do more of these simple, short and very accessible videos. Thank you,

Why can’t the chord track just follow the midi regions I just played? Not innovative

Super!!!Thank you so much

I don't agree that it all sounds manufactured. It CAN sound like that if you allow it to but with loose quantising, velocity adjustments and special attention to the humanize function, you can lift it above the dull, lifeless stuff beginners come out with. It's like anything, it's how you apply yourself to the task. With enthusiasm and attention to detail you can make ordinary become extraordinary.

I just get the feeling you and Logic Pro have saved me tons of time and frustration.

Immensely helpful and I am only 2 minutes in.Thank you That Logic Pro Guy .

Don’t get me wrong, I think this and the last update are good moves and I’m excited for the beginners who can really benefit from it, but is there anything new a seasoned pro can take advantage of other than the new saturation plugin?

Turn the clock off

Great!

It falls flat... What would really be useful is to be able to drag a midi track up to the Chord track and have the Chord track auto populate the chords. Also, to be able to lock a midi input to the chord track would be awesome for creating in-key melodies. Oh well, maybe next time.

3:55 to jump past drummer vets

I tired to update it on App Store but the update is not there, is it coz I’m in Europe ?