I beg to observe most respectfully, in the uttaraang, there are unmistakable shades of Gavati in this particular rendition of Bhimpalasi. However, notwithstanding such minor lapses ( I would most respectfully term these as "creative interpretations"), this legendary Ustad is the ABSOLUTE GOD of khayal gayaki! Not a day passes in my life without listening to his majestic, magical and divine renditions. Humble and respectful Pranams!
We are all used to the version of Ragas that were codified by Bhatkhande/Paluskar. However, when you explore the world of music, you will find that that many Ragas have been sung by stalwarts in a manner different from what we are used to. I have heard Vidushi Kishoritai Amonkar taking the sequence Sa Ga Ma in Raga Kedar, which is quite unusual. In Bageshri Pt. Kumar Gandharva has laid great stress on the note Pa, which again is something that does not fit into the standard model. Similarly, one may call this one as a Ustad Amir Khan's version of BHimpalasi.
@@psuhaskhan Agree with you totally. Bhatkhande ji and Paluskar Ji were not the ultimate sources of music. The exam traditions they started affected this. But In gharana tradition many ragas are used in many beautiful ways.
Gavati and Bheem are same some says. Some says it is different. How ever most of the structures are the same. Bheem and Palasi are two different ragas and many researchers know that bheempalasi should be rendered with the blend of both. Not the parrots who remember and vomit everything they learn as it is. Musician must be a researcher too.
you should remember that ustad ji's gayaki is not that appealing to the beginners. one has to go far long in indian classical music listening before liking Khan saab's slowest renditions
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I beg to observe most respectfully, in the uttaraang, there are unmistakable shades of Gavati in this particular rendition of Bhimpalasi.
However, notwithstanding such minor lapses ( I would most respectfully term these as "creative interpretations"), this legendary Ustad is the ABSOLUTE GOD of khayal gayaki!
Not a day passes in my life without listening to his majestic, magical and divine renditions.
Humble and respectful Pranams!
i would like to share that Bhimpalasi is a jod raga of raag bheem and raag palas, raaga bheem is also known as raag gavti
We are all used to the version of Ragas that were codified by Bhatkhande/Paluskar. However, when you explore the world of music, you will find that that many Ragas have been sung by stalwarts in a manner different from what we are used to. I have heard Vidushi Kishoritai Amonkar taking the sequence Sa Ga Ma in Raga Kedar, which is quite unusual. In Bageshri Pt. Kumar Gandharva has laid great stress on the note Pa, which again is something that does not fit into the standard model. Similarly, one may call this one as a Ustad Amir Khan's version of BHimpalasi.
@@psuhaskhan Agree with you totally. Bhatkhande ji and Paluskar Ji were not the ultimate sources of music. The exam traditions they started affected this. But In gharana tradition many ragas are used in many beautiful ways.
Gavati and Bheem are same some says. Some says it is different. How ever most of the structures are the same. Bheem and Palasi are two different ragas and many researchers know that bheempalasi should be rendered with the blend of both. Not the parrots who remember and vomit everything they learn as it is. Musician must be a researcher too.
@@MrSachinhampewaah sir ..thans for giving this knowledge
Who are those who can dislike ustadji gayaki...? Unbelievable..
it requires real patience to be able to listen to Khayal music and more so Khan Saheb's gayki and every one doesn't possess it.
My favourite raga! A successful rendition by the peerless vocalist.
Lessons Lessons and Lessons fron these Ustads!
SubhanAllah SubhanAllah!
Wow such a Beautiful raag sang by amir kha sahab .
His rendition ...always a prayer....more to divinity.
Wawawawawaw
Lay..Kaari main bhuttttt barha naaam
Subhanallah,,,wawawa
respactfully compliment guru ji
Pranam
❤❤🙏🙏
Is this bheempalasi??
I noe read the comments..may be we can call this ancient bhimpalas
💕💕💕💕💕
Pranaam!
Wah
how dare those 12 dislike this.?r they human being?
you should remember that ustad ji's gayaki is not that appealing to the beginners. one has to go far long in indian classical music listening before liking Khan saab's slowest renditions
There are 19 stone deaf idiots now. 😟
Everyone is entitled to his opinion. How are you concerned with that?
great
In the uttaranga he sings nSDP which makes it sound like Gavati. Quite shocking for an otherwise great artist.
🙏🙏❤❤