I would love to see a video where you cover different approaches on how to deal with difficulties that will always come up during shooting a movie. (Such as working with reflections in large windows, working with natural light, countering the changing color temperature during sunset or sunrise etc.)
Your channel is how I hope a great film school curriculum would be like, especially for the more technical courses. So many shots from different movies being used here as great illustrative examples. Thanks for creating this!
Great video. I think this highlights a lot of what people feel when they watch a movie, but don't know why. Shot size is such a great tool to also highlight non-verbals, like you mentioned, information. It works really well to show feelings when there isn't any dialogue between characters. Spaghetti Westerns are a great example.
Great video as always! Well I think that the focal length is almost as important as the shot size. If you shoot from a distance and zoom-in to, say, a two shot, it won't feel as intimate, especially if there is enough background so we as the audience sense that a telephoto focal length (zoom or prime) was used. A zoomed-in shot always feels as if observed from a distance. An extreme wide angle very close to an actor/actress is very stark and can have a comedic effect or if its dynamic hand held it makes us aware of the camera. Then of course our perception of speed and distance varies enormously with focal length. So I'd say how a shot feels is a combination of shot size and folcal length, to gether with other important factors such as eye level.
How do you do a shot for shot analysis? I try to do this but some shot sizes seem ambiguous towards meaning. Is that normal? How do you make it easier for analysis?
There are some movies where you feel really deeply for the characters and some where you don't, having a great script with characters that are compelling and have depth to them is a start to telling a great narrative, on another note I aslo watched an interview with Quentin Tarantino where he said that he had a great script for Natural Born Killers and that Oliver Stone messed it up, what ended up being filmed was far different from his original script.
Your Videos Is Amazing You Have Helped Me A Lot I Have One Small Crew And We Preparing For Make One Short Or Medium Film And Channels Like Yours Helping Me A Lot I'm The Director And Cameraman Of The Film So Thank You A Lot For Your Help Big Love From Greece And Keep Up With The Hard Work You Are Amazing 🧡
Please Review RRR Movie from INDIA ,Its a Master Piece and help us understand Shot Division.(Huge Fan From India) I haven't seen Anything like RRR Ever. Why I am stressing - Even fight has Deep Emotion.
you keep using shots from memoria but that film was a boring rip off of fine art films the type you see in galleries, except its about a white british person, who is the female john malkovich, who no one wants to see act
I would love to see a video where you cover different approaches on how to deal with difficulties that will always come up during shooting a movie. (Such as working with reflections in large windows, working with natural light, countering the changing color temperature during sunset or sunrise etc.)
polarizer for reflections???
@@armanromana1580 true but not always possible
Your channel is how I hope a great film school curriculum would be like, especially for the more technical courses. So many shots from different movies being used here as great illustrative examples. Thanks for creating this!
Last night i watched "spencer" and i noticed how the unconvetional aspect ratio and the using of close ups helps the feeling of imprisomnent
Great video. I think this highlights a lot of what people feel when they watch a movie, but don't know why. Shot size is such a great tool to also highlight non-verbals, like you mentioned, information. It works really well to show feelings when there isn't any dialogue between characters. Spaghetti Westerns are a great example.
Why doesn’t this channel have at least a mill is baffling as hell! My guy is educating us on a college level.
I am learning so much from your channel! Thank you to everyone involved for all your hard work.
Great video as always! Well I think that the focal length is almost as important as the shot size. If you shoot from a distance and zoom-in to, say, a two shot, it won't feel as intimate, especially if there is enough background so we as the audience sense that a telephoto focal length (zoom or prime) was used. A zoomed-in shot always feels as if observed from a distance. An extreme wide angle very close to an actor/actress is very stark and can have a comedic effect or if its dynamic hand held it makes us aware of the camera. Then of course our perception of speed and distance varies enormously with focal length. So I'd say how a shot feels is a combination of shot size and folcal length, to gether with other important factors such as eye level.
The Good the bad and the ugly has the best wide, and close up framing.
Thank you for using clips from Memoria AKA the greatest film of 2021
Maybe the best video I found about shot sizes, thank you
I justed watch Kill Bill today, so nice to now see the analyse ! Thanks for sharing
Thank you for this! Its a life saver ...Keep up the good work guys...You rock!
Thanks a lot for this❤️❤️
These videos means a lot🙌🙌
How do you do a shot for shot analysis? I try to do this but some shot sizes seem ambiguous towards meaning. Is that normal? How do you make it easier for analysis?
@@billyj.causeyvideoguy7361 One of the most important and meaningful comments I have seen so far. Thanks for reiterating this. 💥🎉🎉🎉
Thanks for sharing 👍
Take a look at 'Come and see' amazing use of just about every shot ever done.
Awesome content as always! Thank you! :)
Well explained
This channel is gold
Man , you make a great content , i can learn all filmmaking here , thanks man , amazing 🤩
You are the best explainer of things
Excellent
Could you do a video on either Lars Von Trier or Nicholas Winding Refn or James Hawkinson?
I love your video's tank's for your work ❤
Anoher great video!~ Thanks :)
Gonna start calling a Medium-Wide a “cowboy shot” from now on.
Can anyone recommend good video editing software? I'm a beginner, don't have a Mac. A friend of mine recommended Stark
I would suggest Davinci Resolve or Premiere. I personally changed from Premiere to Davinci because of the color grading potentials of Davinci Resolve
@@baljinnyamaltansukh2082 thanks very much!
Wow.❤️
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There are some movies where you feel really deeply for the characters and some where you don't, having a great script with characters that are compelling and have depth to them is a start to telling a great narrative, on another note I aslo watched an interview with Quentin Tarantino where he said that he had a great script for Natural Born Killers and that Oliver Stone messed it up, what ended up being filmed was far different from his original script.
Your Videos Is Amazing You Have Helped Me A Lot I Have One Small Crew And We Preparing For Make One Short Or Medium Film And Channels Like Yours Helping Me A Lot I'm The Director And Cameraman Of The Film So Thank You A Lot For Your Help Big Love From Greece And Keep Up With The Hard Work You Are Amazing 🧡
memoria yoo
Couldn't watch the video because of the yellow background
Please Review RRR Movie from INDIA ,Its a Master Piece and help us understand Shot Division.(Huge Fan From India)
I haven't seen Anything like RRR Ever.
Why I am stressing - Even fight has Deep Emotion.
drive ma car
Anything closer than a medium shot is garbage. Talking heads conversations are terrible.
you keep using shots from memoria but that film was a boring rip off of fine art films the type you see in galleries, except its about a white british person, who is the female john malkovich, who no one wants to see act