Eric Whitacre & Rezonans - Bach (Again) Come Sweet Death
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- Опубликовано: 15 мар 2015
- Eric Whitacre & Rezonans, Zorlu Center PSM, 08.11.2014
Guest Conductor/Konuk Şef: Eric Whitacre
Artistic Director/Sanat Yönetmeni: Burak Onur Erdem
Rezonans, 2010 sonunda koro müziğini en kaliteli şekilde icra etmek üzere kuruldu. Tecrübeli koristlerden oluşan topluluk; Borusan Müzik Evi, Aya İrini Müzesi, Avusturya Kültür Ofisi gibi İstanbul’un prestijli mekânlarının yanı sıra, birçok koro festivalinde ve Türkiye’nin farklı şehirlerinde performans gösterdi.
Rezonans, gerek koro şefliği atölyelerinde, gerekse uluslararası projelerde Simon Carrington, Volker Hempfling, Klaus-Jürgen Etzold, Qin Huang, Nigel Short, Brady Allred ve Paulo Lourenço gibi konuk şeflerle çalışma imkânı buldu. 'Geçsin Günler' albümünde İncesaz'a eşlik etti.
Rezonans, çağdaş dönem eserleri üzerinde yoğunlaşan bir repertuvara sahip. Özellikle Türk bestecilerin 20. ve 21. yüzyıl eserleri, koro için önemli bir odak noktası oluşturuyor. Besteciler Hasan Uçarsu ve Özkan Manav’ın dünya prömiyerlerini gerçekleştiren ekip, Kamran İnce’nin Gloria isimli eserini Türkiye’de ilk seslendiren koro oldu ve birçok yeni Türkçe eseri de gün ışığına çıkarmaya hazırlanıyor.
Rezonans was formed at the end of 2010 for performing choral music in its highest quality. The ensemble, consisting of experienced choristers, performed in many prestigious venues of Istanbul such as Borusan Music House, Hagia Irene Museum, Austrian Culture Forum, in many choral festivals, and in various cities of Turkey.
Rezonans found the opportunity to work with guest conductors such as Simon Carrington, Volker Hempfling, Klaus-Jürgen Etzold, Qin Huang, Nigel Short, Brady Allred and Paulo Lourenço in choral conducting workshops and international projects.
Rezonans’ repertoire focuses on contemporary music. 20th and 21st century works by Turkish composers constitute an important part of the repertoire. The ensemble premiered two pieces by composers Hasan Uçarsu and Özkan Manav, accomplished another Turkish premiere of Gloria by Kamran Ince, and prepares to bring new Turkish pieces to light.
İletişim
web: www.rzns.org/
facebook: / rezonanskoro
twitter: / rezonanskoro
instagram: / rezonanskoro
I watched this performed in Carnegie Hall with a choir of about 300 under the direction of Jeffery L. Ames. I have truly no words to describe it. The best part was at the very end. Nobody clapped. Nobody cheered. The sound just resonated through the hall. It wasn’t until every hand was dropped from their chests and they stood still did the applause begin. It was truly a dream come true to listen to this piece as I never thought I would be able to in all my days.
There's always that one person who thinks it's okay to clap before letting it set in. I hate that. They totally ruin the moment.
ahh the americana way of life
@@marnixpeeters2675 that's actually a Turkish Choir and the concert is in Istanbul :)
@@onurerdinc115 oops :p my bad
Not only thinks it's acceptable or appropriate, but loves to be seen to be the first to clap, because it shows that the fool doing it likes to be seen to know when the music is ending.
Same with the open mouthed coughing that some people in audiences love to do. Pass the socks.
You can’t always control whether your mouth will open when you cough, lol.
Absolutely breathtaking! You only have to look at Eric's face to see how moved he is by the performance.
Such a magical piece. During that choir solo, you start hearing things...like sounds that would just spring out of nowhere. Amazing...
I almost forgot how important this piece is to me. There are tears running down my cheeks and I cannot sniff silently. Thank you for making me realize something.
