Great. Loved it. Nce demeanor. Very much appreciate the absence of the background sound track that so many presenters deem necessary to give meaning to what they have to say.
Really appreciate your tutorial. I haven't experimented with selectively modifying much so far but you motivated me to jump there and learn this, thank you.
Thank you so much for this very instructive demonstration. Your mode of instruction is simple, to the point, and very helpful. I learned a lot from your videos.
Your attention to subtle details is what makes your work so realistic looking. When I process a photo, I'll make some changes. But then the next day I'll spot some more changes that need to be made. This will go on for as long as a week, spotting changes that need to be made. I'm so impressed with your workflow from beginning to end. Very nice work, as usual.
I have taught myself over the years to work in the general and not the specific to avoid over-analyzing an image, I too used to keep coming back to an image over and over, never satisfied with the result, but now I look at processing an image like sitting in front of an easel, with fresh paint and brushes, just paint and enjoy the overall experience, look for things that affect the whole image, not the individual pixels. In doing so I believe my work has improved, not because it is perfect but because I enjoyed doing it 😀 The pixel peepers always point out errors or issues with my images, and I have no problem with their observations, it is how they see my image, but it does not change the fact that I had fun doing it 😀
I appreciate your advice and will take it to heart. I know I agonize too much over some images, and I think you've given me some excellent advice, which I will put into practice. Thanks!@@jamiermathlin
Thanks for showing people how great images from MFT can be created, even in suboptimal lighting conditions. I use DxO PhotoLab for RAW processing and can produce very clean A2 or even larger prints at ISO 3200 (and above, depending on the scene) from my G9. Why lug around bulky, heavy "FF" (or even APS-C) when you get no significant benefit except in "specialized" situations?
The performance of MFT is often overlooked or considered less optimal, but as you say what can be achieved is amazing., I also have had incredible shots at ISO3200 😀
Great work as usual i am progressing well with my journey learning every day and i am producing some good edited photos not quite at your standard but not too bad love your work Jamie
Great video again Jamie. Learning so much from your tutorials I have a series of similar shots taken at the Black Country Museum in Dudley, so will be trying out your techniques on them. You have an amazing skill in editing, but also in your explanations. Thank you.
Thank you for the comment Mike, hopefully you can find some past shots where you have exposed for the highlights and the room is in shadow (and of course, they are RAW images) then you have a good chance 😀
@@jamiermathlin its impressive what you can achieve, I’m off to the Jaguar sports club for my very first live gig shoot in Coventry, for reference it sits directly behind the new Amazon store, I’ll be honest I’m not sure what I’m going to get from a live music shoot but I can only try
@@simonryan6850 You will need to shoot at a higher than normal ISO, I do not know the camera you have, but, all digital camera generally have invariance with the sensor, this means that there is two starting points for the processing of gain, for example the Olympus EM1 Mk2 is 200 and 800 ISO, this is where the noise is lowest, so 640ISO will have more noise than 800ISO. For a Sony A7R4 it is 100 and 1600ISO. So try to shot at the higher invariant ISO point for your camera, that way you will minimise noise. I hope this is helpful.
Thanks Jamie, again as always...great video
You are very welcome Guus 😀
It is absolutely amazing what you are able to do with the radial gradient. Thank you for this demonstration.
You may be starting to understand why I love the radial gradient so much, it is so powerful 😀
Great. Loved it. Nce demeanor. Very much appreciate the absence of the background sound track that so many presenters deem necessary to give meaning to what they have to say.
Well done Jamie! Thanks for sharing this process!
No problem Ron, thanks for the comment 😀
Really appreciate your tutorial. I haven't experimented with selectively modifying much so far but you motivated me to jump there and learn this, thank you.
You are very welcome Michael, and thank you for the comment. A little bit of experimentation goes a long way 😀
Great vidoes, mate, all of 'em. I find them very useful and they solve a lot of problems for me. Thank you!
You are very welcome Barry 😀
Thank You
you are very welcome 😀
excellent tutorial
Thank you David 😀
Thank you so much for this very instructive demonstration. Your mode of instruction is simple, to the point, and very helpful. I learned a lot from your videos.
I am very happy to know that I have been of some help, and I thank you for taking the time to leave me this comment 😀
Something different this time really like your process and thank you for an excellent video.
