I get it played somewhere else play it again inverted and then play it somewhere else up down right and then keep the passing notes within the scale right?
If you use D Harmonic min = Bb Lyd #2 .................F Harmonic MAJ = Bb lyd b3 in a nutshell..you can alter it to min or dim or min/maj7 It's EASIER if I explain it in C MAJOR/Amin KEYS are just PITCH..it'll be the same no matter what KEY/pitch. The BASIC....Im going to PUSH UP from the relative minor towards it's Parallel MAJOR ( from A min...toward A MAJOR) b3, b6, b7 = NATURAL min....these notes are also the second ARPEGGIO of the 1, 4, 4 chords.... NATURAL min A min...........D min...........E min Harmonic min A min D min E7 ( aeo maj7) Melodic min A min D7 E7 ( dor maj7) Harmonic MAJOR A MAJ D min E7 If can give you SHORT CUTS just MEMORIZE 2, 4, b6 , 7 CHORD degree are all POSSIBLE full dim ( it's becuase they OVERLAP in Different KEYS) Wheather you use C Harmonic MAJOR/A Harmonic The......D, F, Ab. B.....or B, D, F, G# ...............................C Harmonic min....../Eb Harmonic MAJOR ...............................Gb Harmonic MAJ / Eb Harmonic min ...............................F# Harmonic min / A Harmonic MAJOR The basic is...Learn how to play G7 into C ....................................................E7 into A G7.......................E7 .......Bb........Db............aka N6 or tritone SUB If you use FULL dim H/W ( NOTICE he mentioned b2 or b9) Dor b2, #4..... ...........AND.....Mix b2, #4 ( full dim H/W harmonic min b5 AND melodic min b5 ( full dim W/H) You can stack MAJOR, min, DOMINANT or dim chord every b3 intervals. You can also use Harmonic min b2 ( phry , maj7 ) Bb lyd #6 Melodic min b2 ( dor b2, maj7 Bb lyd #5, #6 In a nutshell...you could also play the Bb or Db...as maj7 or AUGMENT too. In a nutshell. ( notice IM NOT using ROMANS) Just KEEP it SIMPLE..these are just the BASIC intervals in the CHROMATIC scale. 1.. b2...2.....b3.....3....4.....b5.....5.....b6.....6....b7......7..8 ....b2...........b3..................b5............b6...........b7 learn...how to alter the 2, 4, b6, 7 CHORD DEGREE Then..............................5, b7, b9, 3 Then.............................6...1...b3...b5 or 1, b3, b5, 6 MAJOR, min , DOMINANT or dim every b3...right ???? RIGHT Lets do that.... A min Gb/F# min C dim Eb dim E7 into A min You can mix/blend more. C Maj7 F min Db dim E7 A min A min Bb7 into Eb min Ab min G7 into C MAJ F min Bb dim E7 into A min or A min Bb7 into Eb Maj7 Ab min G7 into C MAJOR. Just pretend you modulated to Eb MAJOR/C min Ab as lyd #2 or Lyd b3 or A min G#7 into C# min/E MAJOR or A min B7 into E ( in a nutshell A lyd b3 or Melodic min #4) G# phry b4......A lydb3.............B mix b2 C# Harmonic b2 C# min D dim E dim F min Db Maj7 G7 into C MAJOR ............................. A min Bb7 C7 F min Bb dim Db dim G7 into C or Play the N6 chord of C# min as maj7 A min G#7 into C# min D Maj7 B min E7 into A min A min Bb dim C dim into C# melodic min A min C dim into C# Harmonic min .............................C dim/G# NEAT...yeah??? It's a hella alot better than just playing the same 3 chords...NO ?? lol
I was going to ask that. I understand the reply from the Bearded Guitarist but I would typically think of that as the VI of Dm. To me the b6 would be A.
