Great poet Kalidasa, a passionate devotee of Goddess Sri Kali was born as unintelligent, later with the blessings of Goddess Kali he turned into a renowned poet who composed various magnificent verses praising the glories of Goddess Sri Kali in ‘Shyamala Dandakam’. His compositions are well-known for its appropriate metaphors and they are Rithu Samharam (description of six seasons such as Hemantha Rithu/Winter , Shishira Rithu/ Cold, Vasantha Rithu/Spring, Grishma Rithu/Hot, Varsha Rithu/Rainy, Sharath Rithu/ Post-rainy season), Shakunthalam, Megha Sandhesham, Vikramorvashiyam, Kumara Sambhavam, Malakivagnimithram, Raghuvamsam. I meditate upon Goddess Sri Kali, daughter of Sage Mathanga who plays gem studded divine string instrument/Veena, who has dazzling features and nectar like mesmerizing speeches. My salutations to the Mother of the Universe who has the complexion of saffron and attractive physical features and raised bosom, holds flower, sugar cane, rope, arrow, goad in her hands and wears crescent moon on her beautiful plait of hair. Oh! Mother Mathangi, dear daughter of Sage Mathanga who resides in the Kadamba forest shower your grace upon us. Victory to Mother Mathangi, daughter of Sage Mathanga ! Victory to Mother who resembles the flower Neelothpala ! Victory to Mother who enjoys all pieces of music! And Victory to Mother who loves amusing parrots! || Dandakam || Victory to Janani, consort of Lord Shiva who is worshipped by the entire Universe and its living beings, resides in the Manidhvipa situated in the Kadamba forests coagulated with Vilva /Bale trees which has the equivalent capabilities to fulfill the desires of the worshipper like Kalpadhruma/Kalpakavruksha. The daughter of Mount Himavan who is highly revered by the entire Universe, extremely charming and has beautiful plait of hair embellished with ornaments which has bluish black curls dancing to the tunes of soulful music and shines in the brilliance of the crescent moon, she has the beautiful eye brows resembles the flower arrow of Lord Kamadeva and nectar like her mellifluous voice is capable to cool down the entire Universe. Rama/ Godess Sri Mahalakshmi, provider of happiness to the whole world, wear beautiful musk on her forehead which attracts the entire universe. She has the mellowing voice of the divine instrument/Veena, whizzing of honey bees attracted to the fragrances of musk applied on her neck, gem studded ornaments on her body reveals the exquisite beauty of her physical features in the brilliance which put shame to the crescent moon. The mother of the Universe is worshipped by great Rishis & Sages; she wears the ornament shaped palm leaves while playing the divine musical instrument called Vallaki, her marvelous appearance with the bright red eyes due to the consumption of nectar provides happiness, prosperity and capable to fulfill all the desires of worshipper of Goddess Sri Kali who is the soul of the Universe. The beautiful nose ring of Goddess resembles the trip down perspiration from her forehead; her gorgeous smile is prettier than the Thamboolam/(pan/mixture of betel leaves with various fragrant spices) stands as the symbol of wisdom, wealth and the lotus in her hand grants all the boon. She has enthralling red lips like the Bimba fruit, her beautiful smile with the dazzling teeth which has the resemblances of jasmine buds; her attractive hands hold the divine instrument /Veena. She is the personification of Art, she has stunning physical features and beautiful long conch shaped neck shines in the brilliance of various gem studded ornaments. She is worshipped by Yogis, her beautiful long hands hold the lotus and arms are decorated with gem studded ornaments which spread brilliance in the universe, she showers abundance of mercy on her worshippers. The beautiful radiance emanating from her represents ‘Chith’, attractive ear stud and various ornaments on her fingers gives out the luster of moon. She holds the divine musical instrument on her hand, the trivial bent on her back due to the heaviness of the large bosoms reveals the humility in her and the various dazzling ornaments on her chest reveal the ocean of her beauty, she blesses her devotees with abundance of wealth. She is worshipped by the all the three worlds. She remains serene at all times, her stunning physical features defeats Lord Manmatha in arousing passion, her enchanting waist belt studded with gem and tiny bells defeat the beauty of lush valley of Mount Meru, her beautiful long legs resembles the trunk of Palasa tree and has appealing feminine gait. She is divine and unadulterated. Goddess Sri Parvati holds lotus flower in her hand and her lotus feet shines in the brilliance emanating from the crown of Lord Indra, Lord Vishnu, Lord Shiva, Lord Varuna, Lord Brahma, Lord Yama/Niryathi, Lord Kubera/Vaishravana, Lord Vayu and Lord Agni. She is presided over the jeweled lotus, seated in the majestic throne studded with nine precious gems. She is shining with everlasting youth surrounded by Lord Ganesha, Goddess Durga, and eight Lord Bhairava. She is revered by the celestials Manjula and Menaka, She is served by Lord Vamadeva & Goddess Durga, she is surrounded by eight divine mothers/Sapthamathas, She is worshipped by Yaksha, Gandharvas & Siddhas, Lord Manmatha & Goddess Sri Rathidevi, and she is the soul of flower arrows of Lord Manmatha. She is worshipped by the Sages from the beginning of the world; she is immensely pleased by Vedic Chants, she bestows fame to her devotees, she is worshipped by Lord Krishna, Lord Brahma and Vidhyadharas. She is praised by Kinnaras with their soulful music of Veena and she is worshipped by all the deities to get their wishes fulfilled. She is the personification of wisdom, meditates with the crystal garland in one hand and sacred scriptures on the other, she holds goad & rope provides wealth & happiness to her worshipper. Goddess Sri Parvati with the beautiful crescent moon on her plait of hair seated on meditating posture, Goddess Sri Saraswathi & Goddess Sri Mahalakshmi stands on her sideways to follow her orders. My salutations to Mother of the Universe, Goddess Sri Parvati who is presents in the form of sacred water, Vedic chants, sacred symbols, female energy, seated on the sacred dais, beliefs, wisdom/knowledge, Yogic practices, divine musical sounds, all pervading sounds, universe and its division, she is the super soul of all souls which is omnipresent, omniscient and omnipotent.
When hear our DKP Shyamala Dhandakam ,we feel and we go inner and in divine sarounding ,and in those days during 70s we can hear early morning in each south Indian family
True sure. யாரும் இவ்வளவு அழகாக நல்ல உச்சரிப்புடன் பாடமுடியாது. எனக்குத்தெரிந்தவரை சியாமளா தண்டகம் முதல் முதலில் பாடியவரும் இவர்தான். அனந்த கோடி நமஸ்காரம்.
Too many ads in between spoil the rasa of this celestial composition , in.listening such devotionals ads spoil the whole thing and the continuity of the hymn
Namaskaram. THANKS for preserving SHYamala dhandakam composed by Mahakavi Kalidoss and rendered by The Great singer Tmt D K Patammal.I used play this slogam when ever my son is going for his exams.To day he is writing his exams in Canada.It gives immense pleasure to hear and render along with.It gives peace and blessings through her voice.Thanks.
RAM RAM. NICE SHARE OF THIS SHYAMALA DHANDAKAM SUNG BY D.K.PATTAMMAAL. VERY HAPPY TO LISTEN THIS. BUT ONE SMALL REQUEST. WHILE WORSHIPPING THE GODDESS SOME NUISANCES LIKE ADVERTISEMENTS ARE NOT REQUIRED. TRY TO REMOVE THAT. RAM RAM
D.K.P had performed this sloka in her early days .That is why is so sweet.RAga selection &presentation very unique and unambiquous It is a great treasure for devotees as well as music lovers. LET US PRESERVE.
