The touch and tone of Frisell, the chops of Metheny, the guts of Scofield and Cline, the brain of Coltrane and Fripp and Schoenberg, the hands of myth and lore. The internet ruins most things, for this am I thankful of it!
@@cliberg This wasn't a "mix", as there wasn't a soundboard or pa. The guitar amp is directly across from the phone that's recording... the drums sound too loud because they're closer to the phone. In the room it sounded fine. I was sitting between the drums and the amp.
As great as they sound, they can't help but play this as a twelve bar blues when this is not a standard blues. It's funny but a bit pathetic that most jazz players still can't deal with the structural freedom that Ornette Coleman laid out sixty years ago.
That original band playing this music was so special. The deliberately loose forms of the soloing that seemed to rely purely on time and dialogue were different than this forsure. I do like how there's great dialogue going on in this and maybe the form stating nabs the audience better. It sure builds intensity.
You don't listen to jazz much, right? He's complementing the music in his own capability. Besides, the whole thing about making music isn't to be a Whiplash-like perfectionist musician. There are metronome-like drummers and there are more rubato-like ones, like Dave. He's pushing everyone forward, his flare gets to show specially during Julian Lage's solo. If you don't appreciate it, fine. But don't be so full of yourself either (You and I are not playing with the cats Dave's playing with, more enjoyment, less hatred)
This is one of the few of the younger guitar players, that I really like. He embodies what the art form is for me. This is some great shit.
I was one of the lucky ones to be in the room that night! Amazing experience!
Me too ! I believe that was the first time for king and potter to play w Julian . I remember he broke a sting ... twice that evening
The touch and tone of Frisell, the chops of Metheny, the guts of Scofield and Cline, the brain of Coltrane and Fripp and Schoenberg, the hands of myth and lore. The internet ruins most things, for this am I thankful of it!
Really, i hear Chris preaching, but Julian is really like painting , just so damn love it
Dear Guitarists,
I just finished transcribing a *lead sheet* + *guitar tab* for this beast of a tune - It is up on my site :)
I'd like to hear more from this specific group of players.
Dave King is the king!!
Incredible
That's an insane lineup
Wonderful playing by Dave here, so full of spirit
What a super and superb performance!! 🔥🔥✨✨
Wow!! Thanks for sharing this!!
Bro they all killed it, but Chris Potter is (as always) on a whole ‘nother level 🤯
love the angle!
The safety of a quartet! Let your freak flag fly!
Chris Potter is the sentinel.
Him., Branford, Lovano, I know I'm missing a ton of people...
Yes big time you're right!
Let’s add Brecker to be safe
What Is This? = SO AMAZING
Dave King is so great on this. Makes me smile.
He always is doing something interesting on drums.
Wow....sizzle, sizzle, POP !
6:20 to. the end is smokin
cool stuff - love it!!
Thank you :)
Amazing
where did this happen!
The Stone, NYC
Unreal
Sheeee-it!😨😉🤗😎❤
Sounds like Charlie Christian.Amazing going over edge..
HOLY FUCK!!!
멋지다! 나도 이렇게 하고 싶다!! ㅎㅎ
Great jazz.Samuel Mario Abela
This must be the view from the bathroom, heh heh.
ornette coleman via orson welles
Hopefully Potter gets in and make the music getting deep.
the beginning of Julian's solo is the first time I heard him sound uncomfortable, or a little off. He got into it, tho.
with this drummer I would be uncomfortable the whole solo... ;-)
I guess Dave King must’ve thought he had a solo throughout the whole tune? Lol
Agree, way too high in the mix
He’s playing his ass off sounds great, a drummers job isn’t to be a metronome
it's an ornette coleman tune
king can't swing
@@cliberg This wasn't a "mix", as there wasn't a soundboard or pa. The guitar amp is directly across from the phone that's recording... the drums sound too loud because they're closer to the phone. In the room it sounded fine. I was sitting between the drums and the amp.
I feel like Julian lage is really keeping them in this hokey blues vibe but not in a hip way like ornette
@@djghostmode not when everyone else in the band is pushing a different energy
@@aidancafferty8898 Dave is just being Dave, don't let that throw ya :)
@@josephtravers777 not thrown at all, on the contrary. Dave is my dude. Julian sounds like he should be at an Allman bros concert
@@aidancafferty8898 this is my fav from Julian- ruclips.net/video/fHz-MBFGbIs/видео.html
lol good thing your opinion doesnt hold any merit whatsoever
As great as they sound, they can't help but play this as a twelve bar blues when this is not a standard blues. It's funny but a bit pathetic that most jazz players still can't deal with the structural freedom that Ornette Coleman laid out sixty years ago.
the solo section is always a standard blues, its the head that has a weird form
That original band playing this music was so special. The deliberately loose forms of the soloing that seemed to rely purely on time and dialogue were different than this forsure. I do like how there's great dialogue going on in this and maybe the form stating nabs the audience better. It sure builds intensity.
Drummer is absolutely horrible...can't get out of his own way
You don't listen to jazz much, right? He's complementing the music in his own capability. Besides, the whole thing about making music isn't to be a Whiplash-like perfectionist musician. There are metronome-like drummers and there are more rubato-like ones, like Dave. He's pushing everyone forward, his flare gets to show specially during Julian Lage's solo. If you don't appreciate it, fine. But don't be so full of yourself either (You and I are not playing with the cats Dave's playing with, more enjoyment, less hatred)
@@patricioexebiomunoz4251 king can't swing
@@ragezen1706 He can but that's not his game. He's a painter :)
@@josephtravers777 lol