Murray Perahia plays it like a story, he is feeling the piece. in some other interpretations i didn't feel the music and it was with lack of emotion and not rich. This interpretation is so full, rich, colorful and dynamic with emphasizes and emotions. Thank you for this amazing playing Perahia!🙏
Me too! All his interpretations are like that. He performed Beethoven's Appasionata so well at this same concert, that I can't imagine a better version than that. Everything is perfect: tempo, phrasing, dynamics, rhythm.
His Schubert also sounds nothing like his Beethoven or Bach. This is top notch stuff, no doubt, but I am missing his deep singing sonority; perhaps that doesn't work with Schubert.
At Carnegie Hall in 2017, he did not give an encore. Everyone was disappointed. Looking in his face here, which might be a recording from around that time, he seems to be in physical pain. Unfortunately, his health has not been the best. Perhaps he wasn't in good health at Carnegie Hall either. His performance was great nonetheless. And I was fortunate enough to be there, irrespective of the encore or lack thereof. Best wishes for good health, maestro.
Murray recorded the Impromptu back in 83 for CBS... It's a pretty amazing CD actually even though the actual quality of the recording itself is not up to par with more recent recording techniques....It's extremely fluid playing..
I agree with Volodya, this is an extraordinary performance, and I would not guessed it was a roll recording; the gradations and variety of touch , the voice leading… quite wonderful!
As much as I love Murray Perahia's interpretation, and I even grew up on his recording and so I consider his interpretation to be a standard, ... upon closer examination, I am now discovering a few details that are missing in this particular video. For instance, the first 8 measures should be piano and then the repeat of the theme should then be forte in measure 9. Here there seems to be no dynamic contrast. There is also a fermata just before the recapitulation at 2:50 which he barely makes noticeable at all and could be lengthened to at least be longer in contrast to the other places where he makes similar rubato such as at 3:38. I hate to point out these small details, since I can never dream of playing at his level, but it still could be even better.
Hi Paul. I understand this too, and I believe that his performance has a lot of amazing qualities and some ideas that could have been played better. But I do have to say that in general, playing the piano is quite subjective. I believe Mr.Murray had a different interpretation of the piece than you, which is why he didnt emphasize the fermata and other small details.
@@jasonshaye3567 Hi Jason. Yes, we both agree that he is an amazing pianist. As much as I do not mean to start an argument here, although music can be subjective the details I wish to hear such as "the first 8 measures should be piano and then the repeat of the theme should then be forte in measure 9" (and the fermata) are not just 'my' interpretation, but they are an integral part of what Schubert wrote just the same as the rhythms and pitches. We musicians must simply always strive to learn the scores in closer and thorough detail.
@@Tera5 I personally prefer Perahia's more flowing and lyrical reading to Sokolov's. This singing quality is what I love the most about Perahia's piano playing.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
Lech Laskowski Not to be rude, but I would have to disagree. His left hand is definitely heard, and isn’t at all poor. Murray is quite a renowned pianist, and I don’t think he would perform a song like Schubert’s impromptu in E flat major with a poor left hand.
@@q.s.4349 I do not mean whether his left hand is audible or not, but that he is inappropriate. Generally he plays with ugly sound. Without softness in quieter passages.
Видеоклипы
Murray Perahia plays it like a story, he is feeling the piece. in some other interpretations i didn't feel the music and it was with lack of emotion and not rich. This interpretation is so full, rich, colorful and dynamic with emphasizes and emotions. Thank you for this amazing playing Perahia!🙏
This is my favorite interpretation ❤️ I love his touch and tempo, I can not enjoy any other after listening this one. Thank you Mr Perahia
True - this a kind of perfection
I’m agree with u but don’t like the end. Just the cascade is too much heavy and confuse.
Andrea D. I agree- there either are some wrong notes or the piano is seriously out of tune.
Me too! All his interpretations are like that. He performed Beethoven's Appasionata so well at this same concert, that I can't imagine a better version than that. Everything is perfect: tempo, phrasing, dynamics, rhythm.
Same I love the phrasing in between section and how it starts quiet and slowly gets louder and louder
bass notes in the A sections are so wonderfully subtle, independent, and coherent.
His Schubert also sounds nothing like his Beethoven or Bach. This is top notch stuff, no doubt, but I am missing his deep singing sonority; perhaps that doesn't work with Schubert.
I'm working on this piece for more than 50 years and will never play it anything like Murray does, but I hope to
next lifetime, coming soon.
At Carnegie Hall in 2017, he did not give an encore. Everyone was disappointed. Looking in his face here, which might be a recording from around that time, he seems to be in physical pain. Unfortunately, his health has not been the best. Perhaps he wasn't in good health at Carnegie Hall either. His performance was great nonetheless. And I was fortunate enough to be there, irrespective of the encore or lack thereof. Best wishes for good health, maestro.
Absolutely astonishing. I play this and think "What a wonderful interpretation!". Very talanted!
Franz Schubert composed breath taking music and this is one of them.
