This is an absolute godsend for any beginners. At this current point I can already transcribe the complex stuff by ear but back when I was still clueless of anything that went out of the key, I wondered how the process went and this would've been amazing to see. Also amazing song choices truly 🔥
although im not fast at scale degree but i can identify the key, the melody and the bass but the hardest thing for me is the harmony, quality and voicing, major, minor sus, altered dim dom what ever all that is super hard. Of course i can infer based on the key but i want to actually HEAR it and FEEL it, i can already feel the scale degree just not the quality. and especially hearing as the chord changes. i'm assuming cause the your ear changes with the chord being played i just dont know how to do it, even the songs i know how to play that are in my vocabulary in my hands, intellectually i know what chord it is cause i analyze and studied it but i still cannot hear it and feel it and know it
when you try to find the tonic do you search for the relative major tonic or just stick with whatever mode you're in? It seems like the feeling of resolution of the tonic for other modes is not the same as the one from the major mode tonic
You can't really control what tonic your brain goes to first but you can learn to recognize what type of tonic it is. If you can differentiate between when you're singing a minor vs a major tonic then you'll be fine, cuz for other modes you can just think of them as alterations of those two scales. If you hear a minor tonic but you also heard a 6 in there instead of a b6, then you know it's dorian for example
For me, there are two feelings - one is the sense of tonicness, and the other is the feeling of the overall mode. I'm interested in whatever my ear actually perceives and will follow that instead of trying to impose an idea of what the tonic should be.
Anyone in for a challenge? Try transcribing track "On", "The Rule Of 13" or anything by one and only Mattias IA Eklundh. You have been warned for stepping into rabbit hole.
Hey Max, I'm a self taught producer and have followed you for about 2 weeks and was curious if you could like, privately or not privately help me analyze my music and understand it better? I write tons of songs and am very very proud of them, and have practiced sound design and music production for almost 8 years, which means my sound selection and design is somewhat different. What I need help with is understanding what resolutions and things I could be missing in my arrangements after identifying the previous tonics I use. It makes it difficult to finish tracks especially after harmonizing leads and melodies with alternating pads and chords. It's led me to recognize a pattern of sub-conscious repetition in my writing that I hope to break?
For sure. I have a form you can fill out if you're interested in doing some sessions: docs.google.com/forms/d/e/1FAIpQLScPzGNWMEsi5JqmsasrKPcjC3PEaC8jhNtP7pTC7DBrgNLkIw/viewform
![Chris Langan - The Interview THEY Didn't Want You To See - CTMU [Full Version; Timestamps]](http://i.ytimg.com/vi/9miVG2xT5jY/mqdefault.jpg)
My app, Sonofield Ear Trainer, is almost here! Sign-up here to be notified when SET releases for iOS and Android: www.sonic-sorcery.com/set
I've been watiing for this for so long, i cannot wait.
is there an eta on release? singed up!
Hey max, is it possible to try your Beta ?
This is an absolute godsend for any beginners. At this current point I can already transcribe the complex stuff by ear but back when I was still clueless of anything that went out of the key, I wondered how the process went and this would've been amazing to see. Also amazing song choices truly 🔥
I’m an absolute beginner with no knowledge and Max got me thinking about music everyday now!
Thanks so much. I'm getting better on the chromatic drone ear training video. What a challenge! Very cool stuff.
The dude in action
Those piano skills!
Another one from the greatest himself 🫡
This is extremely fun to watch, pls make more videos like this. New sub
This is what makes youtube shine! 🌟 Without people like you Max, sharing you hard work and knowledge, youtube would be like fishing in a dead sea.
Thank you.
beautful vid. u started my ear training journey and i can hear a decent bit of this appreciate it!
Nice! Happy to hear it
16:51 The resolving to the major chord instead of the minor 1 is also known as the picardy third
It's true but you won't catch me saying it 😎
@@maxkonyi make it so ;)
🔥🔥🔥
RIP Shaun !
although im not fast at scale degree but i can identify the key, the melody and the bass
but the hardest thing for me is the harmony, quality and voicing, major, minor sus, altered dim dom what ever all that is super hard. Of course i can infer based on the key but i want to actually HEAR it and FEEL it, i can already feel the scale degree just not the quality. and especially hearing as the chord changes. i'm assuming cause the your ear changes with the chord being played
i just dont know how to do it, even the songs i know how to play that are in my vocabulary in my hands, intellectually i know what chord it is cause i analyze and studied it but i still cannot hear it and feel it and know it
what if I first caught the melody in the first song? I was confused by the melody and the bass of the harmony (D)
when you try to find the tonic do you search for the relative major tonic or just stick with whatever mode you're in? It seems like the feeling of resolution of the tonic for other modes is not the same as the one from the major mode tonic
You can't really control what tonic your brain goes to first but you can learn to recognize what type of tonic it is. If you can differentiate between when you're singing a minor vs a major tonic then you'll be fine, cuz for other modes you can just think of them as alterations of those two scales. If you hear a minor tonic but you also heard a 6 in there instead of a b6, then you know it's dorian for example
For me, there are two feelings - one is the sense of tonicness, and the other is the feeling of the overall mode. I'm interested in whatever my ear actually perceives and will follow that instead of trying to impose an idea of what the tonic should be.
Actually I heard this song long ago, but never realized it is actually so similar to pat matheney's James.
Anyone in for a challenge? Try transcribing track "On", "The Rule Of 13" or anything by one and only Mattias IA Eklundh. You have been warned for stepping into rabbit hole.
Release the app 🥴
So close...
@maxkonyi is there a window to expect it by
Hey Max, I'm a self taught producer and have followed you for about 2 weeks and was curious if you could like, privately or not privately help me analyze my music and understand it better? I write tons of songs and am very very proud of them, and have practiced sound design and music production for almost 8 years, which means my sound selection and design is somewhat different. What I need help with is understanding what resolutions and things I could be missing in my arrangements after identifying the previous tonics I use. It makes it difficult to finish tracks especially after harmonizing leads and melodies with alternating pads and chords. It's led me to recognize a pattern of sub-conscious repetition in my writing that I hope to break?
For sure. I have a form you can fill out if you're interested in doing some sessions: docs.google.com/forms/d/e/1FAIpQLScPzGNWMEsi5JqmsasrKPcjC3PEaC8jhNtP7pTC7DBrgNLkIw/viewform
@@maxkonyi Bet! wow! thank you so much!