Bobby Ge - To Speak As One, for saxophone quartet
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- Опубликовано: 5 окт 2024
- Completed Feb. 17, 2023
Premiered Mar. 7, 2023 by ~nois in Taplin Auditorium, Princeton University
This is a C Score. For transposing score or parts, visit murphymusicpress.com... or visit my website, bobbygemusic.com!
The more people I’ve spoken with, the more I have come to cherish moments of shared understanding. For me, language often feels rather insufficient as a means of expressing thought - like trying to portray a three dimensional image on a flat surface. Understanding someone’s words is a delicate process of reconstructing the ineffable depth and interiority of their thoughts, and quite frequently, much is lost in translation.
These ideas provided the seed for To Speak As One. To me, the saxophone quartet as an ensemble naturally contends with such questions of mutual understanding and communication. It is conversational in scale; its instruments share much in common both registrally and timbrally; virtually any technique that can be done on one instrument can be done on any other. The result is a collection of instruments that very easily behaves as a hyperinstrument, able to blend and move with uncommon unity.
Over the course of the piece, I sought to shift throughout between treating the quartet as a singular entity versus four unique players. The resulting work scatters its lines across the group, assigning disparate notes and rhythms to each musician as they discover the composite together. Players enter and peel off constantly, and even in moments of stasis, there is an element of confusion - it’s not always clear which instrument is playing which sounds. Even with all its raucous sounds and lurching instability, though, To Speak As One is intended to be an intimate piece, ultimately focusing on how a small ensemble - with all their cuing, breathing, and eye contact - can discover ways to nonverbally find shared understanding with one another.
This piece was begun while in residence at Copland House, Cortlandt Manor, New York, as a recipient of the Copland House Residency Award.
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"Raucous sounds and lurching instability"--yes, that seems right for a sax quartet ;) love this
omggggg thanks for reading and listening colin wow
Never though that contemporain music can sound that good...❤
hahahah turns out there's lots of really enjoyable contemporary music!
This is what modern classical should sound like, a perfect blend between consonants and disonants. Amazing stuff
Love this piece, an incredible addition to our repertoire! Thank you for the inspirational writing!! 🔥🔥🔥
yay, i'm really glad you enjoy it!
Awesome piece! I love how you contrasted the multiphonics with growl!!! Such an interesting texture! Also an incredible performance, kudos to the performers, they killed it!
wow thank you so much! glad you enjoyed - ~nois played the piece so so so well!
De mis favoritas, increíble. Espero algún día poder interpretar esta obra.
Recognized it as ~Nois right away - they performed this piece spectacularly!
This is the weirdest piece I've ever heard. You thought completely differently. The notes feel more like stage direction than music cues. I'm in actual awe
To play such a piece, you need very advanced players to say the least.
So refreshing, totally fresh, outside the box, but with actual intent!!!
you are incredible, idk how you do it
aw thanks !!
Wow. Well done, I just picture this sense of pure unfettered emotion in both the writing and the actual performance. I want to play this, now to find 3 other saxophonists 😂
thank you !!! glad you enjoyed :D
This slaps!!!
slap tongues, even
literally@@bobbycge
Semplicemente geniale! Musica incredibile!
Very cool. Love the harmonic chords and other extended sax techniques. Wonderful qt!
Absolutely amazing.
YESSSS SO GOOD. Reminds me of the Evan Williams Saxophone Quartet 1. I'm drooling.
This is incredible!!
really stunning!
This Bobby Ge guy does NOT miss.
Someone needs to throw every passage that uses multiphonics in this tune in a textbook and be like “yah that, do that”
@@bobbycge 🤓
This is fantastic!
thank ya! nois killed!
This is SO cool! The attention to detail is insane.
Fantastic piece!
Ge’ezus this is unearthly! Goals! 🙌🏻🙌🏻🙌🏻
멋져요! 많은 도움이 되요!!!!!😻😻😻
Great work. It gave me a couple ideas for my wind quintet
So Amazing!! Wonderful!! I want to play
Love it!
this is incredible! wauw!
