Part II Re-Edited "La Epoca - The Lost Rhythms in Salsa" TRAILER
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- Опубликовано: 26 сен 2013
- This is only the TRAILER! See the entire film at available at www.LaEpocaFilm.com - order now!! Updated with interviews with Eddie Torres, Frankie Martinez, Griselle Ponce, Adolfo Indacochea, Oliver Pineda, Johnny Vazquez, Earl Rush, Julissa Cruz, Andy "Lyrik" Cruz.
Hosted by Josue Joseph (New York) and Sara Krawczyk (Poland).
Directed & produced by Josue Joseph.
La Epoca Musicality Privates Online:
"Musicality-&-Clave Music Study"
"Recognize-the-Rhythms Music Study"
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~ "Accomplishments in the World Arts" Award 2013 by Yale University New Haven for Latin Heritage Month
~ "Outstanding Contribution to the International Arts" 2012 Award by National University of Music Bucharest
~ "Vale Mas" won "Song of the Year" 2011 London World Music Vybz
~ "DC Salsa Grammy" for "Vale Mas" - "Song of the Year" 2010
~ "Official Selection" - Orlando Hispanic Film Festival 2010
The education, learning the history and understanding the evolution and the foundations of Salsa are very important. This video is an awesome contribution. Thank You la Epoca! From Dr. Roland, aka Dr. Salsa (Salsa Concept, Thailand)
I love this video and look forward to seeing it on the website to see the unedited verson. I love La Epoca videos. I share them for my friends because I love to study the culture of dance and have the same thoughts as some of my old friends like Frankie Martinez.
I love your films! This is what I was looking for, a background to the dance I want to learn. I stumbled along La Epoca Films when I searched "salsa vs. mambo"
Agradezco eternamente por la información que esta ofreciendo. somos pocos los hispanos que podemos entender el idioma del ingles y explicarles a nuestros estudiantes. pero la información es vital para todos los nuevos bailarines y para los instructores y organizadores de evento. Gracias de nuevo por este aporte a la cultura de la salsa. Saludos desde Venezuela.
this was awesome. i look forward to seeing the whole movie soon.
we need this badly!
LOVE IT love just love, love it
yes 2 LaEpocaFilm.com
I have played bass in salsa bands in the 50’s through the 70’s. I still love it. I beg to differ about the clave. The melody definitely does determine ne the clave!
Totally agree. "Becoming one with the music. Being part of the orchestra."
Que posibilidad ..hay q este subtitulado al español.
Es mucha información y me gustaria poder enterder mas
its very interesting because todays dancers have some what improve the salsa dancing they seem to dance every song in the say way with no clave or nothing you & your partner must be one for example when ana mazacote was dancing with jarou & the was ana caote or something to that nature this was in 2004 or 5 they had the perfect chemistry just one osf those days when everything comes together i been a dancer for many many years & did not learn with this 1.2.3 most it we used to practice it with our girl friends or hanging out in the part or the apartment but most importantly you must feel the rythem & know that every song has a different rythem the turns must be well execute & everything must fall in place & know that you are.
Tiene este vídeo con audio en español?
Hola, saldrá alguna vez traducido al español? Me parece muy bueno el trabajo que hacen!!
Hi. How can I download the film I purchased days ago? Is any body checking your emails?
The god father of salsa as it was later developed was Arsenio Rodriguez. At 16 years old I used to stand by the bongo player at the Palladium ...1950. We only spoke with our eyes.
Josue Joseph, please can you let me know in the movie who play and sing the theme VERAS ?? Thank you very much!!!
Hello Jairo .. you are referring to "Veras" La Epoca II "The Lost Rhythms in Salsa." .. this is my sister Raquel-Maria Fe singing .. I'm on piano, my father is on the bass .. other musicians fill in. I wrote the song in 2011 ;)
Intellectualizing, Afro Cuban rhythm,as you see in this video , it's sound,well,good.Talking and actually,showing are two difference things.There is a saying La Clave is internalized.{Se lleva en el corazon} . In Cuba,all this rhetoric, is immaterial. unless , one wants to impress.If you want to learn,how to dance,learn how to play conga or the Seven "Clave" patterns.Example,Guaguanco,with,what is La "Diana" la guagua,el quinto, tres do ect. La Clave is of Rumba.En El Son es La Clave de Son..In el Chagui,The Rhythm,is also different...To teach or learn, Afro Cuban music go to Havana or Matanza. where you acquire rhythm patterns 6/8,4/4,2/4 ect.You follow El Seco,or el tapao,once you follow, La Marcha, of the congas,you would be dancing in clave! Monforivale pa' el Tambo...Ache
Can you help me with the name of the song from min 2:43? Thank you
Luana .. thank you so much that you like the song at 2:43 .. that song is called "Oye Mi Guaguancó" .. it's here .. "Oye Mi Guaguanco" studio music video .. it's available on our website at LaEpocaFilm dot c . o . m .. on the Part II La Época Soundtrack I wrote it in 2010, produced it in 2011. Thank you, again.
SI ALGUIIEN PODRIA TRADUCIR A ESPAÑOL AYUDARIA A MUCHAS PERSONAS
Hello
I bought the movie on the website and can't find a way to watch it.
I didn't receive a link and there is no contact button...
What's the song at 13:53 ?
If you reconize that this music, dance and moviment was created fundamentaly in cuba or by cubans musicians and dancers, why did you not interview any cuban dancer or instructor too ? Nothing against all the profesionals in that movie, but i don't undertand that, it is a great film, but i sugest that you think about it, cause is not a good thing put the cubans out of all this, cause they are to much important on the "salsa" universe and they deserve to be valued. Kisses from Brazil.
Viva Cuba Festival
Very True
Rule #1: no part of the melody can conflict with the clave. Rule #2: some part of the melody must compliment the clave. There are basically four salsa claves: son and rumba. Each of these has 2-3 and 3-2 variations. If you are tapping out a clave while singing a melody, one one the clave rhythms will feel correct. If not, you have no sense of salsa!
Sorry man but I have to disagree with you when you say, “melody has no bearing on clave.” Rebeca Mauleon would disagree with you too. Melody directly determines clave. If melody didn’t dictate clave then you could write whatever you wanted to out of clave and it would work. But it doesn’t. Melody first then clave and rhythm fit around that. Now it is true that once clave is established (in the melody) it doesn’t change.
Yes, blah, blah, blah, but apart from talking for 25 minutes how importsnt it is tounderstand music, there's nounderstanding delivered in this video. If you want to know something for realz search for the jazzman's explanation of latin jazz. But stil you won't get it if you are not a musician :)