I appreciate that very much. I made the decision to go as deep as possible with silver gelatin paper negatives and really explore the boundaries of what is possible and focus in on the strengths and weaknesses to help define the best use cases. Thanks for watching.
Merry Xmas. Great video. I love the toned one, it's more aesthetics. Im looking forward your palladium prints. I have to print some kallitypes then I will do palladium from 8x10 negatives.
Interesting to follow this process. Are you going to continue with Calotype negatives, or is this going to be your process going forward? Thanks for this video series.
Hi, thanks for watching. I am making these videos about silver gelatin paper negatives right now because I am developing a new workshop for that process. I use silver gelatin paper negatives quite often, as I do with my handmade calotype paper negatives. Two radically different processes with very different aesthetics. I have 3 major projects that I am committed to for the next 10+ years. One of them uses calotype paper negatives and Pt/Pd prints. Another uses 4x5 sheet film and 35mm film to photograph the wild horses and I make silver gelatin enlargements for that project. And the other project is solely ULF (14x17 and 8x20 with mostly silver gelatin paper negs, x-ray film) to make Pt/Pd prints as well as silver gelatin prints. All of my workflows are 100% analog end to end.
Tim, thanks for doing this- i dont think there is anyone taking paper negs to this lengths - thanks again for every minute you put into this
I appreciate that very much. I made the decision to go as deep as possible with silver gelatin paper negatives and really explore the boundaries of what is possible and focus in on the strengths and weaknesses to help define the best use cases. Thanks for watching.
Merry Xmas. Great video. I love the toned one, it's more aesthetics. Im looking forward your palladium prints. I have to print some kallitypes then I will do palladium from 8x10 negatives.
Thank you, same to you too. Yea, the toned one is my pick too!
Interesting to follow this process. Are you going to continue with Calotype negatives, or is this going to be your process going forward? Thanks for this video series.
Hi, thanks for watching. I am making these videos about silver gelatin paper negatives right now because I am developing a new workshop for that process. I use silver gelatin paper negatives quite often, as I do with my handmade calotype paper negatives. Two radically different processes with very different aesthetics. I have 3 major projects that I am committed to for the next 10+ years. One of them uses calotype paper negatives and Pt/Pd prints. Another uses 4x5 sheet film and 35mm film to photograph the wild horses and I make silver gelatin enlargements for that project. And the other project is solely ULF (14x17 and 8x20 with mostly silver gelatin paper negs, x-ray film) to make Pt/Pd prints as well as silver gelatin prints. All of my workflows are 100% analog end to end.