Fantastic piece!
this is stunning
Very impressive that you guys can pull this off!
I'm just curious about counting in time... Who are you capable to manage these changes!?
that's a question for the quartet! to be honest, i don't always know how anyone's able to pull off any of the music i write... but i definitely am always thinking about things like phrasing, grouping, and cellular gestures! i think as long as the musicians are feeling the big beat together, staying together is always possible. for the most part, the measured parts of the music don't really go much beyond groupings of 2s and 3s (or quarter notes and dotted quarters, respectively)
sodelicious................
this is music that questions if we really know what music is
Hell yeah!
sounds awesome!
If only I could put into words how inspiring your writing is. The detail is unbelievable. Please don't stop writing!!!!!!
wowww thanks so much for saying that! really means a lot!
Y o Bro thats very good
Impressive!
Enjoyable 🎉
this is so cool
Просто жестоко)) Класс!!!
this is such a cool peice, but one question. in the middle there are notes that go below where a sax can go on treble clef, how are we expected to play those?
thanks for listening, and thanks for your question! this is a C score, not a transposing score! which means what you're seeing here are the sounding pitches, and not the written ones. the written parts do not ever have notes below the available range of each respective sax.
Pretty interesting
Subbed
Really interesting, the opening has some notes which sound exactly like a reversed recording. Not a sound I knew could be achieved live, let alone on a saxophone!
I believe these are the "flair dramatically! sharp cutoff" notes - was there any additional technical instruction you gave to the players for that?
lol yeah, good ears! i'm a huge fan of that 'reversed piano hit' sound, and i use it maybe a little too much in my music haha. i didn't need to say any much more than the instructions i gave - i think one thing that helps is that flared crescendo, where the hairpin has those outward curves at the very end that emphasize how dramatic the sound should be. turns out it's a really easy sound to accomplish on a lot of instruments - sounds really great on brass too!
OBRA MAESTRA
Wonderful piece! Both from a compositional and performance standpoint just amazing :) Where are you deriving the multiphonic numbers?
thank you! the multiphonics are all from Marcus Weiss and Giorgi Netti's indispensable resource on all things sax, 'The Techniques of Saxophone Playing'
@@bobbycge I assume thats notated somewhere in a full score we aren’t given haha. Great work!
@@bencurry3111 hahaha yeah - i put the fingerings in the individual parts and the score's front matter : P thought it'd be a bit cluttered in the full score...
@@bobbycge And you chose correctly😂
I like what I hear not what I see. Quite interesting. Room acoustics are definitely a factor, too. Quite a leap from Groove Merchant!
I decided to try and learn how to play this but as I started, I realized that my student soprano saxophone might be so out of tune that its 1 step higher than its supposed to be or the song is written a whole step lower than its supposed to be 😭and its kind of messing me up
ahahhahaa well thanks for giving it a whirl! the score video is in C (meaning every part shows what the sounding pitch is), but if you're interested in learning the piece, contact me via my website! www.bobbygemusic.com
Ok but why is tenor and bari in bass clef😂
And the alto part that has low e below the bar?
lol the score is in C and not transposing! i thought it'd be easier to read since their sounding notes get pretty low, to say the least 😅
@@madeinrobux3344 this is a C score, so the written note the alto sees there is in fact a C# just below the staff.
@@bobbycge ah ok that makes sense
i didnt even know saxophones could make those sounds
lol still surprises me honestly; can't say i totally understand what the physics of it all is...
Very cool piece, but this looks difficult as hell!
Not very good in my opinion? It sounds like it was trying too hard to be different and it ends up just sounding like notes written on a page. Not music. Of course this is just my opinion, i don't believe it to be law or anything.
@@jetsettech8804 thanks so much for listening! sorry it wasn’t to your taste but i appreciate you taking the time :)
Heat 🔥🔥🔥