Sheet music (PDF) can be found here: in B♭ www.sheetmusicdirect.com/en-US/se/ID_No/1501614/Product.aspx in C www.sheetmusicdirect.com/en-US/se/ID_No/1501616/Product.aspx More transcriptions here: www.sheetmusicdirect.com/en-US/Search.aspx?query=alexey%20stepin
I had a great thrill to play piano with Wynton in Salt Lake City at a jam session at the Research Park Marriott. He is a really nice person and a great musician. We are about the same age too.
yeah and then go watch him play the Hadyn concerto lmao thats why hes the goat, hes not just good at being a "perfect" player, he knows how to make the trumpet speak
@@perry4564 Certainly. The entire time, the bassist was one beat behind where the drummer/keys player/Wynton were playing the chord changes. He had several choruses to correct this, but did not. My assessment is that the bassist was too busy grooving/looking at their sheet music to use their ears and adjust accordingly.
true, but this was a jam for beginners. we all had to start somewhere, it's just unfortunate that his inexperience is being accentuated by marsalis lmao
I don’t think his improv quality is any worse here than pretty much anywhere else. He sounds great as always. If anything, he’s just restraining himself a little bit intentionally on account of the accompaniment.
It’s better to learn and understand what a master misician is doing, especially before making statements disrespecting this man who has done more than nearly anyone to promote the jazz artform and the education of young jazz musicians in America over the past 45 years. There is no one alive who swings any deeper or harder than Wynton. Here, he’s helping the rhythm section find the groove and keep the form of this standard by playing rhythms, lines, and harmony cues that are stylistically appropriate to the tune. He is actually teaching as he plays, like great jazz musicians do, even when unintentionally.
Thank you! Much better video and audio and some great closeups of Wynton playing. I've been working on this the past couple weeks. Love your transcriptions, keep up the good work!
@@AlexeyStepin thx for the comment bro :) the thing is, I’m really a newbie to jazz and I don’t really understand - does that mean that trumpet players always play with a note’s difference compared to the score shared by all the other players in a quartet or so?
@@bubba5273 No problem mate, i was new to jazz 3 years ago too, i am a classical musician. Yes, trumpets are mainly in Bb (so 1 note higher) There is also trumpets in C, D and Eb keys, but there are mainly for classical music. For the jazz it's just Bb. For example Tenor Saxophone is also Bb, but on the other hand Alto Saxophone is Eb. That means you need to transcribe 2.5 tones down from C (Piano, voice etc) Maybe i explained a bit rough but i hope that you understood, really hard to describe something like that on a foreign language
@@AlexeyStepinthx bro :) i think i kinda get it… so ultimately it means that this score is only for trumpet players right? And if I’m playing the piano for example I’d be looking at a different score but we’d have the same sound perceived by ear am i right?
@@bubba5273 Exatly. You can train your sight reading in different keys, really hard at first but you can get use to it. Especially when you need tp just one not lower
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Sheet music (PDF) can be found here:
in B♭
www.sheetmusicdirect.com/en-US/se/ID_No/1501614/Product.aspx
in C
www.sheetmusicdirect.com/en-US/se/ID_No/1501616/Product.aspx
More transcriptions here:
www.sheetmusicdirect.com/en-US/Search.aspx?query=alexey%20stepin
@AlexyStepin
This is my favorite rhythm section for Wynton! Cats are next level.
hahaha)
lol
😎
No Matter What A Language
I had a great thrill to play piano with Wynton in Salt Lake City at a jam session at the Research Park Marriott. He is a really nice person and a great musician. We are about the same age too.
He is definitely one of the greatest! I am sure it's very nice to meet him in person!
Brown Cow Growl Howl Owl Gown Crown Town
You can tell he’s adapting to situation by his tone(interpretation)
It's called IMPROVISATION.
yeah and then go watch him play the Hadyn concerto lmao
thats why hes the goat, hes not just good at being a "perfect" player, he knows how to make the trumpet speak
A master class in phrasing.
1:21 could fool me for Pops. For a brief moment tone, rhythm and melody came together…
damn this rhythm section lmao
Heavy hitters in the comment section getting jollies hating on other musicians. Good grief.
Aren’t you right lol
People who talk shit don’t know shit.
To insinuate that something can’t swing with just a backbeat ignores so much music history that it’s laughable.
