We believe that playing consistency is one of the most important features of clarinet models, yet one of the most neglected by both many players and educators. These Lyrique Libertas II clarinets have just finished initial basic processing. Before they are sent to our customers each will once again be thoroughly tested and detailed final refinements and adjustments will be made. The point of this demonstration is to show just how little difference there is between the clarinets in respect to evenness of response, tone color, and evenness of resistance. Tuning was not in this test because of time considerations, but these new models, the Libertas II and Aurea, tune more perfectly, one to another, than any models I've ever played of any kind. Part of this consistency is careful design, production, and processing. The other part is materials that can be manufactured with high consistency. This is what I think of as the genius of hard rubber. www.rclarinetproducts.com/holiday-season-sale If you've ever been interested in trialing a Lyrique clarinet the sale above makes this a great time. You have until January 6th to take advantage of the sale pricing and as always our flexible 0% financing (see the link below) is available. www.rclarinetproducts.com/special-financing
I have great respect for your business. The care you put into making sure each one of these is just right is wonderful. If I could afford a second clarinet I would happily try one of yours. Maybe for my next one when that time comes around.
Are there any article or book dedicated to acoustics of the clarinet bell? I'll like to know parametric variables to tune a bell for specific results, not just test and more test. Where is the theory about this part wich explain the influence of lenght, diameter, thickness, curve profile, voicing grooves, kind of rings, etc in the sound results????
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We believe that playing consistency is one of the most important features of clarinet models, yet one of the most neglected by both many players and educators. These Lyrique Libertas II clarinets have just finished initial basic processing. Before they are sent to our customers each will once again be thoroughly tested and detailed final refinements and adjustments will be made.
The point of this demonstration is to show just how little difference there is between the clarinets in respect to evenness of response, tone color, and evenness of resistance. Tuning was not in this test because of time considerations, but these new models, the Libertas II and Aurea, tune more perfectly, one to another, than any models I've ever played of any kind.
Part of this consistency is careful design, production, and processing. The other part is materials that can be manufactured with high consistency. This is what I think of as the genius of hard rubber.
www.rclarinetproducts.com/holiday-season-sale
If you've ever been interested in trialing a Lyrique clarinet the sale above makes this a great time. You have until January 6th to take advantage of the sale pricing and as always our flexible 0% financing (see the link below) is available.
www.rclarinetproducts.com/special-financing
Magnífico clarinetista con un gran sonido ❤
Thank you for sharing some of your process!
I have great respect for your business. The care you put into making sure each one of these is just right is wonderful. If I could afford a second clarinet I would happily try one of yours. Maybe for my next one when that time comes around.
I liked no. 2 it had a ping!!! But all sounded. Consistent Regards Darryl
Here’s a Homage to you ! 🍻 ☝🏽🎅🏻
Are there any article or book dedicated to acoustics of the clarinet bell? I'll like to know parametric variables to tune a bell for specific results, not just test and more test. Where is the theory about this part wich explain the influence of lenght, diameter, thickness, curve profile, voicing grooves, kind of rings, etc in the sound results????