The Seeker The Dark Is Rising 2007 Explained In Hindi | The Seven Stones

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The Seeker (also known as The Seeker: The Dark Is Rising) is a 2007 American family drama-fantasy film adaptation of the second book (1973) in the five-book children's fantasy series The Dark Is Rising by Susan Cooper. The film is directed by David L. Cunningham and stars Ian McShane, Alexander Ludwig, Frances Conroy, Gregory Smith, and Christopher Eccleston as the Rider. The Seeker is the first film to be produced by 20th Century Fox and Walden Media as part of their Fox-Walden partnership. On his 14th birthday Will Stanton (Ludwig) finds out that he is the last of a group of warriors - The Light - who have spent their lives fighting against evil - The Dark. Will travels through time to track down the signs that will enable him to confront the evil forces. The Dark is personified by The Rider (Eccleston). The film adaptation drew strong negative reaction from fans of the book series for its disregard of the source material.
Cast
Alexander Ludwig as Will Stanton
Christopher Eccleston as The Rider
Ian McShane as Merriman Lyon
Frances Conroy as Miss Greythorne
James Cosmo as Dawson
Jim Piddock as Old George
Amelia Warner as Maggie Barnes
Box office
The Seeker was released in the United States and Canada on October 5, 2007. The film grossed $3,745,315 in 3,141 theaters in its opening weekend, ranking No. 5 at the box office in the United States and Canada. The Seeker had one of the poorest starts for a fantasy film. Box Office Prophets questioned why the film was opened in so many venues, with the cost for prints in 3,141 theaters exceeding its opening weekend gross. As of 2019, The Seeker has grossed $8.8 million, in the United States and Canada and $22.6 million in other territories for a worldwide total of $31.4 million. The Seeker had the second worst debut of all time for a film released in more than 3,000 theaters, placing behind Walden's 2006 comedy-adventure film Hoot. The Seeker then lost the most theaters in its third weekend, ahead of Hoot. (Most wide releases are contractually obliged to stay at a particular screen for two weeks and can be dropped by a theatre only at the beginning of the third week.)