Please don't say Rest as we don't rest. Athma need to reach Paramaathma or needs to take a new form. R-P means it's like saying that athma will be trapped in the same body until the world ends.
I consider Pattammal's rendition as the most authentic. Yet more recent versions use slightly different pronounciations of the word Komalangim. Would like to hear any sanskrit experts on use of la vs La sounds in ShyamaLa dantakam
எனக்கும் 82 வயது ஆகிறது.சின்ன வயசுல அம்மா எப்போதும் பாடுவார்கள்.திருமதி பட்டம்மாள் அவர்களின் ரிக்கார்டிங் ரேடியோவில கேட்டிருக்கேன்.திரும்ப கிடைக்காதா என்று தேடிக்கொண்டிருந்தேன்.ரொம்ப ரொம்ப நன்றி.
Just mesmerising... Heart melting.. Divine bliss naadhaanubhava.. Nectar of devi prayer.... Unparalleled in this world. 1000s of years of global technology cannot of match to a spec of this divinity .. Entire global wealth even cannot stand in parallel to this mahadevi s prayer..
The sincerity and devotion perfectly reflecting in her clarity in pronunciation and modulations.heartfelt gratitude for preserving it to the posterity and posting it.
Smt D K Pattamal has rendered this version of Shyamala Dandakam in a way that the dandakam style of the genius Kalidasa is captured fully. Simply amazing🙏🙏
Pranams to Pattammal. Great rendering indeed. The pronunciation is perfect, all the ragas depicted in clear gist form, sruti stands out at every place, and the overall bhava is brimming with bkakti. This is an immortal piece!
In 1960 I was six years old. My parents bought a Gerrad record changer. The first record they played was shyamala dandakam by DKP. It was my first exposure to Sanskrit and DKP. For some reason I was frightened and ran outside the room. Now it is a funny incident. Later I learnt karnatik music and learnt to appreciate the music of the senior vidwans, DKP MSS MLV...... Nice memories
Namaskar- This is a special Salutation to Mother Devi Shree Saraswati . The last part of Sarva Teerthatmike Devi Namoh Namah-onwards to end Mantratikme -Tantra -Yantra etc are so beautiful Respects, TR
The spirit of worship is individuality and individual choice. And that marks distinctively the Indian spirit. Music is a vehicle ideally chosen for worship. Including Christians, Muslims, everyone chooses his own form of music for worship. Sublime music takes worship to an entirely different plane.
These legends were not given chance for highlighting their albums. Instead Ms was given more due to Nehru's family as she was their pet . This rendering was raga Malika was awesome
Very sorry for giving late comment. Respected Anma "S voice is very very clear and those who happen to hear and chant this dhandagam will definitely get the feeling of as if Sakshal Sri Kaali Matha And Mahakavi Kaalidasan are appearing in front of us. I request every body to chant this great sloga and get blessings of Kaali Matha. Best of luck
Amma's iortal voice invokes instant devotion and surrender at the lotus feet of goddess Saraswathi selection of ragas and Sangeetha Ghana dances like a rainbow peacock immense joy and an emotional integration with the supreme being
this song invokes the divine mother and surely DKP Amma has sung it with such involvement that we can feel the mother's presence when we hear this recording.
No comparison Amma, D.K Pattammal* I’m devoted to you to learn a little bit! Thanks 🙏🏽 to everyone behind the screen for having uploaded such a Great 👍 one*
மிகவும் அருமை. நல்ல குரல். பெண் கர்நாடக இசையில் மும்மூர்த்திகளில் ஒருவர். இதைப்போல இப்போது யாராலும் பாட முடியாது. நன்றி.
மாணிக்ய வீணாம் முபலாலயந்தீம்
மதாலஸாம் மஞ்சுளவாக் விலாஸாம் |
மாஹேந்த்ர நீலத்யுதி கோமளாங்கீம்
மாதங்க கன்யாம் மனஸா ஸ்மராமி ||
சதுர்புஜே சந்த்ரகலாவதம்ஸே
குசோன்னதே குங்கும ராகஸோனே |
புண்ட்ரேக்ஷு பாஸாங்குஸ புஷ்பபாண-
ஹஸ்தே நமஸ்தே ஜகதேக மாத: ||
மாதா மரகதஸ்யாமா மாதங்கி மதஸாலினீ|
குர்யாத் கடாக்ஷம் கல்யாணீ கதம்பவன வாஸினீ ||
ஜய மாதங்க தனயே ஜய நீலோத்பலத்யுதே |
ஜய ஸங்கீத ரஸிகே ஜய லீலா ஸுகப்ரியே ||
ஜய ஜனனீ ஸுதாஸமுத்ரான்த ஹ்ருத்யன் மணித்வீப ஸம்ரூட பில்வாடவீமத்ய கல்பத்ருமா கல்ப காதம்ப காந்தாரவாஸப்ரியே க்ருத்தி வாஸப்ரியே ஸர்வ லோகப்ரியே |
ஸாதராரப்த ஸங்கீத ஸம்பாவனா ஸம்ப்ரமாலோலநீ பஸ்கராபத்த சூலீஸனாதத்ரிகே ஸானுமத்புத்ரிகே |
ஸேகரீ பூதஸீதாம் ஸுரேகாமயூகாவலிபத்த ஸுஸ்நிக்த நீலாலகஸ்ரேணி ஸ்ருங்காரிதே லோகஸம்பாவிதே |
காமலீலாதனு: ஸன்னிப ப்ரூலதா புஷ்பஸந்தோஹ ஸந்தேஹ க்ருல்லோசனே வாக்ஸுதாஸேசனே |
சாருகோரோசனா பங்ககேலீல லாமாபிராமே ஸுராமே ரமே |
ப்ரோல்லஸத்வாலிகா மௌக்திகஸ்ரேணிகா சந்த்ரிகா மண்டலோத்பாஸி லாவண்ய கண்டஸ்தலன்யஸ்த கஸ்தூரிகாபத்ர ரேகாஸமுத்பூத ஸௌரப்ய ஸம்ப்ரான்த ப்ருங்காங்க நாகீத ஸாந்த்ரீபவன்மந்த்ர தந்த்ரீஸ்வரே ஸுஸ்வரே பாஸ்வரே |
வல்லகீ வாதனப்ரக்ரியா லோலதாலீத லாபத்த தாடங்க பூஷாவிஷேஷான்விதே ஸித்தஸம்மானிதே |
திவ்யஹாலா மதோத்வேல ஹேலா லஸச்சக்ஷுராந்தோலன ஸ்ரீஸமாக்ஷிப்தகர்ணைக நீலோத்பலே * பூரிதாஸேஷலோகாபி வாஞ்சாபலே ஸ்ரீபலே |
ஸ்வேத பிந்தூல்ல ஸத்ப்பால லாவண்ய நிஷ்யந்த ஸந்தோஹ ஸந்தேஹ க்ருன்னாஸிகாமௌக்திகே ஸர்வ * விஸ்வாத்மிகே காளிகே |
முக்த மந்தஸ்மிதோதார வக்த்ரஸ்புரத்பூக கற்பூர தாம்பூல கண்டோத்கரே ஞானமுத்ராகரே ஸர்வஸம்பத்கரே பத்மபாஸ்வத்கரே ஸ்ரீகரே |
குந்த புஷ்பத்யுதிஸ்நிக்த தந்தாவலீ நிர்மலா லோல கல்லோல ஸம்மேலனஸ்மேர ஸோனாதரே சாருவீணாதரே பக்வபிம்பாதரே |
ஸுலலித நவயௌவனா ரம்ப சந்த்ரோதயோத்வேல லாவண்ய துக்தார்ணவாவிர்ப வத்கம்பு பிம்போக ப்ருத்கந்தரே ஸத்கலாமந்திரே மந்த்தரே |
திவ்யரத்னப்ரபா பந்துரச்சன்ன ஹாராதி பூஷா ஸமுத்யோதமானா நவத்யாம் ஸுஸோபே ஸுபே |
ரத்னகேயூர ரஸ்மிச்சடாபல்லவ ப்ரோல்லஸத் தோர்லதா ராஜிதே யோகிபி: பூஜிதே |
விஸ்வதிங்மண்டல வ்யாபி மாணிக்ய தேஜ:ஸ்புரத்கங்கணாலங்க்ருதே விப்ரமாலங்க்ருதே ஸாதகை: ஸத்க்ருதே |
வாஸராரம்ப வேலஸமுஜ்ரும்ப மாணாரவிந்த ப்ரதித்வன்த்வி பாணித்வயே ஸந்ததோத்யத்தயே அத்வயே |
@@VARAGOORAN1 varagoor,rane
Thanks lot for lyrics 🎉
Lyrics in English
Manikya Veenam Upalalayanthim Madhalasam Manjula Vag Vilasam |
