Eurodance höre ich bis heute. Gefällt mir auch persönlich besser als die heutige Musik. Ach was wäre das toll, wenn irgendwer Eurodance wieder zurückholen würde.
An interesting documentary movie but very little about a real Eurodance music. As we know, this real Eurodance was created in 1992 and ended with the end of 1996. So the only Eurodance songs in this movie are Dr Alban - It's My Life, DJ Bobo - Somebody Dance With Me and Clulture Beat - Mr Vain. Snap! - I've Got The Power is a House music and their first song Eurodance was Rhythm is A Dancer. Scooter had nothing to do with Eurodance. They mainly made Happy Hardcore, Rave, Hard Dance and commercial Trance which can be called Eurotrance. I'm a little disappointed because there should be more interviews with other Eurodance producers like 2 Brothers on The 4th Floor, Fun Factory, E-Rotic, Masterboy, Ice Mc or Mr President but I realize that there would have to be several such movies.
@@hinsen technically a House song, but accidentally has same bassline like first Eurodance songs, has rapping verses and from the beginning intended to be as chart friendly as possible. What other hit track pushed first Eurodance producers to make music in this specific style?
Yes, this track is in the style of House but it contributed to the later rise of Eurodance. A breakthrough year was 1992 and I am talking mainly about the development of sound synthesis. Music producers at that time began experimenting with the detuned sawtooth wave that was used in all Eurodance songs. Of course, we cannot forget about the famous "Lately Bass", which also started to be used in Eurodance. This development later contributed to the development by Roland's engineers of the Super Saw wave for the Roland JP-8000 synthesizer, which in turn contributed to the development of Trance music. The first songs I call Eurodance were Snap - Rhytm is A Dancer, DJ Bobo - Somebody Dance With Me, Captain Hollywood Project - More and More and Haddaway - What Is Love. These are one of the first tracks where you can hear a detuned sawtooth wave.
Super cool! Eurodance was big in Mexico as well, I was a resident DJ in my small town when all these guys in the video were in the top 10. It would be great to have subtitles in English as well
Scooter nie jest eurodehsowym artystą i jego obecność w tym dokumencie to błąd, ale zapewne wynikał z braku dostępności innych, znanych artystów. W końcu ciężko pozbierać funkcjonujące nadal kapele po tylu latach. Mimo to brakuje w filmie wyraźnego rozróżnienia, definicji, czym jest "eurodance".
So much focus on Scooter who were never that important to Eurodance, yet other important acts are hardly featured at all (2 Unlimited, Cappella, Magic Affair, Snap)
Coole Doku, iwie gut weil ehrlich und nicht oberflächlich. Natürlich muss gesagt werden, dass die Protagonisten musikalisch absolute Flaschen sind. Die Dokuqualität rettet das Ganze aber!
EL VIDEO DEBERIA ESTAR EN ESPAÑOL YA QUE EN AMERICA LATINA TAMBIEN DISFRUTAMOS DEL EURODANCE Y TENDRIAN MUCHAS MAS VISITAS SI FUERA ASI POR FAVOR SUBAN EL VIDEO CON SUBTITULOS EN ESPAÑOL SE LOS PIDO COMO UN FAN DE LOS HEROES DEL EURODANCE.
nice documentary. But Masterboy and Ace of Base are missing here. Ace of base and masterboy both are 100x more typical eurodance bands than scooter. Instead of DJ Westbam who was obviously not a representant of eurodance at all, they should have interviewed Tommy Schleh. The part when he played the typical eurodance song is a joke because snap I got the power is not a typical eurodance song, it was before that time and it didn't have the melody.You could have asked 100 other bands maybe for example aqua - barbie girl. That was also a big eurodance track. Or "what is love". Or there are 100s others. Therefore it would have made much more sense to interview the guy from masterboy because he made real eurodance music and I think he composed them with the other guy in his band themselves. So it's a big difference if somebody else produces the music and you just sing or if compose the song really by yourself. So therefore the title is actually wrong. DJ Bobo yes he was a eurodance hero but scooter not, he said it himself he was something between. Nevertheless it's an interesting documentary about scooter. And also the part with this guy Nosie Katzman is interesting, didn't know he was behind all those bands, very interesting...after all DJ Bobo describes eurodance the best, in my opinion he clearly describes and understands the power of eurodance music. I wonder how much of his most famous songs in the very beginning he himself was composing or how much was done by producers. Because that's what made him world famous.
