🎸 Sign-up for FREE access to my intermediate soloing course “Melodic Soloing With Triads” ►►► bit.ly/4dKpXgR Are you an intermediate guitarist who has been stuck in a soloing rut for years? Or even decades? If the answer is yes, then I’m guessing you’ve grown tired of playing the same licks over and over again… This course teaches you how to ditch your stale, repetitive licks and instead, begin playing tasteful guitar solos that ooze melody and feel! The best part? You can learn how to do this WITHOUT learning ‘exotic’ guitar scales, wasting hours trawling through RUclips lessons, or spending a penny! That’s right, I’m giving this course away for zero dollars (for the time being…), so act today to grab it with free, lifetime access. Here’s a tip-of-the-iceberg overview of the main benefits you can expect to experience when you study the curriculum of “Melodic Soloing With Triads”: ✅ You’ll move beyond the limitations of a purely scale-based approach to guitar soloing… so that you can stop feeling stuck inside scale patterns and boxes ✅ You’ll learn to target the notes that create a strong connection between your licks and the chords they are played over… so that you can stop playing repetitive un-musical licks and begin crafting melodies ✅ You’ll stop aimlessly wandering the fretboard, hoping to land on notes that sound good… and start improvising with the confidence of a pro-level guitarist, who always knows which notes to target for an epic solo Click here for free, lifetime access ►►► bit.ly/4dKpXgR -------------------------------------------------------------------------------- Backing tracks provided by Elevated Jam Tracks - elevatedjamtracks.bandcamp.com/ www.youtube.com/@@ElevatedJamTracks A major backing track - ruclips.net/video/GbCZoR4RsH4/видео.html A minor backing track - ruclips.net/video/o0WwQQI2g-Y/видео.html
It is nice to see that people who have the knowledge of scales, patterns, triads, and theory are now willing to share it with others. Over the decades there have been so many guitar snobs who would not share their knowledge. Now that I have time to learn, I have noticed that many people who were acclaimed as great guitarists were really not that great at all, although, there are some really great guitarists. I don't have enough time left to be great, but all of this helps and it really is fun to learn and fill in the gaps that I was missing. Thank you for posting this video and for sharing your knowledge.
That’s exactly how I was taught about major pentatonic decades ago. I spent so much time noodling in minor, I was always landing and bending on familiar minor ways when attempting to solo in major. It was terrible. Someday if I ever carve out time for playing again, I’ll have to revisit all of it. Well done Mr. Campbell.
Playing 49 years and I didn't even know that I didn't know the difference 🤔 Going for review, got something closer to revelation - thanks for connecting some dots.
I was learning Maj vs Min blues and think what took me ages to get used to is the fact that relationships change with Maj to Min in the visual pattern. You can't phrase in the same way on both scale as the notes don't lean in the same way to create or release tension so it needs to be learnt independently... no one really tells you that, you just need to figure out why you sound rubbish.
Been stuck in that intermediate stage for years now. Having to try and step up my playing as I’m now on the worship team at church. Your vids have helped thanks. ✝️👆
Yep thanks this is exactly what I need… I learned blues mainly and now I’m in a country band it shows I really need to work more on major… working my way through your triad course and it’s helped a lot
It works in this context for sure but if you have say, background singers holding a C # prominently, it would clash with the C natural in the minor bit..but as you say, don’t linger on it and it adds a new flavour.
The way I learned this in a semester I attended for 14 hours about music theory, scales and modes is that for Major it's in front and the minor is behind the root. Not sure if you understand what I mean but I commented this in the beginning of the video and you probably explain this in the video! 😛
Hey Ross, got the free course and book 3 (module 3 ebook) is not loading correctly. Something is wrong with the file! Thanks for this course I’m on lesson 2 module 1. Was downloading the books to study the major scale but book 3 is not working the book refreshes oddly then goes to a black screen, I’m o. IOS. Cheers!
Ross, thanks for another exceptional video. Like many others, I learned to move three frets down from the Minor Pentatonic to play the Major Pentatonic pattern. I've never been able to mix the two and make it sound good. Your solo works because, as you say, you resolve back to the major tonality which follows the chord progression. My question how do you determine when to switch from major to minor and back to major again? Does there have to be a minor chord in the progression or is it a matter of choosing a note that's a 3rd or 5th interval in the Minor Pentatonic scale from the last played note in the Major Pentatonic scale, playing the lick which ends on a note that's a 3rd or 5th interval to the next note in the Major Pentatonic scale. Maybe I'm over complicating the process. In any event, I'm learning so much from you. Could you kindly share tabs of the beautiful solo. Thanks once again for the tutorial!
It'd sound pretty boring to literally just solo with triads on their own. The course shows you how to find triads within patterns of the major scale, so it's a combination of soloing with scales and triads together.
I disagree, one of the most iconic Guitar solo's of all time is James Burton playing "Hello Mary Lou" moving up and down three frets from (A) to (F#) I wouldn't want to tell him he got that wrong or it was boring.