I have never seen Perahia play Schubert before but this is an excellent interpretation
Murray recorded the Impromptu back in 83 for CBS... It's a pretty amazing CD actually even though the actual quality of the recording itself is not up to par with more recent recording techniques....It's extremely fluid playing..
His rendition of the Wanderer Fantasy is excellent!
yeah
The best Shubert player!
I agree with Volodya, this is an extraordinary performance, and I would not guessed it was a roll recording; the gradations and variety of touch , the voice leading… quite wonderful!
Incredible light interpretation- very interessant!!
This is simply fantastic. I like his interpretation very much. Excellent musicality, clarity and tempo. 👍👍
It doesn't get any better... Gota love it!
Perfectly played! 😮🤑🤯
Absolute prefection!
This is amazing👏👏
A playing I always coming back to. Simply enticing!
Great piece by a supreme artist !
In the flow of deep joy
Takes my breath away!!
Marvelously nuanced interpretation and pianism. Listen to how his LH builds from 3:45!
Великолепно 🤩
Каждый день слушаю!!!
this is the best interpretation
Very beautiful!! Thanks a lot❤❤❤
Love to kibitze into you master classes Murray. Good work.
Just brilliant!
Perfection!❤
impeccable... chapeau mr. Perahia
As much as I love Murray Perahia's interpretation, and I even grew up on his recording and so I consider his interpretation to be a standard, ... upon closer examination, I am now discovering a few details that are missing in this particular video. For instance, the first 8 measures should be piano and then the repeat of the theme should then be forte in measure 9. Here there seems to be no dynamic contrast. There is also a fermata just before the recapitulation at 2:50 which he barely makes noticeable at all and could be lengthened to at least be longer in contrast to the other places where he makes similar rubato such as at 3:38. I hate to point out these small details, since I can never dream of playing at his level, but it still could be even better.
Hi Paul. I understand this too, and I believe that his performance has a lot of amazing qualities and some ideas that could have been played better. But I do have to say that in general, playing the piano is quite subjective. I believe Mr.Murray had a different interpretation of the piece than you, which is why he didnt emphasize the fermata and other small details.
@@jasonshaye3567 Hi Jason. Yes, we both agree that he is an amazing pianist. As much as I do not mean to start an argument here, although music can be subjective the details I wish to hear such as "the first 8 measures should be piano and then the repeat of the theme should then be forte in measure 9" (and the fermata) are not just 'my' interpretation, but they are an integral part of what Schubert wrote just the same as the rhythms and pitches. We musicians must simply always strive to learn the scores in closer and thorough detail.
I feel like grigory sokolov plays this piece better. He plays with the perfect speed, and makes every detail prominent.
@@Tera5 I personally prefer Perahia's more flowing and lyrical reading to Sokolov's. This singing quality is what I love the most about Perahia's piano playing.
@@Tera5 sokolov doesnt have a story nor flow
Murray Perahia is King of the Line.
Fabulous
¡¡¡Me encanta!!! Me gusta mucho como traslada el peso de la mano en el teclado y su articulación, por eso el sonido tan firme… 👏🏼👏🏼👏🏼bravo
Damn. That was perfect
A sublime performance, of course -- but can anyone explain to me why EVERYBODY plays this piece so fast? The marking is Allegro, not Prestissimo.
These people are just playing a piece of written music. Let's not forget the talent of the composer of this beautiful piece.
같은 거장들에서도 차이가 나는구나.. 우리 백씨 선생님 친거 듣다가 와봤는데 이분이 찐이네...
Thanks ❤
Amazing!!
Fantástico!
Woooow🎉🎉🎉
Schubert wrote LEGATO from very beginnig.
WOW!
Can someone teach me how to have his touch or how his articulation has done physically?
A gift from God, fantastic technique and a £150k piano will do it
buy an expensive piano and maybe practice like 12 hours a day xx
❤️
😊👏👏👏👏👏👏👏👏😄
동곡을 백건우가 이름(환상곡)처럼 몽환을 채색했다면 페라이어는 절도와 결기가 두드러지는 느낌. 백건우가 쇼팽처럼 쳤다면 페라이어는 베토벤처럼 쳤다고 할까? 아무튼 브라보 페라이어!
Practicing scales was useful for something eh XD
😀
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
average, maybe médiocre.
Where is the left hand? Poorly
Lech Laskowski Not to be rude, but I would have to disagree. His left hand is definitely heard, and isn’t at all poor. Murray is quite a renowned pianist, and I don’t think he would perform a song like Schubert’s impromptu in E flat major with a poor left hand.
@@q.s.4349 I do not mean whether his left hand is audible or not, but that he is inappropriate. Generally he plays with ugly sound. Without softness in quieter passages.
@@lechlaskowski6723 stfu
hahahaha
@@lechlaskowski6723, the left hand is meant to act like a bass sound deep and rich so I don’t understand what you are trying to imply here.
Grande pianista ovviamente, ma brutto finale.