I agree. This documentary is made out of "parts" that were available. Probably it would be hard to collect all these names after 20+ years have passed. I'd also see pure eurodance producers speaking, like Captain Hollywood, the Bass Bumpers production team, or Ruud van Rijen. Nevertheless I still think the documentary gives interesting insight into the past dance scene.
Hat halt jeder so seine Musikrichtung gehabt. Der eine hat halt gerne Hard Rock gehört der andere halt Eurodance. Trotzdem hatten sie große Erfolge. Und viele hören die Musik immer noch an. Schwelgen halt immer noch in Erinnerung.
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
Jeder fand die Gruppen schlecht am Anfang. Aber trotzdem haben sie ihre Erfolge gehabt. Das wahr halt die Zeit. Und in den Radios sind die Lieder rauf und runter gespielt wurden.
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
@@roberttoper8288 Torstens "Himbeermund", "Heute ist ein guter Tag zum Sterben", "Die Schwarze Zone" und die Songs mit Kim Sanders sind einfach legendär!
Scooter sind nicht nur ein Style und Genre, Scooter sind Trance, Techno, Dance, Pop, Rave, Happy Hardcore und sogar Gabber... kommt immer auf den jeweiligen Track drauf an.
Nope, Scooter has more from the Eurodance, than the Techno :P If you want the Techno-Techno, then listen to Selected Ambient Works 85-92 by Aphex Twin, but the guy quickly created his own style :P
Wow, this is so wrong. Eurodance.... 40% from all REAL Eurodance did came from The Netherlands, also lots from Italia, UK, and also many from Scandinavia. Here in this documentary only DJ Bobo, Dr Alban and Culture Beat is Eurodance. Scooter (was fan that time) wasn't Eurodance, Scooter did go straight to the Hardcore. And Westbam ofcourse was one of the pionears (for German dance). SNAP, yup early Eurodance (like Twenty 4 Seven with Captain Hollywood (also in this Docu) as rapper (many years later came Captain Hollywood Project, that was Eurodance to) 2 unlimited, 2 brothers on the 4th floor, etc. that was early Eurodance). Germany apparently has a very different definition of Eurodance. If you did/do buy cd's/vinyl with Eurodance then there was/is no Scooter or Westbam on it. Can go on for a long time but i think, not needed. And the titel "Pump up the Jam" as nothing to do with this documentary.
hello, thanks for your comment. I am the author of this upload and an eurodance promoter on the Internet. I can only agree with you 100% - I also regret ARTE did not treat this genre sophistically, using stereotypes instead of available knowledge. Germany was one of the biggest hubs of Eurodance, not genuine, but also repacked productions, imported from European countries. Netherlands, Germany, Italy and France were the biggest players and all defining the genre back then, with so many artists, missing in this documentary, I can't even begin with. So on the one hand, we have to understand this could no way fit a 1h documentary, rather could start a long, multipart series. ARTE had to cut corners here very hard. On the other hand, elevating offsprings like SCOOTER (which by no means produced pure eurodance, rather happy hardcore/rave flavor) or Westbam (German techno producer) and mixing with projects like Snap and DJ Bobo without clear distinction, only puts the unaware viewers into an erratic thinking. That's why I'd be very interested into redoing this documentary from the ground. Meanwhile, I guess we have to live with shallow interpretations of "eurodance" by the mainstream, until someone finds the means to do it better.