Your kind words are very much appreciated, thank you 😀
Your attention to subtle details is what makes your work so realistic looking. When I process a photo, I'll make some changes. But then the next day I'll spot some more changes that need to be made. This will go on for as long as a week, spotting changes that need to be made. I'm so impressed with your workflow from beginning to end. Very nice work, as usual.
I have taught myself over the years to work in the general and not the specific to avoid over-analyzing an image, I too used to keep coming back to an image over and over, never satisfied with the result, but now I look at processing an image like sitting in front of an easel, with fresh paint and brushes, just paint and enjoy the overall experience, look for things that affect the whole image, not the individual pixels. In doing so I believe my work has improved, not because it is perfect but because I enjoyed doing it 😀 The pixel peepers always point out errors or issues with my images, and I have no problem with their observations, it is how they see my image, but it does not change the fact that I had fun doing it 😀
I appreciate your advice and will take it to heart. I know I agonize too much over some images, and I think you've given me some excellent advice, which I will put into practice. Thanks!@@jamiermathlin
I resemble that remark for sure!
Thx Jamie. Nice change from the usual exterior images.
thank you 😀
Nicely done Jamie 👍🏽
thanks Steve 😀
Thanks for showing people how great images from MFT can be created, even in suboptimal lighting conditions. I use DxO PhotoLab for RAW processing and can produce very clean A2 or even larger prints at ISO 3200 (and above, depending on the scene) from my G9. Why lug around bulky, heavy "FF" (or even APS-C) when you get no significant benefit except in "specialized" situations?
The performance of MFT is often overlooked or considered less optimal, but as you say what can be achieved is amazing., I also have had incredible shots at ISO3200 😀
Thanx Jamie, yet another superb video.....great garage..... Colin Devon..
thanks Colin 😀
Thanks for a very informative Video, I'm going out to my shed & try a similar shot.
Thank you for the feedback, have fun in the shed 😀
Another great, inspirational video. Thanks Jamie.
Thank you William 😀
Thanks a lot Jamie... well done.
you are most welcome, and thank you for taking the time to leave me a comment, it is very much appreciated 😀
Fantástico como siempre. Gracias y un saludo.
Gracias por tus amables palabras y por tomarte el tiempo para dejarme un comentario, lo aprecio mucho
Espectacular 😮
😀😀
Masterful! Great post
thank you
Great work as usual i am progressing well with my journey learning every day and i am producing some good edited photos not quite at your standard but not too bad love your work Jamie
I am very happy to hear that you are maing progress Mick, as I always say 'Practice makes almost perfect' 😀
Great video again Jamie. Learning so much from your tutorials I have a series of similar shots taken at the Black Country Museum in Dudley, so will be trying out your techniques on them. You have an amazing skill in editing, but also in your explanations. Thank you.
Thank you David, I wish you much success with your processing 😀
Wonderful Jamie, interesting use of an indoor shot. You’ve just inspired me to look at some of my indoor images! Thanks Mike
Thank you for the comment Mike, hopefully you can find some past shots where you have exposed for the highlights and the room is in shadow (and of course, they are RAW images) then you have a good chance 😀
Interesting video Jamie and something different from you. Would look great as a sepia image.
Thanks Mate
Do you use photoshop cs or elements for your editing
Hi Claire, I use the Adobe Creative Cloud set for Photographers, which includes Photoshop CC Classic and Lightroom CC 😀
Which camera did you say you used?
This was shot with an Olympus OM-D EM1 Mk2 😀
@@jamiermathlin its impressive what you can achieve, I’m off to the Jaguar sports club for my very first live gig shoot in Coventry, for reference it sits directly behind the new Amazon store, I’ll be honest I’m not sure what I’m going to get from a live music shoot but I can only try
@@simonryan6850 You will need to shoot at a higher than normal ISO, I do not know the camera you have, but, all digital camera generally have invariance with the sensor, this means that there is two starting points for the processing of gain, for example the Olympus EM1 Mk2 is 200 and 800 ISO, this is where the noise is lowest, so 640ISO will have more noise than 800ISO. For a Sony A7R4 it is 100 and 1600ISO. So try to shot at the higher invariant ISO point for your camera, that way you will minimise noise. I hope this is helpful.
@@jamiermathlin As soon as the gig is shot I’m going to take my time looking for a few pictures I can use and see where it takes me
I’m sure you said it was four thirds sensor but I don’t catch which camera you actually said
Yes Micro four thirds - EM1 Mk2