I purchased my.Sr-16 Christmas 1990 used $250 Alesis updated my unit prior to their next unit i still use it Today 34 year's later about the foot switch i had a plastic foot switch 2 button I stereo RTS and modified so each switch had its own 1/4 inch cable instead of one cable simple sodering and it works Still 34 years later thats my personal reference to Alesis it took a licking Dtill is ticking
Cool comparison! I’ll take the immediacy of easy thorough standalone SR-16 programming with it’s selectable audio outputs every single time. There’s good reason they’ve been in production since 1990 though they get much better when you take the time to learn to roll your own patterns & kits but that’s basically any drum machine out there that’s worth using.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Using the same SR-16 since 1993-- A-B Fill Function,and On-Off using a temporary switch were the Keeper Reasons to keep using it..Also using it as a Sound module-MIDI Sync'd to a KAT Drum-Pad..Last Summer I bought all 3 Singular Sound Units..Impressive Units-All 3..MIDI Sync'd the Sr-16 and the Beatbuddy work great together..as long as you turn off the Intro drum fill on the Beatbuddy..I'm using 3 Temporary Switches---1 for Fill for the SR-16 and 2 for Fill and (temporary) Stop for the Beat Buddy..Was and still am using the SR-16 with an RC-300 Looper-And Beatbuddy too..2 Drum Machines give a whole Different Feel to what you've looped..RC-300 has Drums Loops on it ...Beatbuddy is a Keeper Too ! Both Drum Machines Sound Great to my Ears...
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I used my SR-16 live for years, and you can set the tempo by tapping it out using the A/B fill foot switch before starting the song. My ONLY gripe is the crash cymbal samples don't ring out as long as a live cymbal does. The drum samples are studio quality, and if you take the time, you can make it sound as natural and dynamic as a real drummer.
I use two foot pedals for the Alesis. Start/Stop. And fills. You can get some cool beats stepping on and off the fill pedal: fill pedal also switches from A to B. Or A / fill back to A again. Or B / fill and back to B again. Or From A to fill to B. However you want to use it. I'll use a basic beat on A. Then bounce rytymically off the fill pedal for some extra cool drum beats!!!
I have had the Alesis for years. I use 2 foot switches for fills and shut off. Play live with it. No preprogramming it. Simple basic and I have probably had it 15 years.
Same here. Bandmate had one for 20 some years and I bought one I’ve had for 10 years. They don’t die. Simple, usable, with options if you like to play with settings, sounds, combos.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I have been using a boss dr3 for several years in a duo and, have had Great results. I play anything from rock to country, ballads, bluegrass, waltz's and, believe it or not surf music such as wipe out, pipeline, walk don't run. Extremely easy to use and, I have never got into any editing. Use a boss fs6 or fs7 for starts and stops and, can do fills very well at the touch of a toe. This is my input only, strictly my usage for several years, absolutely no issues with the Boss unit.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I can relate to this. The beats that come with it when bought new, are not so useful in my opinion. And the library pack (which is another add-on) is expensive. It's almost like buying a new BB pedal.
I have an Alesis SR-16 and it is a very capable machine but unfortunately dated, as far as ease-of-use goes. The drum sounds are pretty authentic and you can make an entire composition with it, as well as editing sounds, as mentioned. I just bought the BeatBuddy and so far I like it's simpler format and happy to see a PC interface where songs can be constructed, saved and transferred. Should be a fun unit to work with!
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Great video thanks, I had the BeatBuddy with the pedal, and overall, it was very good. However, the only issue I encountered was that everything sounded quite heavy, even when using the brushes kit. The intention was to blend seamlessly into the mix with just acoustic guitar and bass, but the BeatBuddy's output felt too prominent, particularly with the fills. Therefore, I'm curious about how the Alesis holds up in terms of sound. The BeatBuddy features real drum samples, lending it a high level of authenticity, but I wonder if the Alesis can match its sound quality ???
They both had 44.1 k audio output. All drum machines have over what I would prefer on drum beats. Alesis is geared more to 70’s beats and is controlled/adjusted onboard. Where the beat buddy controls are online.
