To all the lads and lasses complaining about the brisk tempo: the Fantasy is marked Allegro. Allegro means to play fast, quickly, and bright. Diane is playing the Fantasy at an Allegro tempo, which is generally 120-156 beats per minute. I have her clocked around 124. So, no, it is not too fast. The Fugue is marked Moderato, which is a moderate speed. Relative to the Allegro, it is a moderate speed. I have her clocked around 88 bpm, which is on the slower side of Moderato, and can be Andantino. As well, the Fugue contains sixteenth notes, which will sound faster to the ear. Diane does a great job with this piece, and if you disagree with her tempo markings, please post your own version for everyone to hear.
@denisbonenfant Not really, it's a choice. If you have studied a piece properly, you can play it at any speed. She deliberately chooses to play it way too fast. I can't believe Nadia Boulanger (a student of Guilmant) taught it like this...
To all the lads and lasses complaining about the brisk tempo: the Fantasy is marked Allegro. Allegro means to play fast, quickly, and bright. Diane is playing the Fantasy at an Allegro tempo, which is generally 120-156 beats per minute. I have her clocked around 124. So, no, it is not too fast. The Fugue is marked Moderato, which is a moderate speed. Relative to the Allegro, it is a moderate speed. I have her clocked around 88 bpm, which is on the slower side of Moderato, and can be Andantino. As well, the Fugue contains sixteenth notes, which will sound faster to the ear. Diane does a great job with this piece, and if you disagree with her tempo markings, please post your own version for everyone to hear.
It si too fast!
I've used this as a Closing Voluntary before. Wonderful work. Thank you so so very much for postin!
Bram Beekman is my favorite in this great work at the organ off the oostkerk where he is THE ORGANIST !!!
She is playing at the normal speed also her TV show last only for 30 minutes. Listen to Andre Isor play it.
@GJmusique
because she can....
@denisbonenfant
Not really, it's a choice. If you have studied a piece properly, you can play it at any speed. She deliberately chooses to play it way too fast. I can't believe Nadia Boulanger (a student of Guilmant) taught it like this...
Yes, this is far too fast. I once had a digital recording of this piece that I have now lost that was far slower, and just delightful.
Well I call that a Bish Bash
Woman please come to Holland and learn
Crikey - you've got to admire the facility, but poor Boely... Far, far too fast. Fuga 'Moderato' for a start!
why does she have to play everything so bloody fast? =P
Because she can. I don't like.
nice music, ugly console!