Mahendra Niladhyuthi Komalangim Mathanga Kanya Manasa Smaramim ||
Chathurbhujey Chandra Kalavathamsey Kuchonnathey Kumkuma Raga Shoney |
Pundreskhu Pasam Angusha Pushpa Bana Hasthey Namasthey Jagaika Matha: ||
Matha Marakatha Shyama Mathangi Madha Shalini |
Kuryath Kataksham Kalyani Kadamba Vana Vasini ||
Jaya Mathanga Thanaye Jaya Neelothpala Dhyuthey |
Jaya Sangeetha Rasikey Jaya Leela Shuka Priye ||
|| Dandakam ||
Jaya Janani Sudha Samudrantharudhyan Manidhwipa Samrooda-
Bilwadavi Madhya Kalpadhruma Kalpa Kadamba Kanthara Vasapriye
Krithivasa Priye Sarvaloka Priye
Sadhararabdha Sangeetha Sambhavana Sambhramalola -
Neepasraga Baddha Chulisanathathrikey Sanumathputhrikey
Shekhari Bhootha Sheethamshu Rekha Mayukhavali Baddha-
Susnigdha Neelalakashreni Shrungarithey Lokasambhavithey
Kamaleela Dhanusannibhabhrulatha Pushpa Sandhoha Sandheha Krillochaney
Vak Sudhasechaney Charu Gorochana Pangey Lilalamabhiramey Suramey Ramey
Prollasadhvalika Mouthika Shrenika Chandrika Mandalodhasi
Lavanya Gandasthalanyastha Kasthurika Pathra Rekha Samudhbhutha Saurabhya
Sambhrantha Bhrungangana Gita Sandhribhavanmadhra Thanthri Swarey Susvarey Bhasvarey
Vallaki Vadhana Priyalola Thalidhalabaddha -
Thadanga Bhoosha Visheshanvithey Siddha Sammanithey
Divya Halabha Dhodhveyla Heylalasa Chakshurandholana Sri Samakshiptha Karnaika -
Neelothpaley Shyamaley Purithashesha Lokabhivancha Phaley Sriphaley
Swetha Bindu Lasathphala Lavanya Nishyandha Sandhoha Sandheha Krunnasika Mauthikey
Sarva Vishwathmikey Sarva Siddhyathmikey Kalikey Mugdha Mandhasmithodhara Vakthra-
Spurath Puga Thamboola Karpoora Khandothkarey Gnana Mudrakarey Sarva Sampathkarey
Padmabhasvathkarey Shrikarey
Kundha Pushpadhyuthi Snigdha Dhanthavali Nirmalalola Kallola Sammelaney
Smera Shonadharey Charu Veenadharey Pakva Bimbhadharey
Sulalitha Nava Youvanarambha Chandrodhayodhvela Lavanya Dugdharnnavavirbhavath
Kumbha Bimbhogabhruthkantharey Sath Kalamandirey Mandharey
Divya Rathnaprabha Bandhuracchanna Haradhi Bhusha Samudhyodhamanavadhyanga Shobhey Shubey
Rathna Keyura Rashmicchada Pallava Prollasadhollatha Rajithey
Yogibhi: Poojithey Vishwa Digmandala Vyaptha Manikya Thejuspurath Kankana Alankruthey
Vibhramalankruthey Sadhubhi: Pujithey Vasararambha Velasamujrumbha
Manaravindha Prathidhvandhva Panidhvaye Santhathodhyadhaye Adhvaye
Divya Rathnormikadhidhisthoma Sandhyayamananguli Pallavodhya
Nakhendhu Prabha Mandaley Sannutha Khandaley Chith Prabha Mandaley Prollasath Kundaley
Tharaka Rajinikashahara Valismera Charusthana Bhoga Bharana Manmadhya -
Valli Valicchedha Vichi Samudhyath Samullasa Sandharshithakara Soundarya Rathnakarey
Vallakimuthkarey Kingara Srikarey
Hema Kumbhopa Uthunga Vakshoja Bharavanamrey Trilokavanamrey Lasathvrutha Gambhira
Nabhisarasthira Shaivala Shankakara Shyamaromavali Bhushaney Manjusambhashaney
Charu Shinjath Kadisuthra Nirbharsinthanga Leela Dhanuschinchanidambarey Divya Rathnabharey
Padmaragollasann Meghala Moukthika Shreyni Shobhajitha Swarnabhu Bhruthaley
Chandrika Sheethaley Vikasitha Nava Kimshuka Thamra Divyamshukshacchanna
Charooru Shobha Parabhutha Sindoora Shonayamanendra Mathanga
Hasmargagale Vaibhavanargaley Shyamaley Komalasnigddha
Neelothpalopadhithananga Thuneera Sankhakarodhara
Jamghalathey Charuleelangathey Namra Dikpala Seemanthini
Kunthalasnigdha Nilaprabha Punjasanjatha Dhurvankurasangha
Saranga Samyogarimkhannakhendhujvaley Projjvaley Nirmaley
Nirmaley Prahu Devesa Lakshmisha Bhuthesha Thoyesha Vanisha KinashaDhaitheysha Yakshesha Vayvagnikotira Manikya Samhrushta Balatapoddhama-
Slaksharasaruna Tharunya Lakshmigruhithangri Padmey Supadmey Umey
Rathna Padmasaney Rathna Simhasaney Shankha Padmadhwayopashrithey Vishruthey
Thathra Vignesa Durga Vatukshetra Palairyuthey Mattha Mathanga
Kanya Samuhanvithey Bhairavairashtamibhirveshithey
Manjula Menakadhyangana Manithey Devi Vamadhibi: Shakthibhisevithey
Dhathri Lakshmyadhi Shakthaishtakai: Samyuthey Mathruka Mandalai Mandithey
Yaksha Gandharva Siddhangana Mandalairarchithey
Bhairavi Samvruthey Pancha Banathmikey Pancha Banena Rathya Cha
Sambhavithey Preethibhaja Vasanthena Chanandhithey Bakthi Bajam Param Shreyasey
Kalpasey Yoginam Manasey Dhvyothasey Cchandhasambhojasey Bhrajasey Gitavidhya
Vinodhathi Thrushnena Krishnena Sampujyasey Bhakthimacchedhasa Vedhasa
Sthuyasey Vishwahrudhyena Vadhyena Vidhyadharaigiryasey
Shravana Haradhakshinakvanaya Veenaya Kinnarairgeeyasey
Yaksha Gandharva Siddhangana Manalairarchyasey
Sarva Soubhagya Vacchavathibhira Vadhubhissuranam Samaradhyasey
Sarva Vidhya Visheshathmakam Charugatha Samuccharana Kandamullollasadh-
Varna Rajithrayam Komala Shyamalodhara Pakshadhvayam Tunga Shobhadhidhuribhavath
Kimshukam Tham Shukam Lalayanthi Parikreedasey
Pani Padmadhvayenakshamalamapi Spadakam Gnana Sarathmakam
Pusthakanchankusam Pasamabhibhrathi Thena Sanchinthyasey Thasya Vakrantharath
Gadhya Padhyathmika Bharathi Nissareth Yena Vadhvamsanadha
Krithibharvyasey Thasya Vashya Bhavanthisthiya: Purusha: Yena Va
Shathakambadhyuthir Bhavyasey Sopi Lakshmisahashrai: Parikitathey
Kinna Sidhyedhvapu: Shyamalam Komalam Chandra Choodanvitham
Thavakam Dhyayatha: Thasya Leela Sarovaridhi: Thasya Kelivanam
Nandanam Thasya Bhadrasanam Bhoothalam Thasya Ghirdevatha Kinkari
Thasya Chanjakari Shri Swayam
Sarva Theerthathmikey Sarva Manthrathmikey
Sarva Yanthrathmikey Sarva Thanthrathmikey
Sarva Chakrathmikey Sarva Shakthyathmikey
Sarva Peedathmikey Sarva Vedathmikey
Sarva Vidhyathmikey Sarva Yogathmikey
Sarva Varnathmikey Sarva Githathmikey
Sarva Nadhathmikey Sarva Shabdhathmikey
Sarva Vishwathmikey Sarva VargathmikeySarva Sarvathmikey Sarvagey Sarva Roopey
Jaganmathrukey Pahimam ! Pahimam ! Pahimam !