@@nathansullivanmusic7574 The strings are tune to perfect 4th or INVERTED 5th....( A= V of D)......B = VI of D If you're in the KEY of F MAJOR/D min... The MAJOR SCALE is just your REFERENCE. If you write CAP ROMANS..it's going mean MAJOR chord to most people. So how would you EXPLAIN to PEOPLE how or WHY ???? ( dont need too....just play whatever sounds good to you) If however...Theory buff questions you. You could say...You use the D FULL dim H/W scale to obtain that... becuase you CAN stack....MAJOR, min, DOMINANT ...half or full dim every b3 INTERVALS.. Example...if you use the D melodic min scale..it's E dor b2 and A mixb6 In a nutshell....D min E min A7 into D min You could do this D min B7 into E min A7 into D min or this D min B min E min A7 into D min .............B MAJ, min, Dominant or dim every b3 intervals right ??? RIGHT or D min B dim C7 into F MAJOR or D min G7 into C7 into F MAJOR If you use the Full dim H/W a semi tone above it is Full dim W/H....( in a nut shell.....Eb dim) It's also SYMMITRICAL D min Eb dim C7 into F MAJOR Just for REFERENCE D min......G min......A min D min G dim A 7 ( harmonic min) D min G7 A7 Melodic min D min G MAJ or min.......C dim D min G min C dim Gb maj7 B min E min A7 into D min .....................................Gb is the N6 chord of F MAJOR.. You could play it as Gb maj7 , Gb7, Gb min....or even Gb dim if you use Gb/F# dim...well it sort of CAN make a D7 chord.. But you COMPREHEND/KNOW you could play D min, MAJOR or DOMINANT or dim every b3...RIGHT ????? RIGHT F Maj7 D7 G min Eb Maj Bb Maj7 C7 into F MAJOR Lets go with D dim...because YOU CAN and it sounds COOL F Maj7 D dim G min B min C7 into F MAJOR It's JUST DIFFERENT COOL sounds/chord progression....but resolves back to the F MAJOR/D min chords...to give your songs different flavors.
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Me too!
@@TheBeardedGuitarist aye
Bro i just found your channel and I mainly play the Piano but this information is wonderful ! Thank you !
I understand it but I been programming it so now I am learning to do what I write on piano and guitar smiling
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I’m glad too! Thank you
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Thanks Vito
Thankyou!
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Very nice
Hello could you please share with us how to play Sunny by Bonney M?
There’s a short on my channel about that
I get it played somewhere else play it again inverted and then play it somewhere else up down right and then keep the passing notes within the scale right?
Kind of, watch the lesson again if needed. The graphics will help
why is the Bb the flat VI of the key and not just the VI?
If you use D Harmonic min = Bb Lyd #2
.................F Harmonic MAJ = Bb lyd b3
in a nutshell..you can alter it to min or dim or min/maj7
It's EASIER if I explain it in C MAJOR/Amin
KEYS are just PITCH..it'll be the same no matter what KEY/pitch.
The BASIC....Im going to PUSH UP from the relative minor towards it's
Parallel MAJOR ( from A min...toward A MAJOR)
b3, b6, b7 = NATURAL min....these notes are also the second ARPEGGIO
of the 1, 4, 4 chords....
NATURAL min A min...........D min...........E min
Harmonic min A min D min E7 ( aeo maj7)
Melodic min A min D7 E7 ( dor maj7)
Harmonic MAJOR A MAJ D min E7
If can give you SHORT CUTS
just MEMORIZE 2, 4, b6 , 7 CHORD degree are all POSSIBLE full dim
( it's becuase they OVERLAP in Different KEYS)
Wheather you use C Harmonic MAJOR/A Harmonic
The......D, F, Ab. B.....or B, D, F, G#
...............................C Harmonic min....../Eb Harmonic MAJOR
...............................Gb Harmonic MAJ / Eb Harmonic min
...............................F# Harmonic min / A Harmonic MAJOR
The basic is...Learn how to play G7 into C
....................................................E7 into A
G7.......................E7
.......Bb........Db............aka N6 or tritone SUB
If you use FULL dim H/W ( NOTICE he mentioned b2 or b9)
Dor b2, #4..... ...........AND.....Mix b2, #4 ( full dim H/W
harmonic min b5 AND melodic min b5 ( full dim W/H)
You can stack MAJOR, min, DOMINANT or dim chord every b3 intervals.
You can also use
Harmonic min b2 ( phry , maj7 ) Bb lyd #6
Melodic min b2 ( dor b2, maj7 Bb lyd #5, #6
In a nutshell...you could also play the Bb or Db...as maj7 or AUGMENT too.
In a nutshell. ( notice IM NOT using ROMANS)
Just KEEP it SIMPLE..these are just the BASIC intervals
in the CHROMATIC scale.
