Darius Milhaud: Quartetto per archi n.3 op.32 (1916)

Darius Milhaud (1892-1974): quartetto per archi n. 3 op. 32 "en souvenir du printemps 1914", testo tratto da "Journal" di Léo Latil (1916) -- Véronique Dietschy, soprano -- Quatuor Parisii --
I. Très lent
II. Très lent
--- cover image by Henri Le Sidaner --

The music published in this channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study learned music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to RUclips, and it will be our care to remove immediately the video accordingly.
Your collaboration will be appreciated.

[@Ncolasg]

one of the saddest string quartets i've ever heard, very beautiful too.

[@fransmeersman2334]

I have always neglected Milhaud's music a bit and did not known his string quartets. Searching for string quartets I found this, a really poignant , surprising and very beautiful quartet.

[@nostalgicmodernist1399]

Fascinating! An uncharacteristically tenebrous work ... (And by the way, I love the painting, too! And it pairs well with the quartet.)

[@paulchristopher2135]

Amazing, deeply felt score. Milhaud’s quartets display fascinating structural variety and a real mastery of the idiom. They are also extremely concise. I get the unfortunate impression that many of the criticisms of these works are by individuals who have not made the time to carefully listen to them.

[@galas062]

thank you for all of your channels and efforts....your channels are amazing and I listen to them everyday....thank you! Blessings! p.s bring a lot of joy to the world....we need it now more then ever...

[@theopenmouth9695]

Brilliantttt

[@kerrichristopher740]

A dark and haunting masterpiece.

[@johnstag1391]

❤

[@bartjebartmans]

2nd Movement at 14:45

[@masterchain3335]

I wish Milhaud did more of this kind of thing. I keep trying to get into his immense body of work, but my tastes tend more towards slow and dark music, and it seems he did relatively little of that (Cortege Funebre is another good example), definitely favoring more active lively music.

[@mithermage]

I feel the exact same way.

[@stueystuey1962]

I turn to milhaud to cleanse my palette. I don't mean that perjoratively. It's modern in essence. Rather traditional in form. When the ultra modern music, and im not using the term ultra in a technical way, his music works to sort of allow me to reset.

[@juliebauer8537]

By two
9

[@mikecorbett8760]

Boring