Devi Thubhyam Namo ! Devi Thubhyam Namo ! Devi Thubhyam Nama: ||
Thank you very much for the lyrics
Great poet Kalidasa, a passionate devotee of Goddess Sri Kali was born as unintelligent, later with the blessings of Goddess Kali he turned into a renowned poet who composed various magnificent verses praising the glories of Goddess Sri Kali in ‘Shyamala Dandakam’. His compositions are well-known for its appropriate metaphors and they are Rithu Samharam
(description of six seasons such as Hemantha Rithu/Winter , Shishira Rithu/ Cold, Vasantha Rithu/Spring, Grishma Rithu/Hot, Varsha Rithu/Rainy, Sharath Rithu/ Post-rainy season), Shakunthalam, Megha Sandhesham, Vikramorvashiyam, Kumara Sambhavam, Malakivagnimithram, Raghuvamsam.
I meditate upon Goddess Sri Kali, daughter of Sage Mathanga who plays gem studded divine string instrument/Veena, who has dazzling features and nectar like mesmerizing speeches. My salutations to the Mother of the Universe who has the complexion of saffron and attractive physical features and raised bosom, holds flower, sugar cane, rope, arrow, goad in her hands and wears crescent moon on her beautiful plait of hair. Oh! Mother Mathangi, dear daughter of Sage Mathanga who resides in the Kadamba forest shower your grace upon us. Victory to Mother Mathangi, daughter of Sage Mathanga ! Victory to Mother who resembles the flower Neelothpala ! Victory to Mother who enjoys all pieces of music! And Victory to Mother who loves amusing parrots!
|| Dandakam ||
Victory to Janani, consort of Lord Shiva who is worshipped by the entire Universe and its living beings, resides in the Manidhvipa situated in the Kadamba forests coagulated with Vilva /Bale trees which has the equivalent capabilities to fulfill the desires of the worshipper like Kalpadhruma/Kalpakavruksha. The daughter of Mount Himavan who is highly revered by the entire Universe, extremely charming and has beautiful plait of hair embellished with ornaments which has bluish black curls dancing to the tunes of soulful music and shines in the brilliance of the crescent moon, she has the beautiful eye brows resembles the flower arrow of Lord Kamadeva and nectar like her mellifluous voice is capable to cool down the entire Universe. Rama/ Godess Sri Mahalakshmi, provider of happiness to the whole world, wear beautiful musk on her forehead which attracts the entire universe. She has the mellowing voice of the divine instrument/Veena, whizzing of honey bees attracted to the fragrances of musk applied on her neck, gem studded ornaments on her body reveals the exquisite beauty of her physical features in the brilliance which put shame to the crescent moon. The mother of the Universe is worshipped by great Rishis & Sages; she wears the ornament shaped palm leaves while playing the divine musical instrument called Vallaki, her marvelous appearance with the bright red eyes due to the consumption of nectar provides happiness, prosperity and capable to fulfill all the desires of worshipper of Goddess Sri Kali who is the soul of the Universe. The beautiful nose ring of Goddess resembles the trip down perspiration from her forehead; her gorgeous smile is prettier than the Thamboolam/(pan/mixture of betel leaves with various fragrant spices) stands as the symbol of wisdom, wealth and the lotus in her hand grants all the boon. She has enthralling red lips like the Bimba fruit, her beautiful smile with the dazzling teeth which has the resemblances of jasmine buds; her attractive hands hold the divine instrument /Veena. She is the personification of Art, she has stunning physical features and beautiful long conch shaped neck shines in the brilliance of various gem studded ornaments. She is worshipped by Yogis, her beautiful long hands hold the lotus and arms are decorated with gem studded ornaments which spread brilliance in the universe, she showers abundance of mercy on her worshippers. The beautiful radiance emanating from her represents ‘Chith’, attractive ear stud and various ornaments on her fingers gives out the luster of moon. She holds the divine musical instrument on her hand, the trivial bent on her back due to the heaviness of the large bosoms reveals the humility in her and the various dazzling ornaments on her chest reveal the ocean of her beauty, she blesses her devotees with abundance of wealth. She is worshipped by the all the three worlds. She remains serene at all times, her stunning physical features defeats Lord Manmatha in arousing passion, her enchanting waist belt studded with gem and tiny bells defeat the beauty of lush valley of Mount Meru, her beautiful long legs resembles the trunk of Palasa tree and has appealing feminine gait. She is divine and unadulterated. Goddess Sri Parvati holds lotus flower in her hand and her lotus feet shines in the brilliance emanating from the crown of Lord Indra, Lord Vishnu, Lord Shiva, Lord Varuna, Lord Brahma, Lord Yama/Niryathi, Lord Kubera/Vaishravana, Lord Vayu and Lord Agni. She is presided over the jeweled lotus, seated in the majestic throne studded with nine precious gems. She is shining with everlasting youth surrounded by Lord Ganesha, Goddess Durga, and eight Lord Bhairava. She is revered by the celestials Manjula and Menaka, She is served by Lord Vamadeva & Goddess Durga, she is surrounded by eight divine mothers/Sapthamathas, She is worshipped by Yaksha, Gandharvas & Siddhas, Lord Manmatha & Goddess Sri Rathidevi, and she is the soul of flower arrows of Lord Manmatha. She is worshipped by the Sages from the beginning of the world; she is immensely pleased by Vedic Chants, she bestows fame to her devotees, she is worshipped by Lord Krishna, Lord Brahma and Vidhyadharas. She is praised by Kinnaras with their soulful music of Veena and she is worshipped by all the deities to get their wishes fulfilled. She is the personification of wisdom, meditates with the crystal garland in one hand and sacred scriptures on the other, she holds goad & rope provides wealth & happiness to her worshipper. Goddess Sri Parvati with the beautiful crescent moon on her plait of hair seated on meditating posture, Goddess Sri Saraswathi & Goddess Sri Mahalakshmi stands on her sideways to follow her orders.
