Didier Lockwood's trick for playing "Outside"
HTML-код
- Опубликовано: 28 апр 2019
- In this video you will learn a trick that Didier Lockwood taught me for playing outside.
You can find the article that goes along with this video here:
www.apprendre-le-violon-jazz.c...
I was so lucky to be a student of Didier Lockwood's for two years! He has had so much influence over how I play jazz violin, and how I teach!
I miss Didier Lockwood a lot, his passing was an tremendous loss for the world of jazz and violin as well. Now I would like to transmit the musical knowledge that he gave me!
JAZZ VIOLIN LESSONS :
► 3 FREE LESSONS from my method : bit.ly/2TylXIz
► Free PDF "4 steps to improvising with the violin" : bit.ly/36ZNni4
► RUclips PLAYLIST: bit.ly/3iZKKQ5
► FACEBOOK HELPING GROUP : bit.ly/3j5DjqA
► INSTAGRAM : bit.ly/3j4izj9
EVA SLONGO MUSIC:
► 2 free mp3 from my EP TRESOR : bit.ly/3kGgnQn
► Website: www.evaslongo.com/
► RUclips playlist : bit.ly/2FzgZbf
► Facebook page : bit.ly/34143o4
► Instagram: bit.ly/3j4izj9
► Spotify: spoti.fi/3dAEVrw
► Deezer: bit.ly/3dzuGmY
► Itunes: apple.co/3j0Fdch
CONTACT:
► slongoeva8@gmail.com
Photo credit: Jean-François Mousseau et VIOLONIS www.violonis.com/ Видеоклипы
Bonjour Eva, je suis guitariste et j'aime regarder vos vidéos que je trouve très pertinentes et utiles (même pour les guitaristes !).
Super ! Merci !
Merci beaucoup 👍
😊🙏
Sometimes, people call that sidestepping. Usually, its most effective when we play a four note grouping, like 1-2-3-5, then go up or down a half step and play 1-2-3-5 again. Then resolve back to the original key, but start on another note, like 3-5-6-1 keeping the similar shape of the phrase. Best not to use that too often, people will recognize it pretty quickly and think, oh they are doing that thing I've heard before. But if you rock it back and forth, it could turn into a development of a melody, So 1-2-3-5, up 1-2-3-5, down 3-5-6-1, up 3-5-6-1, down 5-6-1-2, up 5-6-1-2, down 6-1-2-3, up 6-1-2-3. Usually, we just repeat the same phrase up or down a half step then move on to the next thing.
Another thing that sounds 'out' is, in Major Key use the Lydian, so play 1-2-3-5 then play the same thing up a whole step 2-3-#4-6.
Je ne suis pas violoniste mais ca ressemble au debut de cette video a faire des improvisions utilisant les arpeges .. Mais quand meme le jazz et ses accords sont differents . merci . La video est superbe et vous aussi
merci !!
@@EvaJazzViolin
ha oui, qu'est-ce qu'il utilisait bien ça ! ...ça sonne vraiment bien au violon je trouve en plus. En ce moment je m'amuse à m'écrire des phrases en prenant la penta qui est à +/- 1ton1/2, +/- 2 tons, ou à la 5b !
YaNn VieT / JaZz & CruNcH GuiTaR super
could you add English sub? your lesson is really nice, but I can’t understand French
check back in a few days!!
now there are subtitles !
Cette technique implique de la jouer très rapidement. Sinon l'effet est mort !
Je le fais beaucoup en medium swing aussi, mais tout dépend de la façon de sortir et revenir..