And what really puts the icing on the cake is the BeatBuddy has almost doubled in price on the 2nd hand market in the space of 3 years, the SR16 stayed the same for 10 years @@DebErney
Thanks. Really useful video. You’ve now had the BeatBuddy a year. Wondering if you have further comments based on experience? Which of them do you find yourself using? By modern standards the Alesis is missing some features, but I like the fact the controls are so exposed. By contrast the Beat Buddy seems to not know whether it is a desktop unit or a pedal. Does that seem like a fair comment, or am I missing something?
@@DebErney What do you use. Have you made a video about it? Interested in any options. I’m a bass player brushing up on keyboards, and at this stage I just want a drummer for practice, but may in future use this stuff live.
I have a Beat Buddy and you will also need a background in writing computer programs .. very difficult to navigate if you want to edit the patterns ... if you use the same pattern for everything you will be fine but if you want to use other patterns, well ... I am trying to sell the beat buddy and cannot find any takers so it's possible that the word is already on the street ... That intro every time you start is annoying. BB has a lot of patterns but all very very similar, not a lot of difference.
VERY well done! I’m wanting to record my own tunes (on a TASCAM DP32) and have been hobbled somewhat by my drum options. I detest the electronic drum machines as I want real-sounding drums (but don’t have the patience for DAW-based kits), so i purchased a BeatBuddy. And while I like the sound quality, I’ve not been able to find the exact pattern I’m looking for even after buying just about every extra package they offer. I’d love to be able to edit their patterns but it seems daunting. Maybe I’ll get the Alesis as I’m not THAT concerned about having different kit sounds. Thanks again for a great comparison rundown!
I was a bit disappointed in the Beatbuddy. Especially after comparing it to the Alesis. I've recently played with recording with a looper. Put a simple beat, rhythm and bass on looper and record with it.
I'm the same guy: TASCAM DP24SD, have owned both the BeatBuddy and the SR-16. I'm desperate for a drum machine that has sampled drums AND is easy to program. Both of the afore-mentioned don't cut it. My BB shipped without the drum sounds on the SD card (!) so I had to download them. Then after two days it wouldn't power up--wasn't the adaptor or the connection. The SR-16 hurt my brain every 2 or 3 months when I'd pull it out and have to re-learn how to program in a song. And why that massive wheel is a volume knob instead of a data wheel... I'm using EZDrummer on my Mac USB'ing into an AD/DA converter to stereo audio into the TASCAM. It's so easy to get great beats and assemble a song on the EZ, but alas no way in this config to MIDI trigger a synth. Most equipment manufacturers have a way of USBing into a computer app for much greater ease of use (e.g.: Fender Amp's Fuse software); I'm surprised there isn't a drum machine that connects to an EZDrummer-like interface for much more visual programming, but then allows you to store back to the hardware.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I like this video and the Beat Buddy looks like the bit of kit I want. The problem for me is that I have NO CLUE how to rig this kit to my digital piano. There are lots of demo videos out there for various drum machines, but nothing on the technical set up. Help Deb Erney, I think you are the person to make a video on this subject, and I think it would help out a lot of people. Many thanks from a person a bit lost in this techno world.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I had the BB and while it was cool, I found the built-in fills were over the top for my taste and seemed louder than the normal patterns. I ended up selling it. I ordered an SR18 today.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Thanks for this information, it seems the velocity cant be changed on the beat buddy Could you tell me if I can set tap tempo to a switch and drum velocity to an expression pedal via midi on the Alesis ? Would be amazing if it can !
Hi! i just ordered the alesis sr16 today. Does it includes those 80's gated reverb snare sounds? Can you midi it with for example a roland gaia sh01 arpeggiator? Thanks Marco agius Malta
BEATBUDDY has no edits for individual drum sounds though it does have a computer editor that you can check out though I've never used it. The Alesis has full editing of all drums individually on the drum machine. here is the manual. always good to check the manual b4 purchase singularsound.com/downloadable/SingularSound_BeatBuddy-User_Manual.pdf
@@Jesus4UWH really, I wouldn't have bought the beat buddy had I known the sounds were equally as good. I think you will be very happy for many years with the Alesis .
I never went for a Mini unit, but I have been working with the "BeatBuddy" for at least 4 years. I control it with an Arturia "BeatStep Pro". I use it everywhere I perform and I think I must buy a second one for my home as a backup and practice unit.