My salutations to Mother of the Universe, Goddess Sri Parvati who is presents in the form of sacred water, Vedic chants, sacred symbols, female energy, seated on the sacred dais, beliefs, wisdom/knowledge, Yogic practices, divine musical sounds, all pervading sounds, universe and its division, she is the super soul of all souls which is omnipresent, omniscient and omnipotent.
❤❤❤
@@saraswathi-wp3visuper explanation.🎉
திவ்யரத்னோர்மிகா தீதிதிஸ்தோம ஸந்த்யாய மானாங்குளி பல்லவோத்யன்னகேந்து ப்ரபாமண்டலே, ஸன்னதாகண்டலே சித்ப்ரபா மண்டலே ப்ரோலஸத்குண்டலே |
தாரகாராஜிநீகாஸ ஹாராவலிஸ்மேர சாருஸ்தனா போகபாரான மன்மத்ய வல்லீபலிச்சேதவீசீ *ஸமுல்லாஸ ஸந்தர்சிதாகார ஸௌந்தர்ய ரத்னாகரே வல்லகீப்ருத்கரே கிங்கர ஸ்ரீகரே |
ஹேம கும்போப மோத்துங்க வக்ஷோஜ பாராவநம்ரே த்ரிலோகாவனம்ரே |
லஸத்வ்ருத்த கம்பீர நாபிஸரஸ்தீர ஸைவால ஸங்காகரஸ்யாம ரோமாவலீ பூஷணே மஞ்சுஸம்பாஷனே |
சாருஸிஞ்ஜத்கடீஸூத்ர நிர்பர்த்ஸிதாநங்க லீலாதனு: ஸிஞ்ஜனீ டம்பரே, திவ்யரத்னாம்பரே |
பத்மராகோல்லஸன் மேகலா பாஸ்வரஸ்ரேணி ஸோபாஜிதே ஸ்வர்ண பூப்ருத்தலே சந்த்ரிகா ஸீதலே |
வகஸித நவகிம்ஸுகாதாம்ர திவ்யாம் ஸுகச்சன்ன சாரூருஸோபா பராபூத ஸிந்தூர ஸோணாய மானேந்த்ர மாதங்க ஹஸ்தார்கலே வைபவானர்கலே ஸ்யாமலே|
கோமளஸ்நிக்த நீலோத்பலோத்பாதி தானங்க தூணீர ஸங்காக ரோதார ஜங்காலதே சாருலீலாகதே |
நம்ரதிக்பால ஸீமந்தினீ குந்தலஸ்நிக்த நீலப்ரபாபுஞ்ச ஸஞ்ஜாத தூர்வாங்குரா ஸங்க ஸாரங்க ஸம்யோகரிங்கன்ன கேந்துஜ்வலே ப்ரோஜ்வலே நிர்மலே |
ப்ரஹ்வ தேவஸ லக்ஷ்மீச பூதேச தோயேச வாணீ ச கீனா ச தைத்யே ச யக்ஷேச வாய்வக்னி மாணிக்ய சங்க்ருஷ்ட கோடீர பாலா தபோத்தாம லாக்ஷாரஸாருண்ய தாருண்ய லக்ஷ்மீ க்ருஹீதாங்க்ரீ பத்மே ஸுதப்மே உமே |
ஸுருசி நவரத்ன பீடஸ்திதே ஸுஸ்திதே | ரத்ன பத்மாஸனே ரத்ன ஸிம்ஹாஸனே ஸங்க பத்மயோபாஸ்ரிதே | தத்ர விக்னேஷ துர்காவடுக்ஷேத்ரபாலைர்யுதே| மத்தமாதங்க கன்யா ஸமூஹான்விதே | மஞ்ஜுளா மேனகாத்யங்க நாமானிதே, பைரவைரஷ்டபிர்வேஷ்டிதே | தேவி வாமாதிபி:ஸக்திபி:ஸேவிதே | தாத்ரி லக்ஷ்ம்யாதி சக்த்யஷ்டகை: ஸம்யுதே | மாத்ருகா மண்டலைர் மண்டிதே |
யக்ஷ கந்தர்வ ஸித்தாங்கநா மண்டலைரர்சிதே | பஞ்சபாணாத்மிகே|பஞ்ச பாணேனே ரத்யா ச ஸம்பாவிதே|*ப்ரீதிபாஜாம் பரம் ஸ்ரேயஸே கல்பஸே |யோகினாம் மானஸே த்யோதஸே | ச்சந்தஸா மோஜஸா ப்ராஜஸே | கீத வித்யா விநோதாதி த்ருஷ்ணேன க்ருஷ்ணேன ஸம்பூஜ்யஸே | பக்திமச்சேதஸா வேதஸா ஸ்தூயஸே | விஸ்வஹ்ருத்யேன வாத்யேன வித்யாதரைர்கீயஸே |
ஸ்ரவண ஹரண தக்ஷிணக்வாணயா வீணயா கின்னரைர்கீயஸே | யக்ஷ கந்தர்வ ஸித்தாங்கனா மண்டலைரர்ச்யஸே | ஸர்வ ஸௌபாக்ய வாஞ்சாவதீ பிர்வதூபி: ஸுராணாம் ஸமாராத்யஸே |
ஸர்வவித்யா விஷேஷாத்மகம் சாடுகாத்தா ஸமுச்சாரணம் கண்டமூலோல்ல ஸத்வர்ண ராஜித்ரயம் கோமளஸ்யாம லோதார பக்ஷத்வயம் துண்டஸோபாதி தூரீபவத் கிம்சுகம் தம்சுகம் லாலயன்தீ பரிக்ரீடஸே |
பாணிபத்மத்வயேன அக்ஷமாலாமபி ஸ்பாடிகீம் ஞானஸாராத்மகம் புஸ்தகம் *சாங்குஸம் பாஸமாபிம்ப்ரதீ யேன ஸஞ்சின்த்யஸே தஸ்ய வக்த்ரான்தராத் கத்யபத்யாத்மிகா பாரதீ நி:ஸரேத் |
யேன வா யாகவா பாக்ருதிர் பாவ்யஸே தஸ்ய வஸ்யா பவந்தி ஸ்த்ரிய: புருஷ: |
யேந வா ஸாதகும்பத்யுதிர் பாவ்யஸே ஸோபி லக்ஷ்ம்ஹீ ஸஹஸ்ரை: பரிக்ரீடதே| கிம் ந ஸித்யதேத் வபு: ஸ்யாமளம் கோமளம் சந்த்ர சூடான்விதம் தாவகம் த்யாயத: | தஸ்ய லீலா ஸரோவாரிதி: தஸ்ய கேலீவனம் நந்தனம் தஸ்ய பத்ராஸனம் பூதலம் தஸ்ய கீர்தேவதா கிங்கரீ தஸ்ய சா ஜ்ஞாகரீ ஸ்ரீ:ஸ்வயம் |
ஸர்வ தீர்த்தாத்மிகே ஸர்வ மந்த்ராத்மிகே ஸர்வ தந்த்ராத்மிகே ஸர்வ யந்த்ராத்மிகே, ஸர்வ சக்த்யாத்மிகே, ஸர்வ பீடாத்மிகே, ஸர்வ தத்வாத்மிகே, ஸர்வ வித்யாத்மிகே, ஸர்வ யோகாத்மிகே, ஸர்வ நாதாத்மிகே, ஸர்வ சப்தாத்மிகே, ஸர்வ விஸ்வாத்மிகே, ஸர்வ தீக்ஷாத்மிகே, ஸர்வ ஸர்வாத்மிகே ஸர்வகே ||
ஹே ஜகன்மாத்ருகே பாஹிமாம் பாஹிமாம் பாஹிமாம் || தேவீ துப்யம் நமோ தேவீ துப்யம் நமோ தேவீ துப்யம் நமோ நம: |
மிக மிக மிக நன்றி
சியாமளா தண்டகத்தை
பாராயணம் செய்வதாலும்,
சிரவணம் செய்வதாலும்
கவி எழுதுவது, பேச்சுத்திறன்,
படிப்பில் சிறந்து விளங்குவது
போன்ற பல நல்ல பலன்
ஏற்படும்
Tq 4 d valid information given.