ジャズって、人生のすべてだね。
Superb playing - mesmeric!
beautiful solo. thank you for sharing
Brilliant... such style.
Thanks for the transcription! This was a great solo
Glad you enjoyed!
Let's Give It Up For Angela
🎺I like Wynton's diverse expressions
The Best ❤❤❤
Great job with your transcribing Alexey, I hope you are selling lot's on sheet music direct!
For some reason on 1:48 first chord is A7, that's mistake) It's D
All Of Me by Wynton Marsails (Tribles With John Legend)
Вінтон - 👍👍👍👏👏👏🎼🎺
Interesting that he is playing in the old fashioned style. He can do the repertory ensemble thing really well
Wynton was great. That bass player was really fucking up, backwards beat and all
I'm still a beginner with jazz. Could you go more in-depth about the bass player?
@@perry4564 Certainly. The entire time, the bassist was one beat behind where the drummer/keys player/Wynton were playing the chord changes. He had several choruses to correct this, but did not. My assessment is that the bassist was too busy grooving/looking at their sheet music to use their ears and adjust accordingly.
true, but this was a jam for beginners. we all had to start somewhere, it's just unfortunate that his inexperience is being accentuated by marsalis lmao
@@AlexFlavell Thank you so much!!!!
It must have been a great experience for them.
His improv quality depends on the quality of his accompaniment. You can hear that in this performance
I think this applies to everyone)
I don’t think his improv quality is any worse here than pretty much anywhere else. He sounds great as always. If anything, he’s just restraining himself a little bit intentionally on account of the accompaniment.
@@hughpenner5051 Yeah, exactly my thoughts. Nice and simple
Rhythm section ain’t swingin’
It’s better to learn and understand what a master misician is doing, especially before making statements disrespecting this man who has done more than nearly anyone to promote the jazz artform and the education of young jazz musicians in America over the past 45 years.
There is no one alive who swings any deeper or harder than Wynton.
Here, he’s helping the rhythm section find the groove and keep the form of this standard by playing rhythms, lines, and harmony cues that are stylistically appropriate to the tune.
He is actually teaching as he plays, like great jazz musicians do, even when unintentionally.
Everything was amazing I've listened to it over and over again. The fall at 2:02 was not it tho
Little mistake à 0,29' Last note of F#7 is not à C# but a D. And don't be afraid with A# ;-) it 's the good spelling for à F#, not Bb.
Oh yes, I didn’t even notice this when I played it several times) Thanks!
Wynton was fantastic but I wish you hadn't cut off the clarinet at the end. Anyone know the date of this, I'm guessing about 20 years ago. Thanks.
You can check out full video here
ruclips.net/video/T0DFo46Jnf4/видео.htmlsi=fCU49Qm8nrzng3Bv
14 years ago
Thank you! Much better video and audio and some great closeups of Wynton playing. I've been working on this the past couple weeks. Love your transcriptions, keep up the good work!
@@Mike49if Thank you! I will try to do the best I can
Why is the score one note higher than what i hear by ear?
Hi, because it's trumpet score. Trumpet score in Bb, that's why a note higher. You can check out C version (PDF)
@@AlexeyStepin thx for the comment bro :) the thing is, I’m really a newbie to jazz and I don’t really understand - does that mean that trumpet players always play with a note’s difference compared to the score shared by all the other players in a quartet or so?
@@bubba5273 No problem mate, i was new to jazz 3 years ago too, i am a classical musician. Yes, trumpets are mainly in Bb (so 1 note higher) There is also trumpets in C, D and Eb keys, but there are mainly for classical music. For the jazz it's just Bb. For example Tenor Saxophone is also Bb, but on the other hand Alto Saxophone is Eb. That means you need to transcribe 2.5 tones down from C (Piano, voice etc) Maybe i explained a bit rough but i hope that you understood, really hard to describe something like that on a foreign language
@@AlexeyStepinthx bro :) i think i kinda get it… so ultimately it means that this score is only for trumpet players right? And if I’m playing the piano for example I’d be looking at a different score but we’d have the same sound perceived by ear am i right?
@@bubba5273 Exatly. You can train your sight reading in different keys, really hard at first but you can get use to it. Especially when you need tp just one not lower
💜☮️
I hope this guy learns how to swing someday.....
That rhythm section is terrible.
Is Wynton doing like a charity thing or something?