Thank you for this video... Virgil is one of the major teachers that I have ever noted as being full of pragmatic Truisms re Traditional Oil Painting and really George you are sitting right next to Virgil... thank you from Australia... The de-mystification of what the old Masters did thru necessity de-frags the mammoth amount of materials we now have available, and the very basis of what the old Masters did is great basis for your research and what I have done with Sun Oils and scrubbing linseed clean, and adding lead strips..l Love you guys. Thank you...
Appreciate the education and concise explanations that can stick in my head while I am in the midst of a glazing decision/debate in my head while in the act of painting. Of course, I can stop and reference your materials, or plan ahead, which many times I do, but I tend to not have that mindfulness when engrossed in the act of painting.
Gracias por compartir esta información. Estoy muy satisfecho con los productos Rublev que uso. Por lo que esta información añadida solo me hace estimar más aún a Natural Pigments y sus colaboradores.
So... Oleogel is a medium made to make use of glazing techniques? It confused me that you have shown it with pigments (colors) that aren't good for glazing... at first I thought you were trying to say it was good for extending without making the paint transparent.
Thank you for your research, you are advancing research on the old masters. About Maroger, it is written in the introduction of his book that he was not sure of his results and that he did not want to publish them. People have unfortunately considered Maroger's research and its results as the true medium of Rubens. Question, in all your mediums, which one comes closest to the medium of Pierre-Paul Rubens?
The old masters did not use an oil painting medium in the modern sense. They could modify their paints to suit their purpose because they made their oil paints, unlike artists today.
Hello, if I want to create my perfect painting medium for my purposes, is it possible to incorporate glass powder (yours) into a paste medium with calcium carbonate? THANKS.
@@RublevColours I always use rublive Italian varnish and dark drying oil . But I nourished a different between the colour of tow Italian varnish . what is the maine ratio different of turpintine , oil and beeswax of this tow Italian varnish
Thank you for this video... Virgil is one of the major teachers that I have ever noted as being full of pragmatic Truisms re Traditional Oil Painting and really George you are sitting right next to Virgil... thank you from Australia... The de-mystification of what the old Masters did thru necessity de-frags the mammoth amount of materials we now have available, and the very basis of what the old Masters did is great basis for your research and what I have done with Sun Oils and scrubbing linseed clean, and adding lead strips..l Love you guys. Thank you...
Thank you!
George is sitting next to Virgil?
Appreciate the education and concise explanations that can stick in my head while I am in the midst of a glazing decision/debate in my head while in the act of painting. Of course, I can stop and reference your materials, or plan ahead, which many times I do, but I tend to not have that mindfulness when engrossed in the act of painting.
Really interesting and looking forward to experimenting with both..
Gracias por compartir esta información. Estoy muy satisfecho con los productos Rublev que uso. Por lo que esta información añadida solo me hace estimar más aún a Natural Pigments y sus colaboradores.
Gracias, Luis!
So... Oleogel is a medium made to make use of glazing techniques? It confused me that you have shown it with pigments (colors) that aren't good for glazing... at first I thought you were trying to say it was good for extending without making the paint transparent.
It was created to be used as a glazing medium.
Thank you for your research, you are advancing research on the old masters. About Maroger, it is written in the introduction of his book that he was not sure of his results and that he did not want to publish them. People have unfortunately considered Maroger's research and its results as the true medium of Rubens. Question, in all your mediums, which one comes closest to the medium of Pierre-Paul Rubens?
The old masters did not use an oil painting medium in the modern sense. They could modify their paints to suit their purpose because they made their oil paints, unlike artists today.
Hello, if I want to create my perfect painting medium for my purposes, is it possible to incorporate glass powder (yours) into a paste medium with calcium carbonate? THANKS.
Yes, you can use the glass powder in a medium with calcium carbonate.
does rublive use any solvent into the Italian varnish
Rublev Colours Italian Varnish contains a small amount of turpentine. There is also a solvent-free version of Italian Varnish.
@@RublevColours I always use rublive Italian varnish and dark drying oil . But I nourished a different between the colour of tow Italian varnish . what is the maine ratio different of turpintine , oil and beeswax of this tow Italian varnish