Goldsmith is a genius using descriptive music and spotting it for every scene with the director here he begins with the main theme which is beautiful morphing into anticipatory anxiety provoking wiring describing exactly what is happening in the film
BillSU77 Except this cue is used in two different parts of the film. That’s why the title is a bit misleading, the second part (starting at 2:10) is when Jack and Faye are being chased out of the nursing home.
FranticAnimations I wouldn’t blame him, I’d laud him. The second part fits perfectly in the nursing home. After Jack gets into a fight and flees with Faye. Whatever Polanski’s complicated history may be, the one thing he is, is a genius filmmaker.
@@davidtester3239 Polanski had absolutely nothing to do with this score or the placement of the cues; this was the result of Jerry Goldsmith, producer Robert Evans, and editor Sam O'steen.
Goldsmith is a genius using descriptive music and spotting it for every scene with the director here he begins with the main theme which is beautiful morphing into anticipatory anxiety provoking wiring describing exactly what is happening in the film
+BillSU77 Sounds like your a critic .You are spot on .He truly was one of the finest .
BillSU77
Except this cue is used in two different parts of the film. That’s why the title is a bit misleading, the second part (starting at 2:10) is when Jack and Faye are being chased out of the nursing home.
@@davidtester3239 Blame the director for moving the music around.
FranticAnimations
I wouldn’t blame him, I’d laud him. The second part fits perfectly in the nursing home. After Jack gets into a fight and flees with Faye. Whatever Polanski’s complicated history may be, the one thing he is, is a genius filmmaker.
@@davidtester3239 Polanski had absolutely nothing to do with this score or the placement of the cues; this was the result of Jerry Goldsmith, producer Robert Evans, and editor Sam O'steen.
Amazing
peaking,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
2:26
Was it a fake Mrs. Mullray?