I am wondering if in the Boston School methodology in the start, that the "line" of shadow would rather be treated as an "edge" of shadow? So two value units coming together, drawing with the darks, to form an edge and turning the form. Would that be a fair way to think about this conversation as you paint (or draw with paint not based on line but value)? Also "But I can drink my coffee." 😂was of great entertainment of this video #399!
Great video Paul! You're art's Santa Claus, every video is a present. I'm excited for #400.
Lol! Looking more like him every day. Finally got a haircut!
Always enjoy your informed commentary.
Your responses are important, too, sketch!
What revealing insights!!
Hope they're beneficial!
Very informative, thank you!
You're welcome...hopefully it's empowering information, thinking!
Also I've noticed Leonardo is the best at making those lifelike fat deposit shapes.
Hah, good term for them in a certain way!
Excellent presentation ❤
Thank you, Rebecca!
Thanks a lot
I am wondering if in the Boston School methodology in the start, that the "line" of shadow would rather be treated as an "edge" of shadow? So two value units coming together, drawing with the darks, to form an edge and turning the form. Would that be a fair way to think about this conversation as you paint (or draw with paint not based on line but value)? Also "But I can drink my coffee." 😂was of great entertainment of this video #399!
It is certainly an edge but it’s an edge that linearly flows across a form. So calling it an edge or line is accurate
Yes, of course, because you see not in shapes of objects but of value units. important observation.
Lowery couldn't paint shadows so he just left them out. Still great art.
L. S. Lowry?