முக்காலும் சத்யம்
DKP amma is one of those who knows best to render Sanskrit with exquisite diction and divinity 🙏🏽
Pranamam to the Legendary Vocalist of the Carnatic Music.
For me Shyamala dandakam means this one only!!!
💯
True
Amma your rendering is distinguished from all others..❤❤
In thre honor of Smt D. K. Pattammal, this is a excellent rendering of Shyamala Dandakam. This is a Samskrita Shloka and not a song. Harhihi 🕉️
🙏അമ്മേ നാരായണാ, ദേവി നാരായണാ, ലക്ഷ്മി നാരായണാ, ഭദ്രേ നാരായണാ 🙏🌷
Maha kavi kalidas virachta
Syamla dandkam is Devin
Amrutamu dhra.amma gatram adbhutmu
Divine voice ❤
We remember and realise the power of the voice that will bring blessings in our life ❤
Om Namah Shivaya ❤
Om Namo Narayana ❤
What a voice! No wonder it is now heard in her grand daughter’ s voice! Pranams! 💕💕💕💕💕
When hear our DKP Shyamala Dhandakam ,we feel and we go inner and in divine sarounding ,and in those days during 70s we can hear early morning in each south Indian family
Really, Legendary Voice..
Proud of Palakkad...
Proud of Carnatic music...
D. K.Patammal Amma...
Koti koti Pranaamam Arpikkunnu...
🙏🙏🙏🙏🙏🙏🙏
நான் என்ஆயுளில் இந்த தெய்வீக குரலை மறக்க மாட்டேன்இவர்பாடியதைக் கேட்டே நான்பாடக்கற்றுக் கொண்டேன்
அம்மாவிற்கு அனந்த கோடி நமஸ்காரங்கள்
Pattammal Amma's native is Damal near Kancheepuram.
No matter how many artists have recreated this masterpiece DKPs version is by far the most majestic mellifluous and mesmerizing rendition ever!!
💯
Check out the one by Kavalam Sreekumar. Cheers! Note: Listen with eyes closed. 🙏🙏🙏🙏
@@raamannair8072 Link please
True sure. யாரும் இவ்வளவு அழகாக நல்ல உச்சரிப்புடன் பாடமுடியாது. எனக்குத்தெரிந்தவரை சியாமளா தண்டகம் முதல் முதலில் பாடியவரும் இவர்தான். அனந்த கோடி நமஸ்காரம்.
Listening to Shyamala Dandakam by amma is really something which I can't express in words 🙏🙏🙏
Providing raga names for students' benefit - Dhanyasi, kalyani, valaji, arabhi, varali, kanada, bilahari, suddha Dhanyasi, malayamarutham, saranga, bhairavi, mohanam, saveri, Saraswati, neelambari & madhyamavati
Tq very much ma'm🙏🙏🙏💐
thanks ichangudi sivaramakrishnan
Thank you
Too many ads in between spoil the rasa of this celestial composition , in.listening such devotionals ads spoil the whole thing and the continuity of the hymn
Namaskaram. THANKS for preserving SHYamala dhandakam composed by Mahakavi Kalidoss and rendered by The Great singer Tmt D K Patammal.I used play this slogam when ever my son is going for his exams.To day he is writing his exams in Canada.It gives immense pleasure to hear and render along with.It gives peace and blessings through her voice.Thanks.
Amme Narayana, Devi Narayana, Laxmi Narayana, Bhadre Narayana
Learnt in Delhi somany years.back ingroup
Blessed iam very clear 🙏🙏
If you heard this your body collect good vaiba ration and mind load may be reduced and pease in your life thanks to all those who given this
Divine Soulful Shyamala Dandakam ....by Legend D K Pattammal Amma in her ghana gambheera voice......🙏
No contemporary. It is God gifted. To listen this in this way should have God's grace.
*🕉Jai Jai Maa🌹*
If i listen with closed eyes , singer's rendition brings Ambal before my minds eye and heart gets filled up with bhakthi.Namasthe.
I'm with you
ஓம் ஶ்ரீ மஹாலக்ஷ்மி தேவியே போற்றி போற்றி சரணம் சரணம் நமஹா நமஹா🙏🙏🙏🙏
shyaamalaa danDakam mahaakavi kaalidaasa || dhyaanam || maaNikyaveeNaam upalaalayanteem madaalasaam manjuLavaagvilaasaam | maahendraneeladyuti komaalaangeem maatangakanyaam manasaa smaraami || 1 || chaturbhuje chandrakalaavatamse kuchonnate kunkumaraagashoNe | punDrekshu paashaankusha pushpabaaNahaste namaste jagadekamaatah || 2 || || viniyogah || maataa marakatashyaamaa maatangee madashaalinee | kuryaat kaTaaksham kalyaaNee kadambavanavaasinee || 3 || II stuti || jaya maatangatanaye jaya neelotpaladyute | jaya sangeetarasike jaya leelaashukapriye || 4 || || danDakam || jaya janani sudhaasamudra antarudyanmaNee dveepasamrooDha - bilvaaTavee madhyakalpadrumaa kalpakaadamba kaantaara vaasapriye kruttivaasapriye sarvalokapriye || saadaraarabdha sangeeta sambhaavanaa sambhramaalola- neepasragaabaddha chooLeesanaathatrike saanumatputrike | shekhareebhoota sheetaamshurekhaa mayookhaavaleebaddha susnigdha neelaaLakashreNi shrungaarite lokasambhaavite || kaamaleelaa dhanusannibha bhroolataapushpa sandoha sandeha krullochane vaaksudhaasechane chaarugorochanaa pankakeLee lalaamaabhiraame suraame rame prollasaddhvaaLikaa louktikashreNikaa chandrikaa maNDalodbhaasi laavaNya gaNDasthala nyasta kastoorikaa patrarekhaa samudbhoota sourabhya- sambhraanta bhrungaanganaa geetasaandree bhavanmadra tantreesvare susvare bhaasvare || vallakeevaadana prakriyaalolataalee dalaabaddha- taaTankabhooshaa visheshaanvite siddhasammaanite || divyahaalaa madodvela helaalasaccha kshuraandolana shreesamaakshipta karNaika- neelotpale shyaamale pooritaashesha lokaabhivaanChaaphale shreephale || shyamala Dandakam (Kalidasa] vl www.bharatiweb.com Page 1 svedabindoolla sadphaalalaavaNya nishyanda sandoha sandehakrun naasikaamouktike sarvavishvaatmike sarvasiddhyaatmike kaalike mugdhamanda smitodaaravaktrasphurat poogataamboola karpoorakhaNDotkare gyaanamudraakare sarvasampatkare padmabhaasvatkare shreekare || kundapushpadyuti snigdhadantaavalee nirmalaalola kallola sammelane smerashoNaadhare chaaruveeNaadhare pakvabimbaadhare || sulalita navayouvanaarambha chandrodayodvela laavaNya dugdhaarNavaavirbhavat kambubimbokabhrut kanthare satkalaamandire manthare divyaratnaprabhaa bandhuracChanna haaraadibhooshaa samudyotamaanaa navadyaangashobhe shubhe || ratnakeyoora rashmicChaTaa pallava prollaasaddolla taaraajite yogibhih poojite vishvadigmaNDalavyaapta maaNikyatejah sphurat kankaNaalankrute || vibhramaalankrute saadhubhih poojite vaasaraarambhavelaa samujjrumbha maaNaaravinda pratidvandva paaNeedvaye santatodyaddaye advaye || divyaratnormikaa deedhiti stomasandhyaaya maanaangulee pallavodyan nakhenduprabhaamaNDale sannutaakhaNDale chitprabhaamaNDale prollasatkuNDale taarakaaraajineekaashahaaraa valismera chaarustanaa bhogabhaaraanaman madhya- valleevalicCheda vicheesamudyat samullaasa sandarshitaakaara saundarya ratnaakare vallakeebhrutkare kinkarashreekare || hemakumbhopama uttanga vakshojabhaaraavanamre trilokaavanamre lasadvrutta gambheera naabheesarasteera shaivaalashankaakara shyaamaromaavaleebhooshaNe manjusambhaashaNe chaaru shinchatkaTeesootra nirbhatsitaanangaleela dhanushshinchineeDambare divyaratnaambare || padmaraagollasan mekhalaa mouktika shroNi shobhaajita svarNabhoobhruttale chandrikaasheetale vikasita navakimshulaataamra divyaamshukshcchanna chaaroorushobhaa paraabhoota sindoorashoNaaya maanendra maatanga hasmaarggale vaibhavavaanarggale shyaamale komalasnigdha || neelotapalotpaaditaananga tooNeerashankaa karodaara janghaalate chaaruleelaagate namradikpaala seemantinee kuntala snigdha neelaprabhaa punchasanjaata durvaankuraashanka saaramga samyogarimkhannakhendu ujjvale projjvale || nirmale prahoo devesha lakshmeesha bhootesha toyesha vaaNeesha keenaasha shyamala Dandakam (Kalidasa] vl www.bharatiweb.com Page 2 daityesha yakshesha vaayvagni koTeera maaNikya samhrushTabaalaa tapoddaamah laakshaarasaarooNa taaruNya lakshmeegruhitaanghripadme supadme ume || ratnapadmaasane ratnasimhaasane shankhapadmadvayopaashrite vishrute tatra vighnesha durgaavaTukshetra paalairyute mattamaatanga kanyaasamoohaanvite bhairaveshTabhirveshite || manjuLaa menakaadyanga naamaanite devi vaamaadibhih shaktibhih sevite dhaatri lakshmyaadi shaktyaishTake samyute maatrukaamaNDalaih maNDite yaksha gandharva siddhaanganaa maNDalairarchite || bhairavee samvrute panchabaaNaatmike panchabaaNena ratyaa cha sambhaavite preetibhaajaa vasantena chaanandite bhaktibhaajam param shreyase || kalpase yoginaam maanase dyotase Chandasaamojase bhraajase geetavidyaa vinodaati trushNena krushNena sampoojyase bhaktimacchetasaa vedhasaa || stooyase vishvahrudyena vaadyena vidyaadharaih geeyase shravaNahara dakshiNakvaaNayaa veeNayaa kinnaraiggeeryase || yaksha gandharva siddhaanganaa maNDalairarchyase sarvasoubhaagya vaanChaavateebhir vadhoobhih suraaNaam samaaraadhyase || sarvavidyaa visheshaatmakam chaaTugaathaa samucchaaraNaa kaNThamoolollasad varNaraajitrayam komala shyaamaLodaara pakshadvayam tuNDashobhaati dhooribhavat || kimshukam tarn shukam laalayantee parikreeDase paaNipadmadvayena akshamaalaamapi sphaaTakam gyaanasaaraatmakam || pustakanchankusham paashamaabhibhrati tena sanchintyase tasya vaktraantaraat gadyamadyaatmikaa bhaaratee nissaret yena vaadhvamsanaadaa || krutirbhaavyase tasya vashyaa bhavantistiyah purushaah yena vaa shaatakamba dyutirbhaavyase so api lakshmeesahasraih parikeeDate || kinna siddhyedvapuh shyaamalam komalam chandrachooDaanvitam taavakam dhyaayatah tasya leelaa sarovaaridheeh tasya keleevanam nandanam tasya bhadraasanam bhootalam tasya geerdevataa kinkari tasya chaagyaakaree shree svayam || sarva teerthaatmike sarva mantraatmike sarva yantraatmike sarva tantraatmike || shyamala Dandakam (Kalidasa] vl www.bharatiweb.com Page 3 sarva chakraatmike sarva shaktyaatmike sarva peeThaatmike sarva vedaatmike || sarva vidyaatmike sarva yogaatmike sarva varNaatmike sarva geetaatmike || sarva naadaatmike sarva shabdaatmike sarva vishvaatmike sarva vargaatmike || sarva sarvaatmike sarvage sarvaroope jaganmaatake paahi maam paahi maam paahi maam || devi tubhyam namo devi tubhyam namo devi tubhyam namo devi tubhyam namah || iti shyaamalaa daNDakam sampoorNam ||
Gowtham Krishn
Ur blessed
Thank you very much for the lyrics. May Maa bless you and your family
🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
thank u for Ur effort!
Iam really v.veryhappytodayyearlymorning.
RAM RAM. NICE SHARE OF THIS SHYAMALA DHANDAKAM SUNG BY D.K.PATTAMMAAL. VERY HAPPY TO LISTEN THIS. BUT ONE SMALL REQUEST. WHILE WORSHIPPING THE GODDESS SOME NUISANCES LIKE ADVERTISEMENTS ARE NOT REQUIRED. TRY TO REMOVE THAT. RAM RAM
D.K.P had performed this sloka in her early days .That is why is so sweet.RAga selection &presentation very unique and unambiquous It is a great treasure for devotees as well as music lovers. LET US PRESERVE.
Could you please give the ragas used in this divine song
@@paaramparya-bridgetoherita1425 I also want to know the ragas if this slokam
Kanada ragam I think so.....from 4.00 to 5.40
@@paaramparya-bridgetoherita1425 be
P00p0ppp
OME SUME SARASWATHIYAE NAMA OME SUME SARASWATHIYAE NAMA OME SUME SARASWATHIYAE NAMA
Excellent shyamala Dandakam is very nice to hear.
mother saraswathi personified ! Pronunciation like none other !
Jai ho kalidasa maha kavi guruvu who given amma song to us to know the divinity.
What an excellent rendition by the great vocalist.!