Oh my goodness gosh!!!! I was taken by complete surprise!!! Absolutely one of these most brilliant scenes of human expression, inclusion, and synergy. Heavy heart after that one....
I did this for All-State choir. It gave me chills every time. So memorable.
I had the incredible experience of performing this piece with the 2022 NAfME honor choir, and it was honestly one of the best moments I’ve ever had in my (albeit short) life. Nothing can ever compare to the feeling of being surrounded by 200 other singers producing the most ethereal harmony on earth. It felt like my soul was transcending from my body onto some other plane of existence. It was the only time I had ever shed tears in a performance.
I watched all of your videos here, but I certainly did not expect to be rendered speechless after this one! I am in awe...
That was truly something special
Just saw Susquehanna university do this piece. It was stunning and you have to be there to truly feel the musical beauty. Their rendition was just astounding
I also just watched them do this at PMEA. Incredible.
I did this for all-district choir. It was truly amazing.
I was there! I'm from Stanberry
Small world😀
Absolutely great! The hand gestures really add a wonderful element We ARE our hands! The oblique ending is an incredible experience. Thank you so much. Kudos!
Well, well, well. What a surprise. Shouldn’t be surprised though considering the source. Eric Whitaker is quite wonderful and this choir is outstandingl. Will play this over and over letting this surprise arrangement sink in!
Harmonies of the spheres! Love it Bravo Whitacre!
Will be singing this song for my choir and I'm so scared we aren't going to be this good
AMaziN
An astounding performance.
So great, thank you
Wer da klatscht hat nicht begriffen, was da gesungen wird... Amazing performance!
Büyüleyici
Sigh. Perfection.
❤️❤️❤️
is Eric Whitacre a hunger games villian?
2:29
My choir did this song but we did the end in reverse since no one was dragging the end part out long enough
Your teacher should have worked on that instead of revising,
Beautiful.
I did this for choir contest but the judge didn't pick it
0:14
הווה שובה רוח מוות
Starting about 2:01, it sounds as if the choir is creating the soundscape one might experience after death -- *in hell.*
Metallica damage inc intro
Sparrow rayne squad? Anyone?
Good to hear a choir with stable voices - music not ruined by the horrible quivering to which people politely refer as "vibrato".
We're going to do this song for our spring concert in march. I'm really nervous. Not only because this is a challenging piece for the choir (not me in particular) but most of the people in my choir are idiots and can't project their voices
Cliff burton brought me here, this piece inspired damage inc intro by Metallica ruclips.net/video/AX8a5K9kRmQ/видео.html
Wow, that's an unlikely connection, nice to know, thank you :)
he looks a little like Carson Kressley
The cutoffs weren't great 😕
There not supposed to be. Bach wrote this song with that ending in mind. Everyone sings at their own pace and it ends when they feel like it. It creates some breathe taking dissonance and has a powerful effect.
+Kim Kelly but the second part was not written by bach. I don't know who wrote it but it sounds just like knut nystedt "immortal bach"
+Lorena Menendez they're just singing the bach melody at different paces and much slower
Lost me at the hand movements 😬
Almancası yerine ingilizcesinin söylenmesinin gereği nedir? bi de bu el hareketleri ne allaşkina , muhteşem muzikaliteyi baltaliyor. hep de övgü olmaz ama dimi?
Komm, süßer Tod, komm selge Ruh adlı Bach'ın eserinin orjinal hali sadece soprano ve buna eşlik eden basso continuo denilen uygun akor diziliminden oluşur. Buradaki versiyonu Rhonda Sandberg'in koral düzenlemesi. Koreografi de şef Edwin London yönetimindeki koreografi. Çok bilmişlik taslamadan önce aç biraz araştır olur mu?
The ending seemed to deteriorate into one of whitacres own mediocre works. Quite inappropriate.
Try Knut Nystedt’s “Immortal Bach” instead.