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Still loud!!😂

That's the one.

If you program 8 notes (in your synth’s sequencer) and 3 triggers per bar in the 606, it will take 8 bars to land on the sequencer’s first note again. Variation.

@@soundlabsounddesign9392 ohhh.

Yes and no, yes, because the next note will be triggered by the next trigger, so it has to be changed before to ‘catch’ the trigger. And I say No, because with MIDI when you change the pattern it changes immediately, so with the trigger sync stays tighter.

You can write the notes any way you want, middle C would be the normal state of the keyboard but you can enter the notes some octaves down or up (with the octave button) or with an external keyboard.

@@soundlabsounddesign9392 I would think if you were writing a baseline, you would transpose the keyboard down, and then write the sequence. But instead you wrote the sequence at a higher octave and then transposed it down.5:37 Does my question make sense? Why not just write the bassline in the notes you want played? In other words transpose down first, then write the bass line? In other words, can you write the sequence with the octave already lit and shifted down?

Lo sé! Ya lo desarmé, intercambié el módulo por un Korg ESX y conseguí un Behringer 2600, al cuál le hice otro cuerpo, no tan horrible.

Thank you!

It depends on how you use it, Arps won't go out of sync, you just enable the arp button (or save it in the patch) and send the chord/notes from your external sequencer and you are good to go. Just clock it externally through midi or CV triggers. It has a place by my Moog Source, and Yamaha CS-15 and it is my TR-606's faithful companion.

Thank you for your reply . I personally appreciate that kept it and love it. I understand you so much..... My portable equip. is made korg monologue, synthstrom deluge, Waldorf blofeld + a keyboard cntrl & a microphone recorder, and a feel missing only a poly knobby synth between deluge and blofeld, and a very extensive bass/lead line between monologue and deluge. So finally , because I have to dig a lot already in blofeld and deluge I opted to buy a second hand MFB Dominion Club , which is even quite rare. It took space near to monologue, at the place of the Toraiz , with all the respect for the DSI/Pioneer product, which is deep and good but I have prefered to truly have a body experience when I play constantly with subs, basses and leads. have a good music, fabio

Sony A6000, so that is just an old basic model of that line :)

It would be amazing if Sequential would produce a shell with knobs and keyboard where you could place the Toraiz as the engine to have a PRO AS-1. But one can only dream 😅

@@soundlabsounddesign9392 yes, there was a period that Sequential tried to be near to the requests and desires of the pubblic ( tetra , Tempest ) . Now they came back to the elitarian voice. Let's see if they gonna work something in the right time, if not Behringer will take their place soon .

2000xl?

Func+REC Copia todo patrón completo. Si quieres copiar solo un track, selecciónalo, presiona REC para que se prenda el LED, una vez encendido el LED, las funciones de copiado, pegado y borrado pasan a ser del track. Entonces: 1. Selecciona el track que quieres copiar (origen) 2. Presiona REC 3. Func+REC (Copy) 4. Selecciona el track al que quieres copiar el sonido (destino). 5. Func + STOP (Paste) Listo, ahora los tracks tendrán el mismo sonido. No olvides guardar como un kit nuevo, ya que si estás usando ese KIT en otro patrón, te cambiará los sonidos por completo.

I'd go for the Warp9. The Warp9 has a great sound, is quirky and harder to come by it also has a lot of simultaneous modulation and triggering options (MIDI+Audio+CV), it is mono and the interface is badly implemented, as you have to control 15 parameters with the same 5 knobs so when going to the next row and moving the knobs, you lose the view of the settings you had on the previous row. I see it more as a studio /production tool. The Filter Queen is simpler, it is stereo and sounds cleaner, the envelope follower has a nice response and it is fun use a mix of Env Follow with LFO. The FQ does not sync or respond to MIDI and you can use CV to control the filter (0 to 12v) as long as you use a floating ring cable. And if you use a three button footswitch you can -Tap tempo/enable disable Env Follow and bypass- It is also simpler to use in a live setting.

@@soundlabsounddesign9392 thanks!

I process my sounds in many ways, I think that one was a regular kick and I recorded saturating a cassette tape at high speed (9.5) and then played back at half speed to gain weight.