Namo namo bhagavathe ayodya Sri BALAK RAM Sri Sita Rama bakta hanumaa saranam prapadye namamyaham bhajhamyaham
SRI MATHRE NAMAH
Rip for all the dislikers.if u ppl dont like just keep quite.have no right to dislike
Please don't say Rest as we don't rest. Athma need to reach Paramaathma or needs to take a new form. R-P means it's like saying that athma will be trapped in the same body until the world ends.
Chill Sir, Everyone is not on our side. This RUclips itself is a non-Bharat App
Don't know the value of the Singer
Divine 🙏🙏
Such a devine voice. Devi Sharanam
జగజ్జనని శ్యామల దేవికి, మీకు వందనములు తల్లీ
Shyamala dandakam amma voicelo vintunte manasuke ento anadam ammagariki vandanam
I consider Pattammal's rendition as the most authentic. Yet more recent versions use slightly different pronounciations of the word Komalangim. Would like to hear any sanskrit experts on use of la vs La sounds in ShyamaLa dantakam
To sing this Dandakam like DKP has is very difficult. All credit to her!
My childhood memories came back when I heard this again, early morning records from temple especially nirmalyam time
எனக்கும் 82 வயது ஆகிறது.சின்ன வயசுல அம்மா எப்போதும் பாடுவார்கள்.திருமதி பட்டம்மாள் அவர்களின் ரிக்கார்டிங் ரேடியோவில கேட்டிருக்கேன்.திரும்ப கிடைக்காதா என்று தேடிக்கொண்டிருந்தேன்.ரொம்ப ரொம்ப நன்றி.
Ohm namahchandikayai Ohm Mahadevyai namah Ohm Parasakthyi Namah ....Pranams to Pattammal🙏🙏🙏🙏🙏
Just mesmerising...
Heart melting..
Divine bliss naadhaanubhava..
Nectar of devi prayer....
Unparalleled in this world.
1000s of years of global technology cannot of match to a spec of this divinity ..
Entire global wealth even cannot stand in parallel to this mahadevi s prayer..
Ammagaru
Mee ku Anantha koti padabhivandanamulu jai sree lalithambikaye namaha
The powerful sloka by Mahakavi Kalidas devotionally rendered by DK Amma in her melodious voice . 🙏🙏
Superb! Many artistes could have rendered Shymala dandakam but no body can match D.A Pattammal in her super rendition of this stotram
Ohm Shree Mathrenamah
So sweet devotional song 🙏🏻🙏🏻🙏🏻🙏🏻
A. K. Sasi, vettikavala. Kottarakara
Huge Respect Mother.. Viewers can also check out of Dr. Rajkumar singing Maanikyaveena from movie Kaviratna Kalidasa.
Abhira m
Anybody may please tell the raaga in which this kruthi is rendered🙏
What a Devine voice how much involvement. Mam ..great
అమ్మా శ్రీ శ్యమాలాదేవి నమోనమః🙏
The sincerity and devotion perfectly reflecting in her clarity in pronunciation and modulations.heartfelt gratitude for preserving it to the posterity and posting it.
Ll
L
Smt D K Pattamal has rendered this version of Shyamala Dandakam in a way that the dandakam style of the genius Kalidasa is captured fully. Simply amazing🙏🙏
Pranams to Pattammal. Great rendering indeed. The pronunciation is perfect, all the ragas depicted in clear gist form, sruti stands out at every place, and the overall bhava is brimming with bkakti. This is an immortal piece!
Yes. The pronounciation is good
Yes
😅
Very sacred sloka and voice of d k pattammal amma namaskaragalu
the lyricist was MAHAKAVI KALIDASS.
Kalidass Yadav 🙏
Balakrishna Bhat cplay
@@11గుడిగంటలు n
Narayana Narayana
@@11గుడిగంటలు well played.
Hope you remember u r an Indian.
People like you are the reason casteism still persist.
Get well soon.
Adbhutam ela padalante Amma vari anugrahamu vundali lekapote sadhyam kaadu.
Great legend
Divine voice amma
In 1960 I was six years old. My parents bought a Gerrad record changer.
The first record they played was shyamala dandakam by DKP.
It was my first exposure to Sanskrit and DKP.
For some reason I was frightened and ran outside the room.
Now it is a funny incident.
Later I learnt karnatik music and learnt to appreciate the music of the senior vidwans, DKP MSS MLV......
Nice memories
😊
Namaskar- This is a special Salutation to Mother Devi Shree Saraswati . The last part of Sarva Teerthatmike Devi Namoh Namah-onwards to end Mantratikme -Tantra -Yantra etc are so beautiful Respects, TR
No words to express the feelings of these ragas.
The spirit of worship is individuality and individual choice. And that marks distinctively the Indian spirit. Music is a vehicle ideally chosen for worship. Including Christians, Muslims, everyone chooses his own form of music for worship. Sublime music takes worship to an entirely different plane.
These legends were not given chance for highlighting their albums. Instead Ms was given more due to Nehru's family as she was their pet . This rendering was raga Malika was awesome
Wah sardamda stute for Sri mati pattamala bhkti ganamrutamgana sarsvati
Divine voice❤🙏🙏🙏🙏. I saw her in a concert when I was a little kid
Very sorry for giving late comment. Respected Anma "S voice is very very clear and those who happen to hear and chant this dhandagam will definitely get the feeling of as if Sakshal Sri Kaali Matha And Mahakavi Kaalidasan are appearing in front of us. I request every body to chant this great sloga and get blessings of Kaali Matha. Best of luck
Really devine.... Taking to the peak of devotion. 🙏🙏🙏🙏
Very very powerful sloga
This is a special for chanting during Navarathri
I grew up hearing it in my home,the same voice,.
Without knowing wat it is memorised .
Mahaperiyava Kadaksham Paripurnam
Very Devine what a diction we could listen only the slokam how ragams are handled gently great amma
Amma's iortal voice invokes instant devotion and surrender at the lotus feet of goddess Saraswathi selection of ragas and Sangeetha Ghana dances like a rainbow peacock immense joy and an emotional integration with the supreme being
Jai Sreeram!
excellent rendering! it creates a serene environment
Divine voice of Amma, thanks for uploading 🙏
Divine voice
It is a must for me to chant along with this divine voice of Smt. DKP every Friday. 🙏🙏🙏🌹🌹🌹
splendid with correct pronunciation. Thank you.
jai jaganatha
Amma's voice is immortal
பக்தியுடன் வணக்கம்
I think this is rendered by sivananda vijaualakshmi
It’s a Treasure to listen to DKP everyday, amidst all distractions & corruptions around us; we are Blessed a little bit at least! 🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽🙏🏽
अद्भुत ! तन्मयकारी !!
Absolutely beautiful rendering.
God gifted voice
GOOD VOICE, and you are immersed into devotion completely, excellent, Namaskaram
D.K. Amma meeku nikar meeray
this song invokes the divine mother and surely DKP Amma has sung it with such involvement that we can feel the mother's presence when we hear this recording.
Mnv
Mlvasanthakumari
+vaikundam Raman
i
Super composition and she sung with perfect ragas .I like it
No comparison Amma, D.K Pattammal* I’m devoted to you to learn a little bit! Thanks 🙏🏽 to everyone behind the screen for having uploaded such a Great 👍 one*
Blessed to hear the Great Guru of Music* I am grateful to the one & All, who made this wonderful recording possible to all of us!
Which Goddess is this dedicated to? I am going start chanting this today. Please guide me
Raja Shyamala Devi..she is the ministress of goddess lalitha.
Kamakshi
Jaya Mathanga Thaneye 👍👍👍👍👍🕉️🕉️🕉️🕉️🕉️