@@hijack3 Hi, Yes, that's right, if you want to make a documentary about Eurodance you can easily make a video that fills a week. Maybe we can make a list of all (as we know) Eurodance artists, producers, then i think you will come very far. But most important i think is what is exactly Eurodance/what makes eurodance Eurodance. Some are easy but in the comments i see some here they say Eurodance started at 1992 what is totally wrong. I see everybody is giving Eurodance a different definition, i think most is easily recognizable as Eurodance but the "twilight zone" is very large and different per country and person, like (example) Hardcore (i am from The Netherlands) Hardcore here in The Netherlands was very different then the Hardcore (i did/still like) from the U.K. with the breakbeats or like Techno, The German Techno was very different then the people here (Netherlands) say it was Techno. So i think it is very difficult to make a border for what is Eurodance exactly. BTW, nice you are subscribed to "Dutchy" Paul Nielsen (shame he doesn't post anymore) and very nice to see you are subscribed to many very good Catholic channels👍. Many Regards.
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
90er billiger pop ohne Klasse dazu noch Menschen auf Pille damit man Techno überhaupt aushalten kann. Hab damals heavy metal gehört(obwohl ich rap habe als Favoriten) weil diese noch aus den 80er sind.
![Skilla Baby - Misfit (Feat. Polo G) [Official Video]](http://i.ytimg.com/vi/IjsylSnNMyw/mqdefault.jpg)
Dzięki El Torro za tłumaczenie, miło wracać do tej historii
Eurodance höre ich bis heute. Gefällt mir auch persönlich besser als die heutige Musik. Ach was wäre das toll, wenn irgendwer Eurodance wieder zurückholen würde.
GEILE ZEIT !!! Danke euch allen, ihr habt mein Leben verändert ;-)
Einfach eine geile Zeit gewesen die geprägt hat.
An interesting documentary movie but very little about a real Eurodance music.
As we know, this real Eurodance was created in 1992 and ended with the end of 1996. So the only Eurodance songs in this movie are Dr Alban - It's My Life, DJ Bobo - Somebody Dance With Me and Clulture Beat - Mr Vain.
Snap! - I've Got The Power is a House music and their first song Eurodance was Rhythm is A Dancer.
Scooter had nothing to do with Eurodance. They mainly made Happy Hardcore, Rave, Hard Dance and commercial Trance which can be called Eurotrance.
I'm a little disappointed because there should be more interviews with other Eurodance producers like 2 Brothers on The 4th Floor, Fun Factory, E-Rotic, Masterboy, Ice Mc or Mr President but I realize that there would have to be several such movies.
the borders were never so thin defined between Scooter an DJ Bobo etc those days
>real Eurodance was created in 1992
What about "Pump Up The Jam" by Technotronic from 1989?
It's just a House song.
@@hinsen technically a House song, but accidentally has same bassline like first Eurodance songs, has rapping verses and from the beginning intended to be as chart friendly as possible. What other hit track pushed first Eurodance producers to make music in this specific style?
Yes, this track is in the style of House but it contributed to the later rise of Eurodance.
A breakthrough year was 1992 and I am talking mainly about the development of sound synthesis. Music producers at that time began experimenting with the detuned sawtooth wave that was used in all Eurodance songs.
Of course, we cannot forget about the famous "Lately Bass", which also started to be used in Eurodance.
This development later contributed to the development by Roland's engineers of the Super Saw wave for the Roland JP-8000 synthesizer, which in turn contributed to the development of Trance music.
The first songs I call Eurodance were Snap - Rhytm is A Dancer, DJ Bobo - Somebody Dance With Me, Captain Hollywood Project - More and More and Haddaway - What Is Love.
These are one of the first tracks where you can hear a detuned sawtooth wave.
D.J.BoBo King Eurodance 90's !
