Inside Chamber Music with Bruce Adolphe: Haydn's The Joke Quartet
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- Опубликовано: 17 ноя 2019
- Bruce Adolphe, CMS resident lecturer
Franz Joseph Haydn: Quartet in E-flat major for Strings, Hob. III:38, Op. 33, No. 2, “The Joke” (1781)
Filmed live in the Daniel and Joanna S. Rose Studio on
October 16, 2019.
Artists: Aeolus Quartet (Miki-Sophia Cloud, Rachel Shapiro, violin; Caitlin Lynch, viola; Alan Richardson, cello). 
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What better than a jokester explaining "the joke" quartet! I love these lectures.
it deserves more views!! Thank you for the wonderful lecture!
his jokes are too underrated, this is some great stand-up
Wow, FIVE this time? This is fantastic. I would pay a subscription fee for one of these a week in perpetuity. Of course, then he'd have no time to compose. Anyway, thanks to every involved in these getting to out here in cyberspace. I've consumed all the classical music info I'm aware of, and love a lot of it, but this series is the ne plus ultra. While I'm rambling, how about an Orchestral Music Society of Lincoln Center and a solo piano Society of Lincoln Center?
Keep em sending Maestro!
Everyone who reads "no ease"s comment should inform him that just because he is incapable of discerning the value of jokes in music (or, by extension, in anything else, I assume), that he is missing one of the most important of many rewards that music has to offer
You can, after all,
be both a scientist and a musician. "No ease" should ease up, relax, and learn to enjoy music, and perhaps life, more, and give us a "constructive rest" from his narrowmindedness. That's my constructive conclusion, and I rest my case.
Everyone who sees this should let the host know that jokes have no value and the value of music is dependent on its relation to science as a form of constructive rest. Bruce has very rewarding things to say when he sticks to the music as vision of solutions. If Haydn effectively illustrated confusion in music, it only serves as a text on what not to do as you might see alongside an example of what to do in a book like Fux's Gradus Ad Parnassum, which Haydn was famously familiar with.