Beat Buddy is worth every penny " Drum patterns sound more realistic and the drum fills are spot on . The Beat Buddy is like having a studio drummer @ your disposal. Stay away from Boss drum machines and Alesis they are hard to program and edit your own beats they will give you a lifetime Migraine. Iam a owner of a Boss Dr5 drum machine and it currently being used as a door stopper. BEAT BUDDY: Thank you so much !!!👍👍👍👍👍🥁🎸🎶🎵🎶🎵🎶🎵
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
@@truthwinseverytime8805 Okay, my friend, I will work on calming myself from being so excited, challenged, and inspired. Maybe I will win your approval. Possibly not. Such is life. Oops! There I go again.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I actually just got an Alesis SR16,and got blindsided because mine has 4 outs and no headphone jack.I took a look and there were at least 2 different versions,one with a headphone jack.The screen does not light up,yet i have plenty of lamps to take care of that.I am amazed at how light but solid that Alesis is.I already own samplers yet i wanted something dedicated I can fit into a smaller space and travel with,if needed.Question..Can I use both and use the Beatbuddy as the master,the Alesis as a slave unit??
Try it and see. Never had a reason to try that. I do know the Alesis works well with other midi equipment and I’ve had mine for a very long time. These are truly built to last.
@@DebErney cool, I just asked because someone gave me the Alesis D4 drum module,and I was wondering how they would play together.I also have some samplers that need some exercise too...
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
You get what you pay for. If you are critically professional, you might have to pay more. I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I purchased my.Sr-16 Christmas 1990 used $250 Alesis updated my unit prior to their next unit i still use it Today 34 year's later about the foot switch i had a plastic foot switch 2 button
I stereo RTS and modified so each switch had its own 1/4 inch cable instead of one cable simple sodering and it works Still 34 years later thats my personal reference to Alesis it took a licking
Dtill is ticking
these drum machines do seem to last forever.
Cool comparison! I’ll take the immediacy of easy thorough standalone SR-16 programming with it’s selectable audio outputs every single time.
There’s good reason they’ve been in production since 1990
though they get much better when you take the time to learn to roll your own patterns & kits but that’s basically any drum machine out there that’s worth using.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
This was super helpful! Thank you so much. I'm digging the sounds from the Alesis in my opinion.
I’ve used my Alesis for many years. Hard to beat for the price, sound, with easier adjusting then other drum machines.
Using the same SR-16 since 1993-- A-B Fill Function,and On-Off using a temporary switch were the Keeper Reasons to keep using it..Also using it as a Sound module-MIDI Sync'd to a KAT Drum-Pad..Last Summer I bought all 3 Singular Sound Units..Impressive Units-All 3..MIDI Sync'd the Sr-16 and the Beatbuddy work great together..as long as you turn off the Intro drum fill on the Beatbuddy..I'm using 3 Temporary Switches---1 for Fill for the SR-16 and 2 for Fill and (temporary) Stop for the Beat Buddy..Was and still am using the SR-16 with an RC-300 Looper-And Beatbuddy too..2 Drum Machines give a whole Different Feel to what you've looped..RC-300 has Drums Loops on it ...Beatbuddy is a Keeper Too ! Both Drum Machines Sound Great to my Ears...
Never tried two at the same time. I’ll have to give it a go. They are both midi so timing won’t be an issue.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
@@DebErney You have bot's in your comments i would throw that pedal in the trash it looks bad for your channel.
Can You help me to sync My BOSS RC5 with My alesis sr16 vía midi??
I used my SR-16 live for years, and you can set the tempo by tapping it out using the A/B fill foot switch before starting the song. My ONLY gripe is the crash cymbal samples don't ring out as long as a live cymbal does. The drum samples are studio quality, and if you take the time, you can make it sound as natural and dynamic as a real drummer.
HAD THE BEAT BUDDY . OK FOR JAMS IN A PINCH. really leaning towards the alesis .
I use two foot pedals for the Alesis. Start/Stop. And fills. You can get some cool beats stepping on and off the fill pedal: fill pedal also switches from A to B. Or A / fill back to A again. Or B / fill and back to B again. Or From A to fill to B. However you want to use it. I'll use a basic beat on A. Then bounce rytymically off the fill pedal for some extra cool drum beats!!!
I have had the Alesis for years. I use 2 foot switches for fills and shut off. Play live with it. No preprogramming it. Simple basic and I have probably had it 15 years.