Sad that 2 Unlimited is not mentioned. It was among the best eurodance group that time
Wahnsinnig geil! Meine Kindheit!❤❤❤❤
Bardzo ciekawy dokument o nurcie muzyki eurodance polecam
Noisy Katzmann kannte ich noch nicht, der Macher hinter vielen Eurodance Songs, die ich mag.
Super cool! Eurodance was big in Mexico as well, I was a resident DJ in my small town when all these guys in the video were in the top 10. It would be great to have subtitles in English as well
H.P.B IF thats your house in the interview - STUNNING!
Münzing/Anzilotti (Produzenten von "SNAP") hatten aber bereits schon 1985/86 mit "OFF" (mit Sven Väth) und "16 BIT" in Europa Erfolge gefeiert.
Eurodance Rules
zajebiste!! El torro- dziekuje Ci!
1990-1999= Never Forget♡
Nie spodziewałam się aż takiej dawki Scootera w tym dokumencie, teraz jeszcze bardziej nie mogę się doczekać koncertu w Katowicach 😂
Scooter nie jest eurodehsowym artystą i jego obecność w tym dokumencie to błąd, ale zapewne wynikał z braku dostępności innych, znanych artystów. W końcu ciężko pozbierać funkcjonujące nadal kapele po tylu latach. Mimo to brakuje w filmie wyraźnego rozróżnienia, definicji, czym jest "eurodance".
DJ BoBo :) Eurodance Star From Switzerland
Ekstra sprawa! Lata mojej młodości;)
Obejrzałem z zaciekawieniem :) Fajny materiał . Italo Disco oraz Euro Disco@ Dance to mój dobry i fajny czas z tymi rytmami.
DJ bobo el rey del eurodance.
This retrospective pumped up the jam 2 the maxxx unlimited!!!!
Masterboy
Absolute legends!
Meine Zeit. Viele Jahrzehnte später habe ich erfahren, dass die weiblichen Stimmen oft geliehen wurden.
I had such a great time watching this video! It was a lot of fun!
Die Euro Dance Scene kamm aus Frankfurt am Main.Auch von den USA einflüsse her
Marc Acardipane !!
6:05 DAS DRECKIGE LACHEN😂😂😂 GEILE ZEIT
So much focus on Scooter who were never that important to Eurodance, yet other important acts are hardly featured at all (2 Unlimited, Cappella, Magic Affair, Snap)
Coole Doku, iwie gut weil ehrlich und nicht oberflächlich. Natürlich muss gesagt werden, dass die Protagonisten musikalisch absolute Flaschen sind. Die Dokuqualität rettet das Ganze aber!
top
Takže ten Nosie to všechno vymyslel jako countryovky,ty písničky?
На русский переведите кто нибудь этот материал
EL VIDEO DEBERIA ESTAR EN ESPAÑOL YA QUE EN AMERICA LATINA TAMBIEN DISFRUTAMOS DEL EURODANCE Y TENDRIAN MUCHAS MAS VISITAS SI FUERA ASI
POR FAVOR SUBAN EL VIDEO CON SUBTITULOS EN ESPAÑOL
SE LOS PIDO COMO UN FAN DE LOS HEROES DEL EURODANCE.
🙏🙏🙏🇧🇷
nice documentary. But Masterboy and Ace of Base are missing here. Ace of base and masterboy both are 100x more typical eurodance bands than scooter. Instead of DJ Westbam who was obviously not a representant of eurodance at all, they should have interviewed Tommy Schleh. The part when he played the typical eurodance song is a joke because snap I got the power is not a typical eurodance song, it was before that time and it didn't have the melody.You could have asked 100 other bands maybe for example aqua - barbie girl. That was also a big eurodance track. Or "what is love". Or there are 100s others. Therefore it would have made much more sense to interview the guy from masterboy because he made real eurodance music and I think he composed them with the other guy in his band themselves. So it's a big difference if somebody else produces the music and you just sing or if compose the song really by yourself. So therefore the title is actually wrong. DJ Bobo yes he was a eurodance hero but scooter not, he said it himself he was something between.
