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very cool thanks, hmm so lets see i know that there is a few but they are quit expensive spectra $95, pro8 $115, rocky mtn film lab $48.50(comes on a dvd). I know there are few more maybe gauge. Best of luck, Thanks for tuning in!

Hey Bud do you mean the Bauer c Royal silver? OOh an R10 so nice those dudes! Hard to find both of these i've kept an eye out too haven't seen any up for sale. If I do see any I'll let you know big guy!

@@tiomannysworld6835 good 2 hear! Getting hard to get an R-10

I'm curious to see how it looks man, thank you bud!

Just a regular telecine bud lol!

yeah I a have a few hoya lens hoods for that and some other cameras but I figured what the heck, give this a shot see if it works. It worked quite well the rubber is thin enough to not add hardly any weight. I did it kind a haphazzard so my finish is rough but I think taking time with it measuring it out. I was eyeballing it then trimming as I went. Thanks for tuning in!

Thanks for tuning in Barry!

Thank you man, I appreciate it!

Hey bud so the gear in this video was an "el Omegar" enlargement lens 75mm f3.8, sony fdr ax43a (Exmor R CMOS), gaf 3000s Super 8 projector. The image is recorded pointing the camera at the enlargement lens and using the optical zoom almost fully zoomed in. The enlargement lens is mounted to the projector using foam sticker tape to absorb micro jitters from the projector. That's the setup that this footage was shot with. Nowadays I use an Elmo FP A for all 8mm work with the same lens and camera. Hope this helps ya out, thanks for watching!

You know it bud

Gracias Carlos!

I saw ya in there bud thanks for dropping in!

Thanks O!

Blustery and dry so far been raining a lot here! Thanks for coming through Barry

No doubt Remy, thanks for watching!

Good to see ya Barry!

Man so cool, for me getting colorized soon

Thanks Mike, I'm nose to the grindstone bud! Thanks for watching!

This was shot by my friend with my Nizo he took it to iIaly and Switzerland. Last weeks video has the first two reels. Thanks for tuning in Barry!

Awesome thank you!

I really like reversal as well, nothing like being able to project your films! Really I was under the impression that there was more regular 8mm available than out here in the states. Figures though hey thanks for watching and happy shooting!

@@tiomannysworld6835 Took some Kodak super 8 100 D for my mums 80's in May on a cruise in Norway, had it back recently very good took with my dad's 233 c camera he used when we were kids.

Gracias Ruben!

Yeah same here with the hood splitting I have a vid planned on an idea of how to fix that issue along with eyecups that are splitting. No lie I have been looking at getting a single 8 just trying to see which model I want to go for. How do you like the optics on yours? I have seen some footage online seems to have a real nice image. Dig the backwinding option so cool man! Thanks for tuning in

@@tiomannysworld6835 I think the Fujica Cameras are Robust Paul Morbid has used them the ZX800 and ZX 1000 its easy to open the Single 8 Cartridges and load them with Super 8 just got A Quartz double Super 8 Camera and some film very Robust will be testing that one soon

@@tiomannysworld6835 I have the Fujica ZX 600 the optics are quite dirty on this camera and I have Fujichrome 25 to test it I got it real cheap love the back pressure film plate on it just like on old standard 8mm cameras I think they are well thought out cameras that should have been more popular in there time it would be nice to see them revived

Thanks O! Tough question, of the ones I have I use the Bauer s209 the most. At least recently past year or so. I really like the images that come from it. All time fav is the Nizo I feel like I know this camera so well and I love the aesthetic of the design great glass yah the Nizo. Thanks for dropping in big guy! Happy shooting

Hey Barry! Thanks bud, yeah no doubt I try to drop in keep in touch with you guys at least in that way. I love this community I'm looking forward to making some more vids! Happy Shooting, thanks for tuning in!!

@@tiomannysworld6835 those were some fun films, I enjoyed watching them.

Hola Carlos

Thanks I love the way they look as well especially the C3R. Happy shooting!

that would be a cool project. You would have to make a mount to put it on any adapter and flange distance might get tricky but im sure it can be figured out

Thanks for watching!

ok bud lets see what we can do. So the assembly takes 3 AA's there is a contact plate for the two on the fat side and the single battery will complete the circuit with a single plate touching the contact point on the handle. Hope this helps! Thanks for watching and happy shooting!