Same here. Bandmate had one for 20 some years and I bought one I’ve had for 10 years. They don’t die. Simple, usable, with options if you like to play with settings, sounds, combos.
can u do a video on hgow u use it?
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
@@DebErney hey folks, so you can create songs like intro-verse-chorus-verse-chorus on the SR18 too? Thanks!
had mine for over 20 years. Love my SR-16.
Great review thank you. I've saved quite a lot by buying a used SR16 rather than the BeatBuddy, thanks to you.
I know. Right!
Good job Deb. Alesis for me. I got a few years under my belt and having the console on my table; with my vision and back...
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I have been using a boss dr3 for several years in a duo and, have had Great results. I play anything from rock to country, ballads, bluegrass, waltz's and, believe it or not surf music such as wipe out, pipeline, walk don't run. Extremely easy to use and, I have never got into any editing. Use a boss fs6 or fs7 for starts and stops and, can do fills very well at the touch of a toe. This is my input only, strictly my usage for several years, absolutely no issues with the Boss unit.
The BeatBuddy 100% Thank you Singular Sound! Deb,
Thanks for the video
Thanks Debbie.....I'm so old skool ...hate modern techy sh t ....so your video really helped....thanks x. T dog
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
thanks for the great side-by-side comparison of these devices! very helpful!
I like the sound of the Alesis sr-16
I have the BB. Nothing but good things to say. The updated library's are a little pricey, haven't tried them yet.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I can relate to this. The beats that come with it when bought new, are not so useful in my opinion. And the library pack (which is another add-on) is expensive. It's almost like buying a new BB pedal.
Thank you very much. Brillant video. 🍀🍀🍀🙂🖖🏽
The SR-16 is the one to buy.
I have an Alesis SR-16 and it is a very capable machine but unfortunately dated, as far as ease-of-use goes. The drum sounds are pretty authentic and you can make an entire composition with it, as well as editing sounds, as mentioned. I just bought the BeatBuddy and so far I like it's simpler format and happy to see a PC interface where songs can be constructed, saved and transferred. Should be a fun unit to work with!
It is always fun to learn new equipment. As with anything, the more you know the more it does.
Well, SR-16 did not have an app, we used a computer back in the days.
Exactly the video I needed. Its the Beat Buddy for me.
Hi Deb, could you recommend an appropriate speaker(s) to go with the BB. Just something for a living room or backyard jam session.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Thx a lot!🖤🖤🖤
What a lovely voice 😀
both is of good use. it depends what you are doing at the time, if you a one man band doing live gig it be beatbuddy it a calls for
Great video thanks,
I had the BeatBuddy with the pedal, and overall, it was very good. However, the only issue I encountered was that everything sounded quite heavy, even when using the brushes kit. The intention was to blend seamlessly into the mix with just acoustic guitar and bass, but the BeatBuddy's output felt too prominent, particularly with the fills. Therefore, I'm curious about how the Alesis holds up in terms of sound. The BeatBuddy features real drum samples, lending it a high level of authenticity, but I wonder if the Alesis can match its sound quality ???
They both had 44.1 k audio output. All drum machines have over what I would prefer on drum beats. Alesis is geared more to 70’s beats and is controlled/adjusted onboard. Where the beat buddy controls are online.
And what really puts the icing on the cake is the BeatBuddy has almost doubled in price on the 2nd hand market in the space of 3 years, the SR16 stayed the same for 10 years @@DebErney
I've had the sr 16 several time I'm suprised i5s still being sold to day
Thanks. Really useful video.
You’ve now had the BeatBuddy a year. Wondering if you have further comments based on experience? Which of them do you find yourself using?
By modern standards the Alesis is missing some features, but I like the fact the controls are so exposed. By contrast the Beat Buddy seems to not know whether it is a desktop unit or a pedal. Does that seem like a fair comment, or am I missing something?
You know I don’t use either of them, though I prefer the Alesis. I’ve gotten used to setting beat with loopers.
@@DebErney What do you use. Have you made a video about it? Interested in any options. I’m a bass player brushing up on keyboards, and at this stage I just want a drummer for practice, but may in future use this stuff live.
I have a Beat Buddy and you will also need a background in writing computer programs .. very difficult to navigate if you want to edit the patterns ... if you use the same pattern for everything you will be fine but if you want to use other patterns, well ... I am trying to sell the beat buddy and cannot find any takers so it's possible that the word is already on the street ... That intro every time you start is annoying. BB has a lot of patterns but all very very similar, not a lot of difference.
