Hi, Thank you for the lessons. I have played double bass for many years in orchestras, dance and jazz bands, also in brass bands on tenor horn progressing to trombone at a later stage. I have found, through you lessons anew approach which has given me great pleasure and I can now try to play jazz in a much better way. I will never play in bands again as I am now too old at 87.
Thanks for sharing your thoughts Mike! Sounds like a fun and varied musical life you've led. My only recommendation for you is....KEEP PLAYING! Music has no concept of age, and there is NO such thing as "too old"!
Thank you very much. I've been trying to get this technique right for several years, and I was close, but not quite there; missing a "little something", but I think you gave me the answer I am looking for. Will give it a try this evening; will let you know how it went. Thanks again. Also: nice studio/practice room; neat, organized and uncluttered.
Hi Wayne! So glad this helped. Doodle is a longterm goal for sure. Feel free to reach out with specific questions...and McChesney book is the best for exact details for this technique. Nice to meet you!
There are different approaches to this type of tonguing, so different authors use different vowels to illustrate it. The sound that really matter are /d/ and /l/. The vowels in the syllables are not really important . One could say that much of this relates to “articulatory phonetics”. The articulators are, 1) the tongue and 2) the palate around where it and the teeth meet. The /l/ which is called a liquid-lateral phone or sound involves air flowing by the sides of the tongue. So different methods books use different vowels, but what matters is the idea of the apex of the tongue articulating up near the palate (roof of your mouth) and upper front teeth’s. In both /d/ and /l/ the tongue interacts with the palate but /d stops air and /l/ channels air by sides of tongue.
Thanks! I'm glad to know this was helpful for you. Yes I'm a big believer that details matter, but just as much as the overall goal...which for music is emotional connection and feeling from sound and groove (not individual notes)
Thanks for uploading. I have been trying this technique, but it don’t come easy to asian, due to no syllabus as “L” in mother tong. I will try to have a chance to request the Live lesson through the face time soon or later.
Ah yes I can imagine syllable could be challenging. Perhaps think of it simply as tongue placement rather than word or syllable! "dle" is tip of tongue top of mouth just above teeth, which creates articulation via disturbance of air but allows air to flow around sides of tongue. Love to do a Live Lesson. BUY/SCHEDULE HERE www.dkolessons.com/product/live-lessons/www.dkolessons.com/product/live-lessons/
Actually the articulators are the apex of the tongue near the gum ridge or alveolar region. , not the palate. But, if your native language is not American English, the whole thing, vowels and consonants can be irrelevant because, sound production is different. D and L are what really matter, though.
Hello . Firstly thanks alot. I find your videos very detailed and interesting . You are great trombonist. Be great if you could possibly give some thoughts on improvisation . Once again, thank you very much and MerryX-mas ))
@@ElektroHornz Trombonist and I live in Puerto Rico. Here I include a link of video of Explosion 78 Orchestra (Tropical Salsa Music) when the musicians get a get together remembering our beginnings in a sound studio. I like si much your contribution and your dedication. Enjoy the video and some others
@@edgardoortizayala6379 Nice Edgardo! I love salsa and have played in many bands since attending Univ of Miami. Do you know Luis Aquino tpt in PR? We went to school together. I also played in a salsa band in Vegas called Tropical Splash!
Hi, Thank you for the lessons. I have played double bass for many years in orchestras, dance and jazz bands, also in brass bands on tenor horn progressing to trombone at a later stage. I have found, through you lessons anew approach which has given me great pleasure and I can now try to play jazz in a much better way. I will never play in bands again as I am now too old at 87.
Thanks for sharing your thoughts Mike! Sounds like a fun and varied musical life you've led. My only recommendation for you is....KEEP PLAYING! Music has no concept of age, and there is NO such thing as "too old"!
I think I do this naturally when necessary, but now that I know this method exists I can work on my consistency so thanks!
Superbe vidéo sur le sujet merci beaucoup !!! je m'abonne 👍👍👍👍
Merci Xavier!
