@@carolesquizzes The majority of f.64 photographers were topographical photographers utilising sharpness - the f.64 - to differentiate themselves from the pictorial photographers of the 1920s. They were not macro photographers as that was never an art movement. Possibly some of the German photographers in the new objectivity movement that followed on from the f.64 group utilised close up photography. Basically you would have to move from the bellows of the 5 x 4 field cameras to the macro lenses that would come in after WWII along with SLR cameras. If you wish I am happy to provide sources.
46 of 60 correct
Got 53/60. Love the Sunday quizzes, always a good variety of questions. (8,9,7,10,10,9)
Awesome job! ❤️❤️❤️
Good Quiz!! Enjoyed doing it and learned a bit also. Score today is 50/60🤔
Great job! Thanks for watching ❤️❤️❤️
41/60
Very nice ❤️
49/60. Great quiz, Carole! An slightly different new format. I liked it! ♥
Yay, thank you! ❤️
@@carolesquizzes ♥♥♥
My husband, former lecturer in photography says answer to Art & Literature 9/10 is incorrect f.64 were predominantly landscape photographers
The individuals that made up the group were predominantly landscape photographers, yes - but the Collective itself wasn't focused on that...
@@carolesquizzes The majority of f.64 photographers were topographical photographers utilising sharpness - the f.64 - to differentiate themselves from the pictorial photographers of the 1920s. They were not macro photographers as that was never an art movement. Possibly some of the German photographers in the new objectivity movement that followed on from the f.64 group utilised close up photography. Basically you would have to move from the bellows of the 5 x 4 field cameras to the macro lenses that would come in after WWII along with SLR cameras. If you wish I am happy to provide sources.