VERY well done! I’m wanting to record my own tunes (on a TASCAM DP32) and have been hobbled somewhat by my drum options. I detest the electronic drum machines as I want real-sounding drums (but don’t have the patience for DAW-based kits), so i purchased a BeatBuddy. And while I like the sound quality, I’ve not been able to find the exact pattern I’m looking for even after buying just about every extra package they offer. I’d love to be able to edit their patterns but it seems daunting. Maybe I’ll get the Alesis as I’m not THAT concerned about having different kit sounds.
Thanks again for a great comparison rundown!
I was a bit disappointed in the Beatbuddy. Especially after comparing it to the Alesis.
I've recently played with recording with a looper. Put a simple beat, rhythm and bass on looper and record with it.
I'm the same guy: TASCAM DP24SD, have owned both the BeatBuddy and the SR-16. I'm desperate for a drum machine that has sampled drums AND is easy to program. Both of the afore-mentioned don't cut it. My BB shipped without the drum sounds on the SD card (!) so I had to download them. Then after two days it wouldn't power up--wasn't the adaptor or the connection. The SR-16 hurt my brain every 2 or 3 months when I'd pull it out and have to re-learn how to program in a song. And why that massive wheel is a volume knob instead of a data wheel... I'm using EZDrummer on my Mac USB'ing into an AD/DA converter to stereo audio into the TASCAM. It's so easy to get great beats and assemble a song on the EZ, but alas no way in this config to MIDI trigger a synth. Most equipment manufacturers have a way of USBing into a computer app for much greater ease of use (e.g.: Fender Amp's Fuse software); I'm surprised there isn't a drum machine that connects to an EZDrummer-like interface for much more visual programming, but then allows you to store back to the hardware.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
I like this video and the Beat Buddy looks like the bit of kit I want. The problem for me is that I have NO CLUE how to rig this kit to my digital piano. There are lots of demo videos out there for various drum machines, but nothing on the technical set up. Help Deb Erney, I think you are the person to make a video on this subject, and I think it would help out a lot of people. Many thanks from a person a bit lost in this techno world.
Sounds like a worthwhile video to look into.
thank for the education
Great review-thank you!
That sr 16 is sick
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Hello Deb. any chance you can do a demo/review on Boss DR-880 drum machine pls ? Thanks in adv.
don't have Boss DR-880. A google search should be able to help you.
I had the BB and while it was cool, I found the built-in fills were over the top for my taste and seemed louder than the normal patterns. I ended up selling it. I ordered an SR18 today.
I'm not thrilled with mine. not very editable while using it like the Alesis is.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
Does the Alesis SR16 have built in conga and/or cajon drums? I'm looking for something with hand drum sounds. Thanks!
Google search “alesis 16 drums”
Yes.
I have a portable studio tascam and tried to connect it with my alesis sr 16 but had I no sound come through
You need to try the other output. One will work with mono and the other won’t.
Thanks you ☺️
Thanks for this information, it seems the velocity cant be changed on the beat buddy
Could you tell me if I can set tap tempo to a switch and drum velocity to an expression pedal via midi on the Alesis ?
Would be amazing if it can !
Not that I know of
Great video!
Thanks Deb!
You are so welcome!
Hi! i just ordered the alesis sr16 today. Does it includes those 80's gated reverb snare sounds? Can you midi it with for example a roland gaia sh01 arpeggiator? Thanks Marco agius Malta
Alesis has a very old, very good, very detailed video series for this mixer. www.alesis.com/kb/article/1575
Hi, I was wondering...Can you edit the volume of each individual drum? For example: what if I want the bass drum quieter? Thank you!
BEATBUDDY has no edits for individual drum sounds though it does have a computer editor that you can check out though I've never used it. The Alesis has full editing of all drums individually on the drum machine.
here is the manual. always good to check the manual b4 purchase
singularsound.com/downloadable/SingularSound_BeatBuddy-User_Manual.pdf
ok, thank you very much for letting me know. I just purchased the Alexis on Sweetwater...I think it will do the job for me.
Stupid auto correct-Alesis.
