बहुत बैचेन है दिल जहां भी हो चले आओ सितारों की सजी महफिल न उठ जाए चले आओ .... बहुत खूब हरिहरन जी ने ग़ज़ल को बहुत खूबसूरत अंदाज में निबाहा है अभिनंदन 🎉🎉🎉🎉🎉🎉
Hariharan, known for his versatility, has also ventured into the world of ghazals, bringing his unique touch to the genre. While he's primarily recognized for his contributions to film music and devotional songs, his forays into ghazals showcase his ability to evoke emotion and capture the essence of the poetic form. Just too good. His concert for Bhagwan Sai Baba in His presence is very touching. ❤️💚💎💙🩶💛
Wah kya baat hai. Kya kalaam hai, kya gayiki hai .Bohut khoob..Reaches right through to the heart and pulls out the emotions. Apko mera aadaab. Salaamat raho, Hariharan sahib.
When AR RahmanJi mixed Naattakkurinchi with Sahana in the song 'KaNNaampoochi Enadaa KaNNaa" in film Kandukonden Kandukonden everyone liked it. So a mixing of Carnatic raag aalaapana with the Ghazal is also enjoyable and HariharanJi rendered it excellently.
Hariharan Saab is the synonyme of soft, soothing, and soulful music ! Professionalism, Perfection, and Sophistication in performance is the hallmark of Hariharan Saab ! His style of gayiki is pretty simple, soft, soothing, and soulful and worth - listening again and again without getting bored ! He has quality, clarity, depth, and wide range in his voice, which is eminently suitable for ghazal gayiki ! After the emergence of the great Mehdi Hassan Saab, the emergence of Hariharan Saab is the next best thing to happen on the Ghazal Horizon of India !
Jiska kaam usiko saajhe Aur karey toh thhenga baaje… Leave ghazal singing to those who have that hunar. The gayaki and south-inflected diction of Sh Hariharan is not suited to this genre. This long alaap too is out of place before a ghazal. Sh Hariharan should stick to the pakka raags. Ustad Ghulam Mustafa Khan Saheb, who was perhaps Sh Hariharan’s Ustad, has sung this ghazal sublimely well - simply put, it’s the real thing.
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व्वा। ये सिर्फ़ बेहतरीन अशआर ही नही। यमन की ये बंदीश भी है। हरिहरण का मैं बहुत बड़ा फ़ैन हू। शमाखाना के जमानेसे।
बहुत बैचेन है दिल जहां भी हो चले आओ
सितारों की सजी महफिल न उठ जाए चले आओ .... बहुत खूब
हरिहरन जी ने ग़ज़ल को बहुत खूबसूरत अंदाज में निबाहा है अभिनंदन 🎉🎉🎉🎉🎉🎉
Main speech less hoon ❤😊kiya baat hain
Hariharan, known for his versatility, has also ventured into the world of ghazals, bringing his unique touch to the genre. While he's primarily recognized for his contributions to film music and devotional songs, his forays into ghazals showcase his ability to evoke emotion and capture the essence of the poetic form. Just too good. His concert for Bhagwan Sai Baba in His presence is very touching. ❤️💚💎💙🩶💛
Wah kya baat hai. Kya kalaam hai, kya gayiki hai .Bohut khoob..Reaches right through to the heart and pulls out the emotions. Apko mera aadaab. Salaamat raho, Hariharan sahib.
When AR RahmanJi mixed Naattakkurinchi with Sahana in the song 'KaNNaampoochi Enadaa KaNNaa" in film Kandukonden Kandukonden everyone liked it. So a mixing of Carnatic raag aalaapana with the Ghazal is also enjoyable and HariharanJi rendered it excellently.
Wah kya baat hai Hari Bhai. Bohut bechan hai dil, tum Jahan bhi ho chale aao.
Ustad Ji Ko Pranam...aap jaise kam hi hote hain ❤️❤️🙏🙏
Love you and your singing big fan of you.
I m your big fan Hari sir
Hariharan Saab is the synonyme of soft, soothing, and soulful music ! Professionalism, Perfection, and Sophistication in performance is the hallmark of Hariharan Saab ! His style of gayiki is pretty simple, soft, soothing, and soulful and worth - listening again and again without getting bored ! He has quality, clarity, depth, and wide range in his voice, which is eminently suitable for ghazal gayiki ! After the emergence of the great Mehdi Hassan Saab, the emergence of Hariharan Saab is the next best thing to happen on the Ghazal Horizon of India !
Amazing
Wah kya bat hai hariharan jee bohat kamal ❤❤❤
Love you Hariharan sir, wah kya baat hai, mashallah
He is another wonder of India ❤🙏
Wah Ustad Ji 👌 One Nd Only Ustad Shri Hariharan Sahab❤️🥰🙏🏻
Great singer who touches the soul through the ghazal. I bow my head.
❤ 😊❤
very.nice.
Wah wah kya baat hai hariharan sahab dil bag bag ho gaya sunkar 😊❤
Salute to Hariharan sir 🎉🎉🎉❤❤❤❤❤
3:15
5:19
7:40
🙏❤❤❤
Adbhut
Ye raag yaman nahi hei.....
Raag yaman kalyaan hei
Is me dono madhyam prayog hora hahei
Shudh " M " our komal " M". Bhi.
Teevra ma
Pura Yaman me hi hai waise.. but Shudh madhyam ka bhi prayog kar liya hai sundarta ke liye...
Pura Yaman me hi hai waise.. but Shudh madhyam ka bhi prayog kar liya hai sundarta ke liye...
Yaman hi hai. Semi classical mein flexible approach rehta hai
Jiska kaam usiko saajhe
Aur karey toh thhenga baaje…
Leave ghazal singing to those who have that hunar. The gayaki and south-inflected diction of Sh Hariharan is not suited to this genre. This long alaap too is out of place before a ghazal. Sh Hariharan should stick to the pakka raags.
Ustad Ghulam Mustafa Khan Saheb, who was perhaps Sh Hariharan’s Ustad, has sung this ghazal sublimely well - simply put, it’s the real thing.