Nevertheless it's an interesting documentary about scooter. And also the part with this guy Nosie Katzman is interesting, didn't know he was behind all those bands, very interesting...after all DJ Bobo describes eurodance the best, in my opinion he clearly describes and understands the power of eurodance music. I wonder how much of his most famous songs in the very beginning he himself was composing or how much was done by producers. Because that's what made him world famous.
I agree. This documentary is made out of "parts" that were available. Probably it would be hard to collect all these names after 20+ years have passed. I'd also see pure eurodance producers speaking, like Captain Hollywood, the Bass Bumpers production team, or Ruud van Rijen. Nevertheless I still think the documentary gives interesting insight into the past dance scene.
Macie więcej takich materiałów?
Aber Scooter ist doch nicht aus der Euro Dance scene ,Warum befragen sie nicht Masterboy oder den produ.von Culture Beat oder Mr.President aus HH?!!!.
Torsten Fenslau kann man ja nicht mehr befragen
genau. dieser Doku fehlt vieles und Scooter wurde ich nicht als eurodance bezeichnen.... aber trotz, arte hat seine Gestaltfreiheit
@@hijack3 Masterboy oder diese B&B Typen /Automatic lover .Oder Producer von. Mr President aus Hamburg
@@hijack3 masterboy fehlt
please can someone translate
Fukkkk I wish this was in English !!!! Is there a translated version ????
Scooter!!@@:)
hehe, Gänsehaut bei don´t touch that stereo 😀
Beste Musik-Doku ever!
lol 🤡, think you mus be Scooter fan
Leila K. ??
Hat halt jeder so seine Musikrichtung gehabt. Der eine hat halt gerne Hard Rock gehört der andere halt Eurodance. Trotzdem hatten sie große Erfolge. Und viele hören die Musik immer noch an. Schwelgen halt immer noch in Erinnerung.
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
please subtotlited in English
перевидите на рашку фильм,плиз...
Is someone who gives me a title of the song in 18:10?
переведите на русский,пожалуйста
Der Scooter
Scooter The King Off Hardcore 🌞 ! ❤💜Scooter 💜 💙 Now and forever 💜 💞 :D 👑 📢 🎶Wickeeeeed! Omid Scooter Hardcore
Jeder fand die Gruppen schlecht am Anfang. Aber trotzdem haben sie ihre Erfolge gehabt. Das wahr halt die Zeit. Und in den Radios sind die Lieder rauf und runter gespielt wurden.
Klar jeder, wer hat die Platten dann gekauft?
@@roberttoper8288 Genau so war es. Und ist es auch heute noch.
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
Der ursprüngliche Produzent von Culture Beat Thorsten Fenslau ist 1993 bei einem Autounfall uns Leben gekommen.
@@roberttoper8288 Torstens "Himbeermund", "Heute ist ein guter Tag zum Sterben", "Die Schwarze Zone" und die Songs mit Kim Sanders sind einfach legendär!
I WISH THIS WAS IN ENGLISH LOL
turn on the polish subtitles then go to settings and choose to translate between polish and english. its not perfect but its ok, you can understand
Mihai Schiau Thanks, I was trying to watch this doc for months. Now I can understand it :)
Scooter ist kein Eurodance scooter ist Techno seht es ein
Scooter sind nicht nur ein Style und Genre, Scooter sind Trance, Techno, Dance, Pop, Rave, Happy Hardcore und sogar Gabber... kommt immer auf den jeweiligen Track drauf an.
@@SoundXtcForce das stimmt. Sie vereinen so viele stile und sind sich trotzdem treu geblieben. Bin jetzt kein überfan, feier sie aber trotzdem.
Techno gehört nicht dazu.