1.. b2...2.....b3.....3....4.....b5.....5.....b6.....6....b7......7..8
....b2...........b3..................b5............b6...........b7
learn...how to alter the 2, 4, b6, 7 CHORD DEGREE
Then..............................5, b7, b9, 3
Then.............................6...1...b3...b5 or 1, b3, b5, 6
MAJOR, min , DOMINANT or dim every b3...right ???? RIGHT
Lets do that....
A min Gb/F# min C dim Eb dim E7 into A min
You can mix/blend more.
C Maj7 F min Db dim E7 A min
A min Bb7 into Eb min Ab min G7 into C MAJ F min Bb dim E7 into A min
or
A min Bb7 into Eb Maj7 Ab min G7 into C MAJOR.
Just pretend you modulated to Eb MAJOR/C min
Ab as lyd #2 or Lyd b3
or
A min G#7 into C# min/E MAJOR
or
A min B7 into E
( in a nutshell A lyd b3 or Melodic min #4)
G# phry b4......A lydb3.............B mix b2
C# Harmonic b2 C# min D dim E dim F min Db Maj7 G7 into C MAJOR
............................. A min Bb7 C7 F min Bb dim Db dim G7 into C
or Play the N6 chord of C# min as maj7
A min G#7 into C# min D Maj7 B min E7 into A min
A min Bb dim C dim into C# melodic min
A min C dim into C# Harmonic min
.............................C dim/G#
NEAT...yeah???
It's a hella alot better than just playing the same 3 chords...NO ?? lol
@ahrod Because it’s a b6 interval, like every natural minor key. Check out my video on chord numbers ruclips.net/video/qS-p8jRZFDg/видео.html
I was going to ask that. I understand the reply from the Bearded Guitarist but I would typically think of that as the VI of Dm. To me the b6 would be A.
@@nathansullivanmusic7574 The strings are tune to perfect 4th or INVERTED 5th....( A= V of D)......B = VI of D
If you're in the KEY of F MAJOR/D min...
The MAJOR SCALE is just your REFERENCE.
If you write CAP ROMANS..it's going mean MAJOR chord to most people.
So how would you EXPLAIN to PEOPLE how or WHY ????
( dont need too....just play whatever sounds good to you)
If however...Theory buff questions you.
You could say...You use the D FULL dim H/W scale to obtain that...
becuase you CAN stack....MAJOR, min, DOMINANT ...half or full dim
every b3 INTERVALS..
Example...if you use the D melodic min scale..it's E dor b2 and A mixb6
In a nutshell....D min E min A7 into D min
You could do this
D min B7 into E min A7 into D min
or this
D min B min E min A7 into D min
.............B MAJ, min, Dominant or dim every b3 intervals right ??? RIGHT
or
D min B dim C7 into F MAJOR
or
D min G7 into C7 into F MAJOR
If you use the Full dim H/W
a semi tone above it is Full dim W/H....( in a nut shell.....Eb dim)
It's also SYMMITRICAL
D min Eb dim C7 into F MAJOR
Just for REFERENCE
D min......G min......A min
D min G dim A 7 ( harmonic min)
D min G7 A7 Melodic min
D min G MAJ or min.......C dim
D min G min C dim Gb maj7 B min E min A7 into D min
.....................................Gb is the N6 chord of F MAJOR..
You could play it as Gb maj7 , Gb7, Gb min....or even Gb dim
if you use Gb/F# dim...well it sort of CAN make a D7 chord..
But you COMPREHEND/KNOW you could play D min, MAJOR or DOMINANT or
dim every b3...RIGHT ????? RIGHT
F Maj7 D7 G min Eb Maj Bb Maj7 C7 into F MAJOR
Lets go with D dim...because YOU CAN and it sounds COOL
F Maj7 D dim G min B min C7 into F MAJOR
It's JUST DIFFERENT COOL sounds/chord progression....but resolves
back to the F MAJOR/D min chords...to give your songs different flavors.
Hows this
Cmaj7-G7-bdim7-Amin
Not bad
Nice
Thank you!
You ever get that track Simone? I never got a reply ?
I have not
Ya I've checked your email it's the same as in your description.
Send me a message and I'll send it with a reply maybe?
WT
OY
Ma sei italiano?
alam ko na yan. wala lang akong skill. nyahahahah
Keep working on it