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Røde mics are better tho

Great simple tutorial - Dave from Adelaide, South Australia. Upscaling some older videos to HDR 10+ & will be using Dolby Vision for the next major commercial project.

the crane plate needs to stay on the back end where it’s locked, got a new basic set for €320 and very happy with the integrated light!

🥹 thank you

Gracias

I love the CPL Filter over the ND ones..

I use the cpl+nd64 for mosr of my vlogs i find it better as it also polarize..

I don't have FPV-1 mode

I didn’t even know this existed!! Immediately buying. Any suggestions for lighting at night?

Thank you for the quick instructions... we just got one and we are very excited to use all the features... following 🔥🙌🔥

Hello, I am trying to edit the videos taken with my Gopro Hero 13 in HLG HDR mode (the source files have BT.2020 color space). I have a HDR monitor, when I watch the native clips (without any editing, straight from the camera) with VLC, they already look great, the HDR effect is clearly visible since the bright areas are really BRIGHT, great contrast , colors are nicely saturated, no need for any color grading ; however, the same (unedited) clips are not rendered like that with other viewers (such as MPC-HC, Windows Media Player etc...) , any idea why ? Anyway, now I want to edit those clips with Davinci 19, I have just installed the FREE version (not the studio Version). Whey I import the HLG clips in Davinci, they look dull in the editor (unsaturated colors and low contrast). I cannot find "Embed HDR10 Metadata" and "Embed HDR Vivid Metadata" parameters the "Export VIdeo" page: are they only available in the Studio Version ? I have tried to export the video anyway (following your instructions when possibile) WITHOUT any color grading , but the rendered file is just as dull as in the editor, even with VLC; checking the properties of the resulting video in VLC, no Metadata appear to be enbedded and also the color profile is not specified. Can you help me ? Thank you Massimo

Thank you - sincerely, what a great message and so nice to hear your story. I have been there where I let 1 dumb random comment get in my head and have me question what I am creating or sharing. This is such a great message.

Great breakdown, thanks

Hey Matt, my name is Johnny and I'm a freelance logo designer, would you love to have a logo for your photography site and your channel to have a brand image your audience can remember your contents from and also can be one of the merch print you can sell to your fans to buy and own and share the words about your channel too? Let me know if you interested and I would love to work with you to design these for you! :-)

Very helpful, thank you! Matt :)

Really neat demonstration of lighting impacts. Happy 2025!

Hello you know If I get more pixels or video in the Blackmagic Production 4K with the Siru 35mm Anamorphic lens 1.33x tan the Blackmagic Cimena Camera 2.5K MFT ? I mean I will have more wide video or more cut on the cornees?

switched to resolve 2 years ago from fcp, just now trying fcp11 and it still does not make the grade for me, sticking with resolve

Hello Matt, I want to thank you for your answer about my confusion with the EF mount. I took away the message because I found out this was about cinema camera's. I was looking for a pocket.. Thank's Richard

Thanks for the tips Matt. I will be using this info on making shorts for sure. Very much appreciated. Merry Christmas.

how come everytime i import my xml file, it keeps on saying the files were not found?

what media storage do you use to record constant quality. help me please

This is what i'm looking for! A straight-to-the-point video. I've been looking for "Normal mode" in depths topic and you give me just that. Other videos on YT just gave a long and unnecessary introduction that i had to skipped. Thank you!

Thanks!

Great video. Can u recommend which gimble setting would be ideal for a Studio Setup? And also could u make a video about setting up in a studio environment with cinematic feel? Thanks ❤😊

Issue is u cant find any old blackmagic products once they roll out the new ones, Im trying to find the studio 4k version 1 but cant see it anywhere because all you will see is the g2

I have shot for major brands and very high budget projects. I use 6k q5. Never had any complaints.

It doesn’t work for me. I’ve tried with theee different media types, Sony footage, Ninja v ProRes raw, and DJI drone footage. Only last one worked ;(

Thank you very much! Kind of clear the trouble for me!

Hello, i have dji pocket 3 now, can i use dji mimo app music on my fb page? Without getting copyright issue?

Do you think the DJI RS3 Mini could work with the Blackmagic pocket 6k?

The one touch autofocus isn't as bad as people say. I think it's a great run and gun camera. You just need to know your camera.

Amazing sir send your project file

Hard Pass on PPro... Project corruption still hasn't been fixed since CS5. Resolve is great but is a nightmare for content creation on iPhones. No matter how much tweaking I've done, my iPhone HDR footage never looks right. Final Cut KNOWS what to do with iPhone video content and applies the secret sauce profile and I can get to editing ASAP. I want to like Resolve, but as a mobile device content creator, I want speed and efficiency, not sitting trying to get my footage to look the way as I saw it during capture. Maybe I'm missing something but I can't get Resolve to give me what I want otherwise I'd be using it on my Mac Mini, Macbook Air and iPad Pro.

There's no better camera than the one you have with you when you need it. I make videos in a documentary kind of way so capturing things in the moment is always valuable and it's better to have something rather than nothing at all. Image quality isn't as importing as telling the story.

I just discovered if I tilt the handset 90 degrees in Follow or Tilt-locked mode (with the screen i landscape mode) i got 4K video in portrait mode, and not only 2.7K as I get if I just turn the screen! The good thing is that the video gets the right orientation information so I don't have to adjust that i post. :)

Finally! A video that clearly explains the gimbal modes. I've watched a handful of gimbal mode tutorials tonight and yours is the first that I didn't walk away still scratching my head. Thank you!

There's little to no reason to enable HDR Vivid if you grade the video.

Matt, nice comparison of three videos sources.

Wow, which split field diopter did you use? That looks amazing haha, nice work demonstrating these!

wanted to know if I could get by with RS3 as opposed to pro for blackmagic 4k?

Thanks mate ❤

The biggest obstacle for me is trust. I have great ideas, and very sharp perception, but people know my perspectives are usually somewhat unique. I spent most of my career writing software and leading teams to do complex financials, film, and the like... Where details matter. I am used to working with people already committed to a project. And I am not interested in manipulating a story to my own meanings, but rather I hope to explore other people's great stuff. Any suggestions?

Thanks for the review comparison...for me the weight matters especially for run and gun stuff and the flares on the Saturn just looks nicer with a straight horizontal flares instead of an oval flare in Venus.

This video was very helpful! Thank you!

I needed to hear this. Thank you for the encouragement. All my friends who started out with me on this filmmaking journey in the early 90's have all thrown in the towel. I'm the only one left. Sometimes I feel so alone and wonder am I wasting my time. But I can't stop. I'm not where I envisioned myself to be, I don't have the oscars and such. Life has at times delivered me some blows that tested my faith in my dream. I a few years ago I took a long look at myself and realized that wasn't really trying. I really didn't believe my dreams could happen and was afraid of failure. That's when I started my youtube channel and placed a demand on myself to create at least one film every month. I've learned and still learning so much about filmmaking. I realized that fame does not make you a filmmaker. Making films makes you a filmmaker. Thank you for the peep talk. I needed to hear that.

great job Matty. Thanks!

Thanks Matt!

Regardless of the profession, the one common denominator of all successful people, is that when presented with the perfect, insurmountable, overwhelming reason to quit, they persevered!

I never take video of a bar and move camera fast left toright. Dont think I need global shutter.