DE MANNEN BROEDERS is the debut collaboration feat. Colin van Eeckhout and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman. The former is the frontman for Belgian post-metallers AMENRA, a band known for their overwhelming heaviness both in sound and emotion. The latter is a Dutch folk singer whose music is inspired by his religious upbringing and the rural culture of his Zeelandic homeland, who has collaborated with Baby Dee and Bonnie Prince Billy. When the two met, they felt an instant connection. “As a creating artist, it’s these encounters that you pray for,” says Colin. “As soon as you meet someone like that, you know you have to do something together.” Their connection was deepened as they discovered how much they had in common, from their similar dialects and their strong ties to their homeland, to their leanings towards the spiritual and the melancholic. “My work is all about death and sadness,” says Tonnie. “For me, music started with my mother dying; my first album is about her death. That’s a strong connection with Colin, too, as he lost his Dad.” The result is the 9-track Sober Maal (which translates to ‘sober meal’ and refers to the practice of eating a simple meal in order to practice gratitude), which is being released under the moniker DE MANNEN BROEDERS. It was written and recorded in under five days at the 18th century church Doopsgezinde Kerk in Middelburg in the Netherlands. Sonically, Sober Maal is a haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original, and has a melancholy air yet retains a hopeful feel. Colin and Tonnie’s vocals blend with the choir and a pared-back selection of instruments including a banjo, piano, hurdy gurdy and the powerful central organ - all intermingling with the sounds and echoes of the church. “Religion has a negative connection because it has been a force on people,” Colin says. “Spirituality is something you follow by choice. We like to dive into the ungraspable things in life: it needs to be free to interpret.”
Being South African I understand some of the Flemish/Dutch being used. Both my girlfriend, who's Peruvian, and doesn't understand a word, were transfixed watching this with a feeling of nostalgia. It takes incredible musicians and a cinematographer to transcend a language barrier. Incredibly beautiful!
This is...interesting. Definitely not what I expected. I kept waiting for the brutal breakdown but it never came - strictly folk. Still, very cool - curious to hear more.
DE MANNEN BROEDERS is the debut collaboration feat. Colin van Eeckhout and the Zeeuws Flemish folk icon Tonnie ‘broeder’ Dieleman. The former is the frontman for Belgian post-metallers AMENRA, a band known for their overwhelming heaviness both in sound and emotion. The latter is a Dutch folk singer whose music is inspired by his religious upbringing and the rural culture of his Zeelandic homeland, who has collaborated with Baby Dee and Bonnie Prince Billy. When the two met, they felt an instant connection.
“As a creating artist, it’s these encounters that you pray for,” says Colin. “As soon as you meet someone like that, you know you have to do something together.”
Their connection was deepened as they discovered how much they had in common, from their similar dialects and their strong ties to their homeland, to their leanings towards the spiritual and the melancholic. “My work is all about death and sadness,” says Tonnie. “For me, music started with my mother dying; my first album is about her death. That’s a strong connection with Colin, too, as he lost his Dad.”
The result is the 9-track Sober Maal (which translates to ‘sober meal’ and refers to the practice of eating a simple meal in order to practice gratitude), which is being released under the moniker DE MANNEN BROEDERS. It was written and recorded in under five days at the 18th century church Doopsgezinde Kerk in Middelburg in the Netherlands.
Sonically, Sober Maal is a haunting, droning, emotionally rich journey that feels rooted in a bygone world while still sounding wholly original, and has a melancholy air yet retains a hopeful feel. Colin and Tonnie’s vocals blend with the choir and a pared-back selection of instruments including a banjo, piano, hurdy gurdy and the powerful central organ - all intermingling with the sounds and echoes of the church.
“Religion has a negative connection because it has been a force on people,” Colin says. “Spirituality is something you follow by choice. We like to dive into the ungraspable things in life: it needs to be free to interpret.”
What a haunting song. Colin never misses
krachtig, melancholisch en mooi
Beautiful! Really looking forward for the whole album...
This is haunting as it is real.
Such pure sound and vocals. I love it!
Being South African I understand some of the Flemish/Dutch being used. Both my girlfriend, who's Peruvian, and doesn't understand a word, were transfixed watching this with a feeling of nostalgia. It takes incredible musicians and a cinematographer to transcend a language barrier.
Incredibly beautiful!
Bijzonder. Het gedicht geeft woorden, maar het heeft zelf ook een geschiedenis. Die eren jullie mooi!
This is beautiful!
I still hope, there will be a collaboration between Amenra and Belgium vocal ensemble Graindelavoix.
🙏
Really nice. I loved reading the release notes.
Prachtig
This is...interesting. Definitely not what I expected. I kept waiting for the brutal breakdown but it never came - strictly folk. Still, very cool - curious to hear more.
Mooie
Liefde & licht! 🖤
kippevel in deze warme zomer
Vidrogate dibrutto semprepeggio relapse😢
SO beautiful !
Melancholia, please kiss me.
Beautiful 🩶
oh! … OOH!
🖤
✨🎶✨🎶✨🎶✨
❤️
Wat zoenge julder noe oal? Ik kon d'r hinne klap van verstae.
Tsja 🫣
This is horrible.
aanstellers.
hahaha, yep
Seriously, why?
Why what?
Why not?
Because they can.
kakkapökälemäinen
My voice's name is Ricky and he really likes this music.. I am not sure what about it exactly but it must be something that would really piss you off!
Prachtig
🖤