Dear Ross, thank you again for your continuous and generous contributions. Regarding this approach, I was just thinking wouldn't it be simply about emphasising the root/chord/signature notes like you would do with modes, limiting the notes to the pentatonic ones? Cheers.
All of this is nice, but it's to less to play that beautiful as you do. For example, in my playing, mixing major and minor doesn't ever sound good. And I never know why.
I’ve literally applied this theory to a Petrucci Purple Rain track in A ( not Bb ). The trick seems to be this. Play the whole sequence in AM and target notes from the chord tones if you wish, but play Am blues/pentatonic over the last chord whilst switching back to AM or AM pentatonic for the very last part of the phrase. It sort of twists your hearing as such but the resolution is the key to bringing your ear back ‘in’. I really hope that’s both correct, what Ross does here and a comprehensible explanation. Best of luck🙏🏻
Salad to keep mummy happy - ah those mothers . So easily manipulated . That’s why we have such a push for women in “power” - a push from the people really in power . They generally vote dems and dems seem to vote for women.
![When to Play Major vs Minor Pentatonic [It's easier than you think!]](http://i.ytimg.com/vi/MfrAepqfv2g/mqdefault.jpg)
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
🎸 Sign-up for FREE access to my intermediate soloing course “Melodic Soloing With Triads” ►►► bit.ly/4dKpXgR
Are you an intermediate guitarist who has been stuck in a soloing rut for years? Or even decades?
If the answer is yes, then I’m guessing you’ve grown tired of playing the same licks over and over again…
This course teaches you how to ditch your stale, repetitive licks and instead, begin playing tasteful guitar solos that ooze melody and feel!
The best part? You can learn how to do this WITHOUT learning ‘exotic’ guitar scales, wasting hours trawling through RUclips lessons, or spending a penny!
That’s right, I’m giving this course away for zero dollars (for the time being…), so act today to grab it with free, lifetime access.
Here’s a tip-of-the-iceberg overview of the main benefits you can expect to experience when you study the curriculum of “Melodic Soloing With Triads”:
✅ You’ll move beyond the limitations of a purely scale-based approach to guitar soloing… so that you can stop feeling stuck inside scale patterns and boxes
✅ You’ll learn to target the notes that create a strong connection between your licks and the chords they are played over… so that you can stop playing repetitive un-musical licks and begin crafting melodies
✅ You’ll stop aimlessly wandering the fretboard, hoping to land on notes that sound good… and start improvising with the confidence of a pro-level guitarist, who always knows which notes to target for an epic solo
Click here for free, lifetime access ►►► bit.ly/4dKpXgR
--------------------------------------------------------------------------------
Backing tracks provided by Elevated Jam Tracks - elevatedjamtracks.bandcamp.com/
www.youtube.com/@@ElevatedJamTracks
A major backing track - ruclips.net/video/GbCZoR4RsH4/видео.html
A minor backing track - ruclips.net/video/o0WwQQI2g-Y/видео.html
It is nice to see that people who have the knowledge of scales, patterns, triads, and theory are now willing to share it with others. Over the decades there have been so many guitar snobs who would not share their knowledge. Now that I have time to learn, I have noticed that many people who were acclaimed as great guitarists were really not that great at all, although, there are some really great guitarists. I don't have enough time left to be great, but all of this helps and it really is fun to learn and fill in the gaps that I was missing. Thank you for posting this video and for sharing your knowledge.
That’s exactly how I was taught about major pentatonic decades ago. I spent so much time noodling in minor, I was always landing and bending on familiar minor ways when attempting to solo in major. It was terrible. Someday if I ever carve out time for playing again, I’ll have to revisit all of it. Well done Mr. Campbell.
Playing 49 years and I didn't even know that I didn't know the difference 🤔 Going for review, got something closer to revelation - thanks for connecting some dots.
It’s always nice to be able to see the fretboard from different points of view
Stumbled across this video. Very information. Will definitely spend more time viewing your videos. May sign up for the intermediate course. Thanks
I was learning Maj vs Min blues and think what took me ages to get used to is the fact that relationships change with Maj to Min in the visual pattern. You can't phrase in the same way on both scale as the notes don't lean in the same way to create or release tension so it needs to be learnt independently... no one really tells you that, you just need to figure out why you sound rubbish.
Yes exactly. You phrase your lines differently with each of these scales.
Been stuck in that intermediate stage for years now. Having to try and step up my playing as I’m now on the worship team at church. Your vids have helped thanks.
✝️👆
Something so simple can be so beautiful. Great job!
Thanks!
Very tasty intro Ross and love the Buck style bends!
Thanks 🙏
Yep thanks this is exactly what I need… I learned blues mainly and now I’m in a country band it shows I really need to work more on major… working my way through your triad course and it’s helped a lot
That's great to hear!
Great video, thanks for the clarity on this topic
Love that tele sound. Thanks for sharing your talent.