Not stupid at all. For standard 8 you can load the roll in subdued light this is because it comes on a daylight spool. It will expose about 2 feet of film. Back in the old days they would load the reels with a bit more film for this very reason. It can be loaded in a darkroom or a changing bag to give you a little bit more footage. Thanks for watching and happy shooting!

Glad you enjoyed it, thanks for watching and happy shooting!

It can shoot any of the color films. It will auto expose 16/25 asa 160/250 asa. Best if you meter it yourself, for the tungsten stock it has an 85 filter that is engaged with a red slip plastic piece that is found at the top of the camera; filter in: when inserted in the back of the top handle. Hope this helps, thanks for watching and happy shooting!

thanks for watching and happy shooting!

Hey there the P1 is 2x8mm film camera. from what i've heard the P1 and the p3 because they had farther focal distance but this may mean the less elements in the P2 would make for a sharper picture. pure speculation from here say I have P1 and I love it! whenever i see the images i get from this guy it blows me away and I have yet to shoot any color yet. The variable shutter is very nice to have if shooting with a high iso film in the sun you can adjust your shutter accordingly. Hard to find in cameras of that era. Definately very nice cameras! I have a couple of quarz a ds8 and 2x8 both still run great and take great pictures, Hey thanks for watching and Happy shooting!

Hello, doing well! Awesome I dig Mike's channel great content and the livestream is so cool man. Love chopping it up with fellow enthusiasts. Thanks for dropping in and saying hey, happy shooting!

You can but it won't auto expose correctly. Have to manually set the fstop. It's about two stops off with auto. thanks for watching.

Hey there not sure why that's not working for you. Usually they fit right in snug but not to tight. Sorry wish I could help out with that. Thanks for watching!

Hey, sorry this took so long to answer. hard to say though It may be that the motor hasn't moved in a while and needs to get some lube. if you have a cable release try using that on the button on the body of the camera. if nothing try using the release on the single frame which is right below the viewfinder. if that one fires a frame off do a few more than switch to the regular fps release. This may unstick it but it will need some lubrication no matter what. Hope this helps thanks for watching and happy shooting!

if its the new ekta for sure it will work. if it's the old ektachrome 160 g you may have quit a bit of reticulation. for the 160 try putting the fixer down to about 68 degrees fahrenheit. This will help for the emulsion not to melt off. If it is the new stock it will work with regular temps. Thanks for watching!

I have seen quite a few hard to say what the lens is. I normally gravitate towards certain glass on my super 8 Schneider mostly. They were used by Bauer, nizo and Beaulieu. I also have quite a few Elmo's and Canon each used their own optics. The camera you have I have never heard of but it looks nice from the info I found on it. Lots of super 8's out there that are excellent but aren't well known. Thanks for watching and happy shooting!

No doubt i got that taken care of within a few weeks.

I use 1000 ml for anywhere from 4 -6 minutes depending on how used the fixer is. I use Ilford rapid fixer. hope this helps let me know if you have any more questions. Thanks for watching and happy shooting!

hmm ok the contrast is probably underexposure and the focus....if your using the c3m make sure the dial on the left should be set to infinity which should be the dial is set clockwise till it can't move. On the C3r each lens has its own focal length where your iso defines the field of focus. This is true for both except the c3m has the macro option with the the aforementioned dial. F2.8 is about 6.5 ft at f16 you will have focus at about 2.5ft. Shooting with primes is a bit more involved. So for 50 yr old film you want to overexpose about 5 stops depending on how it was stored will determine how well it responds. Solid rule of thumb is 10yrs=1stop overexposed. Hope this helps thanks for watching and happy shooting!

Not to much to choose from here in the states Film photography project 500 and 100 negative stocks are nice, foma from Bh or adorama. In Europe there are many more choices on8mil, gauge, widescreen centre to name a few. John Schwind closed shop at International film brokers sad to say he had a good variety but no more. The lenses on the C3R are nice and have a good contrast for higher Asa films. If shooting indoors you will need a fair amount of room between your camera and the scene if shooting wide open hope this helps. Thanks for watching!

Yeah It's a shame but what you gonna do other than try to shoot with it anyway. Nah not d mounts nice glass on it would be cool if it was. Thanks for watching, I'll keep them coming!