Nope, Scooter has more from the Eurodance, than the Techno :P
If you want the Techno-Techno, then listen to Selected Ambient Works 85-92 by Aphex Twin, but the guy quickly created his own style :P
Wow, this is so wrong. Eurodance.... 40% from all REAL Eurodance did came from The Netherlands, also lots from Italia, UK,
and also many from Scandinavia. Here in this documentary only DJ Bobo, Dr Alban and Culture Beat is Eurodance.
Scooter (was fan that time) wasn't Eurodance, Scooter did go straight to the Hardcore.
And Westbam ofcourse was one of the pionears (for German dance). SNAP, yup early Eurodance
(like Twenty 4 Seven with Captain Hollywood (also in this Docu) as rapper (many years later came Captain Hollywood Project, that was Eurodance to)
2 unlimited, 2 brothers on the 4th floor, etc. that was early Eurodance).
Germany apparently has a very different definition of Eurodance.
If you did/do buy cd's/vinyl with Eurodance then there was/is no Scooter or Westbam on it.
Can go on for a long time but i think, not needed.
And the titel "Pump up the Jam" as nothing to do with this documentary.
hello, thanks for your comment. I am the author of this upload and an eurodance promoter on the Internet. I can only agree with you 100% - I also regret ARTE did not treat this genre sophistically, using stereotypes instead of available knowledge. Germany was one of the biggest hubs of Eurodance, not genuine, but also repacked productions, imported from European countries. Netherlands, Germany, Italy and France were the biggest players and all defining the genre back then, with so many artists, missing in this documentary, I can't even begin with. So on the one hand, we have to understand this could no way fit a 1h documentary, rather could start a long, multipart series. ARTE had to cut corners here very hard. On the other hand, elevating offsprings like SCOOTER (which by no means produced pure eurodance, rather happy hardcore/rave flavor) or Westbam (German techno producer) and mixing with projects like Snap and DJ Bobo without clear distinction, only puts the unaware viewers into an erratic thinking. That's why I'd be very interested into redoing this documentary from the ground. Meanwhile, I guess we have to live with shallow interpretations of "eurodance" by the mainstream, until someone finds the means to do it better.
@@hijack3 Hi, Yes, that's right, if you want to make a documentary about Eurodance you can easily make a video that fills a week. Maybe we can make a list of all (as we know) Eurodance artists, producers, then i think you will come very far. But most important i think is what is exactly Eurodance/what makes eurodance Eurodance. Some are easy but in the comments i see some here they say Eurodance started at 1992 what is totally wrong. I see everybody is giving Eurodance a different definition, i think most is easily recognizable as Eurodance but the "twilight zone" is very large and different per country and person, like (example) Hardcore (i am from The Netherlands) Hardcore here in The Netherlands was very different then the Hardcore (i did/still like) from the U.K. with the breakbeats or like Techno, The German Techno was very different then the people here (Netherlands) say it was Techno. So i think it is very difficult to make a border for what is Eurodance exactly. BTW, nice you are subscribed to "Dutchy" Paul Nielsen (shame he doesn't post anymore) and very nice to see you are subscribed to many very good Catholic channels👍. Many Regards.
Heute klingt die Eurodance Musik billig!
Musik basiert auf Empfindungen und jeder Mensch hat hierbei andere. Erinnerungen müssen damit nicht verbunden sein, jedoch können diese es, zusammen mit den Empfindungen zur Musik sein.
@@ehsiehs368 bei mir nicht Hauptsache die Musik hört sich schön an . Eurodance klingt aus heutiger sicht Trashig
Ernst??? 😂
Cringe3000
90er billiger pop ohne Klasse dazu noch Menschen auf Pille damit man Techno überhaupt aushalten kann. Hab damals heavy metal gehört(obwohl ich rap habe als Favoriten) weil diese noch aus den 80er sind.
Was konsumierst du, damit du Metal und Rap aushalten kannst? 🤔