Thank you!
He just imitated me EXACTLY trying to navigate scale shapes. Does he have a camera in my house?🤣😂
I'm really happy you made this video. Essential info!
Nicely and simply put!
It works in this context for sure but if you have say, background singers holding a C # prominently, it would clash with the C natural in the minor bit..but as you say, don’t linger on it and it adds a new flavour.
Your tone is amazing.
You rock dude thanks so much !!
liked the tone!
The way I learned this in a semester I attended for 14 hours about music theory, scales and modes is that for Major it's in front and the minor is behind the root. Not sure if you understand what I mean but I commented this in the beginning of the video and you probably explain this in the video! 😛
Awesome intro. Well explained.
Thank you!
The Buck influence
Love Chris' playing!
@@RossCampbellGuitaristmost of us do! Mind you I’ve watched you play a few years too. Marvellous.
Many thanks.
What a fucking tone from this Tele..wow
What do you use to get that sound, sounds great, thanks.
I’m loving the blonde hair mate. Looks great! 😁🙌
Thanks!
Awesome video
awesome mate...do you have tab to this A major melodic line please?
Hey Ross, got the free course and book 3 (module 3 ebook) is not loading correctly. Something is wrong with the file! Thanks for this course I’m on lesson 2 module 1. Was downloading the books to study the major scale but book 3 is not working the book refreshes oddly then goes to a black screen, I’m o. IOS. Cheers!
That guitar sounds like a dream.
"this is something only a guitarist would think to do" is fucking hilarious
2:27 Paul Davids has entered the chat....
Exceptional player
Hi Ross,can you tel me what model telecaster are you using.Sounds great.
2014 American special
Excellent lesson, Ross. Very reminiscent of "Three Times As Bad" from The Rossington Collins Band. Give it a listen for some inspiration?
Ross, thanks for another exceptional video. Like many others, I learned to move three frets down from the Minor Pentatonic to play the Major Pentatonic pattern. I've never been able to mix the two and make it sound good. Your solo works because, as you say, you resolve back to the major tonality which follows the chord progression. My question how do you determine when to switch from major to minor and back to major again? Does there have to be a minor chord in the progression or is it a matter of choosing a note that's a 3rd or 5th interval in the Minor Pentatonic scale from the last played note in the Major Pentatonic scale, playing the lick which ends on a note that's a 3rd or 5th interval to the next note in the Major Pentatonic scale. Maybe I'm over complicating the process. In any event, I'm learning so much from you. Could you kindly share tabs of the beautiful solo. Thanks once again for the tutorial!
If time allows, could you answer my question? Also, would love to have tabs of your solo.
Great advise, thank you so much! Keep kickin’ bro
Thank you!
If I can play the improv like this it will give me immense PEACE in life. But the thing is when I start improvising it doesn’t sound this good.
Just a question regarding your melodic solo with triads course..........is it posdible to solo only using triads?
It'd sound pretty boring to literally just solo with triads on their own. The course shows you how to find triads within patterns of the major scale, so it's a combination of soloing with scales and triads together.
@@RossCampbellGuitarist thank you snd thanks for the speedy reply
I disagree, one of the most iconic Guitar solo's of all time is James Burton playing "Hello Mary Lou" moving up and down three frets from (A) to (F#) I wouldn't want to tell him he got that wrong or it was boring.
i just play what sounded nice
🎩
😁
👕👍Great!
👖
...except the guy in your example starting around 6:09 is nowhere near intermediate.😀
Me doth thinks there's too much bleach in the hairs sire! lol
Dear Ross, thank you again for your continuous and generous contributions.
Regarding this approach, I was just thinking wouldn't it be simply about emphasising the root/chord/signature notes like you would do with modes, limiting the notes to the pentatonic ones?
Cheers.
No one thinks like that I just use caged for both and never “just” use the pentatonic. I “just” use my ear!
Read the comments, lots of people think this way. What seems obvious to you could be someone else's breakthrough.
instant like, then practice, than why do i f... bother.....
All of this is nice, but it's to less to play that beautiful as you do. For example, in my playing, mixing major and minor doesn't ever sound good. And I never know why.
I’ve literally applied this theory to a Petrucci Purple Rain track in A ( not Bb ). The trick seems to be this. Play the whole sequence in AM and target notes from the chord tones if you wish, but play Am blues/pentatonic over the last chord whilst switching back to AM or AM pentatonic for the very last part of the phrase. It sort of twists your hearing as such but the resolution is the key to bringing your ear back ‘in’. I really hope that’s both correct, what Ross does here and a comprehensible explanation. Best of luck🙏🏻
First 3:28 blablabla blablabla blablabla....
Needs to be more simple .
Salad to keep mummy happy - ah those mothers . So easily manipulated . That’s why we have such a push for women in “power” - a push from the people really in power . They generally vote dems and dems seem to vote for women.
💯 👏👏👍 😎