Thank you very much. I've been trying to get this technique right for several years, and I was close, but not quite there; missing a "little something", but I think you gave me the answer I am looking for. Will give it a try this evening; will let you know how it went. Thanks again. Also: nice studio/practice room; neat, organized and uncluttered.
Hi Wayne! So glad this helped. Doodle is a longterm goal for sure. Feel free to reach out with specific questions...and McChesney book is the best for exact details for this technique. Nice to meet you!
Saludos cordiales maestro desde el perú me parece genial su técnica al estilo del maestro car fontana super
Than you very much Electric Trombone! Enlightening lesson!!!
There are different approaches to this type of tonguing, so different authors use different vowels to illustrate it. The sound that really matter are /d/ and /l/. The vowels in the syllables are not really important . One could say that much of this relates to “articulatory phonetics”. The articulators are, 1) the tongue and 2) the palate around where it and the teeth meet. The /l/ which is called a liquid-lateral phone or sound involves air flowing by the sides of the tongue. So different methods books use different vowels, but what matters is the idea of the apex of the tongue articulating up near the palate (roof of your mouth) and upper front teeth’s. In both /d/ and /l/ the tongue interacts with the palate but /d stops air and /l/ channels air by sides of tongue.
Thank you so much .
Thank you!
Thx..I’ll get to work on this
Great! Let me know if you have questions or wanna do a zoom lesson to clarify anything.
Great tips on tonguing, but the best takeaway from this was - who cares about the F#? Don't play it.
Thanks! I'm glad to know this was helpful for you. Yes I'm a big believer that details matter, but just as much as the overall goal...which for music is emotional connection and feeling from sound and groove (not individual notes)
Thanks for uploading.
I have been trying this technique, but it don’t come easy to asian,
due to no syllabus as “L” in mother tong.
I will try to have a chance to request the Live lesson through the face time soon or later.
Ah yes I can imagine syllable could be challenging. Perhaps think of it simply as tongue placement rather than word or syllable! "dle" is tip of tongue top of mouth just above teeth, which creates articulation via disturbance of air but allows air to flow around sides of tongue. Love to do a Live Lesson. BUY/SCHEDULE HERE
www.dkolessons.com/product/live-lessons/www.dkolessons.com/product/live-lessons/
LOL
Actually the articulators are the apex of the tongue near the gum ridge or alveolar region.
, not the palate. But, if your native language is not American English, the whole thing, vowels and consonants can be irrelevant because, sound production is different. D and L are what really matter, though.
Hello . Firstly thanks alot. I find your videos very detailed and interesting . You are great trombonist. Be great if you could possibly give some thoughts on improvisation . Once again, thank you very much and MerryX-mas ))
Kostia Berezkin I have many more videos that you might find helpful at DKOLessons.com
www.dkolessons.com/jazz/improvisation/
Thank you! Ve~~~ry much!🤗
Excelent
Thanks Edgardo! Hope this was helpful. You a bone player? Where do you live?
@@ElektroHornz Trombonist. And I live in Puerto Rico
@@ElektroHornz Trombonist and I live in Puerto Rico. Here I include a link of video of Explosion 78 Orchestra (Tropical Salsa Music) when the musicians get a get together remembering our beginnings in a sound studio. I like si much your contribution and your dedication. Enjoy the video and some others
@@edgardoortizayala6379 Nice Edgardo! I love salsa and have played in many bands since attending Univ of Miami. Do you know Luis Aquino tpt in PR? We went to school together. I also played in a salsa band in Vegas called Tropical Splash!
You may enjoy this fusion song of salsa and funk ruclips.net/video/tlutFiR1UgA/видео.html
Master las puedes traducir en español
I want to buy that book,send me the link please.
edoc.site/bob-mcchesney-doodle-tonguing-trombone-3-pdf-free.html
I have gap teeth... Can I still play it?
What bone do you use
www.xobrass.com/artists/darren-kramer?q=darren