@@Jesus4UWH really, I wouldn't have bought the beat buddy had I known the sounds were equally as good. I think you will be very happy for many years with the Alesis .
Yes. You can also tune each drum. You can quantize the "hits" to be off-time.
How would you compare beat buddy mini to alesis SR 16 , for country beats , and for just overall? Thank you
The Alesis is a very tried and true drum machine with very usable, editable beats. Beat buddy can be edited online through app.
I never went for a Mini unit, but I have been working with the "BeatBuddy" for at least 4 years. I control it with an Arturia "BeatStep Pro". I use it everywhere I perform and I think I must buy a second one for my home as a backup and practice unit.
@@abitupthehudson Try the Alesis.
By chance do either of these units have the ability to control velocity with an expression pedal ??
Not that I’m aware of.
@@DebErney 👍🙏🏻
Beat Buddy is worth every penny " Drum patterns sound more realistic and the drum fills are spot on . The Beat Buddy is like having a studio drummer @ your disposal. Stay away from Boss drum machines and Alesis they are hard to program and edit your own beats they will give you a lifetime Migraine. Iam a owner of a Boss Dr5 drum machine and it currently being used as a door stopper. BEAT BUDDY: Thank you so much !!!👍👍👍👍👍🥁🎸🎶🎵🎶🎵🎶🎵
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
You spam this exact reply way too much in this vid.@@abitupthehudson
@@truthwinseverytime8805 Okay, my friend, I will work on calming myself from being so excited, challenged, and inspired. Maybe I will win your approval.
Possibly not. Such is life.
Oops! There I go again.
on the sr 16 how can i make the screen brighter and easier to see?
Not that I’m aware of.
Alesis For me. More features, more fun stuff, cheaper.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
@@abitupthehudson mate you wrote a whole novel 😁
@@mikkywhalan From one Michael to another Michael, I apologize and I will remember to KEEP IT SHORT.
The beat buddy “overplays”
I actually just got an Alesis SR16,and got blindsided because mine has 4 outs and no headphone jack.I took a look and there were at least 2 different versions,one with a headphone jack.The screen does not light up,yet i have plenty of lamps to take care of that.I am amazed at how light but solid that Alesis is.I already own samplers yet i wanted something dedicated I can fit into a smaller space and travel with,if needed.Question..Can I use both and use the Beatbuddy as the master,the Alesis as a slave unit??
Try it and see. Never had a reason to try that. I do know the Alesis works well with other midi equipment and I’ve had mine for a very long time. These are truly built to last.
Oh, you can use the mono out with headphones.
@@DebErney cool, I just asked because someone gave me the Alesis D4 drum module,and I was wondering how they would play together.I also have some samplers that need some exercise too...
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
ALESIS SR16 $149.00 vs BEATBUDDY $329.00.
You get what you pay for. If you are critically professional, you might have to pay more. I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
online with software not from the beatbuddy.
You have to bend over with your guitar in hand to turn the knobs on the beat buddy. Am I missing something?
No you aren’t missing anything. Using an external pedal offers more options.
@@DebErney can I adjust volume with the pedal? If you’re not sticking with a setlist, can you access any drum pattern quickly?
You didn't say if you can program the beat Buddy!!????
not onboard the unit itself but there is an App for that.
I have been using drum machines starting with the Hammond FR-2D that sat on top of the organ in the 70s. I found a Roland floor unit I believe before the 80s which had a few more options than the Hammond and then I started with the Yamaha. I have traveled all over the world playing my synths with drum machines and the capabilities and conveniences of the "BeatBuddy" have topped all of its predecessors. I make my own arrangements from country and folk to Broadway tunes like "Memory from Cats" to "The Phantom of the Opera" through Funk and Jazz, and because I am a creator, I make my own specific rhythmic patterns and phrasings. I never wanted to perform as a single or in a duo, but I have played successfully for presidents, mayors, queens, ambassadors, CEOs, and other international musicians with MY "BeatBuddy". I wanted to go with tabletop machines but that didn't work for me. Yes, I do spend studio time programming, adjusting, creating, and changing rhythms. It has paid off.
GIRLFRIEND ROCKS 😀
Its not good drum machine,,,because 12 pad very hard,,its for swing tauch problem,,,
Alesis has a lot more sounds
I like my Alesis and have been using it for many years.
Did you ever pull the film off that alesis?
Never did. 🤓