J.S. Bach/M.Dupré Sinfonia Cantata 29 - Olivier Penin, Orgue Ste Clotilde Paris
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- Опубликовано: 28 сен 2024
- Olivier Penin Grandes Orgues Sainte Clotilde Paris VII
J.S. Bach (1685-1750) Sinfonia Cantata BWV 29 transcription Marcel Dupré (1886-1971)
sound recording/editing by Marcel van den Tol/Anton Doornhein
orgue-clotilde-paris.info
organsparisaz4.organsofparis.eu/ste%20clotilde.htm
organsparisaz4.orguesdeparis.fr/ste%20clotilde.htm
OrgansOfParis
Very good. Flawless. Perfect stops, articulation, phrasing, expressiveness, accents, speed. Dupré would appreciate.
Dupre was 20 Century French, Bach was 17th Century German , Musical Worlds & Organ designs apart, however both are "Great" in their own ("genre") right & appreciation of each is a personal musical emotion!
Bach would have appreciated it, too.
Thank you for not rushing this. I love your use of flue registrations in the left hand.
I love the metre of this version. It allows the big pipes of the bass to get fully resonating throughout the venue and then the decaying resonance adds a legato like effect absent from many of the version played at a faster pace. To me it adds majesty to this profound composition and emphasises the humble reflection of the magnificent composition of the Grand Master. Just can’t stop playing it.
I totally agree, the metre of this version is magnificent, I guess I have played it a hundred times since the outbreak of Covid-19 in March!!
Tempo perfectly matched to resonance of the hall. Nicely recorded and produced.love the bright sound!
R Stedler church
@@user-qd9rh5yr8mchurch. ok, is that a magic word?
@@1MAGLIAROSA 💖🌟❤️🌟💖👍
Cette interprétation est un joyau, un diamant !!!! Merci 🙏🙏🙏❤️
Great shoes and sox. The music is pretty good too!!
Wow Thank you
Fuga di note ...inseguite da misteriosi echi, tutto in un crescendo di forza e di passione. Stupendo . Bravissimo l'organista!.
Einfach brilliant gespielt, danke!
Wonderful!
Merci.
Supérieur. Vraiment.
On ne s en lasse jamais.éblouissant.
Superb !!!
Je ne m .en lasse pas ..........
I appreciate the speed of execution, perfect to distinguish the separated parts, and the "crescendo" during the composition evolving. Very , very good organ player
This is so perfect and magnificent that I listen it several times every day. Olivier's pedal technique is amazing.
I listen most every day, too, Mr. Parsons. What a joy Bach's prodigious contribution to the baroque era can be when performed with such skill and such intelligent interpretation.
I love his pink socks!
Yes!! A pleasure to listen to over and over sgain. Five stars! Bravo.
bravo, Maestro!
Maestro Olivier Penin presents a beautifully graceful performance! Like most of Bach's works, I interpreter this organ Sinfonia Cantata as the exploration of the unknown when one takes new challenges. One can observe Maestro Penin the dynamic technique in his hands and feet showing vigour, expressive emotions and gracefulness. Wow, the church has an amazing acoustic environment.
Bravo! Thrilling! Merci beaucoup. 👍 ❤️
I never get enough of Olivier and his performances. This is beautiful.
Great with headphones , Olivier I was right there in the church for a moment. Magic performance
Too magnificent to describe in mere words.
This has to be my favorite combination of voices on the organ
Superbe!
Wonderfully paced and skilfully rendered, this masterpiece is given the love it deserves by this gifted player. Funnily enough, many of the things pointed out as ‘faults’ by the self appointed experts in the comments are elements I think enhance this performance.
Sencillamente emocionante ,todo es perfecto ,gracias.
This is wonderful!
Réellement superbe !
what a magnificent instrument and what an outstanding artist showing us what Bach was able to do with such an Organ.... (love his red socks!,). great performance….
Wonderful...great artist and i envy his memory!greetings from Norway
In my entire YT file folder of Cantata 29 I believe this is the Best Registered Organ Heel Mooie Orgel
I agree. Also check out Cochereau's version
Stunningly played on a very beautiful pipe organ
Ottima esecuzione e ottima interpretazione.
Оливьер, браво! Вы такой молодец!
The look and sound of mastery. Thank you, thank you, thank you ...,
Perfect tempo.
Ein Wohlfühlerlebnis der besonderen Art, nur christliche Musik kommt dem Himmel so nahe! Danke und Bravo!!!
Superb performance, Olivier. Excellent footwork and fingers. Love his facial expressions !
Fantastic performance!
Magnificent performance of a wonderful piece! Thank you.
Tout simplement merveilleux,
Fantastic joyful music
Excellent playing! I also appreciate and understand the little Pfff sound at the end of the recording. Playing like this is a great achievement
Bravo.Magnifique
J'adore l'orgue j'aimerais en faire
Carlo Curly eat your heart out! This is SOOOOOOOOOO much more exciting and vibrant and awesome!
This is the Top #1 Favorite piece of mine to be performed, I have so many Great organists playing this work by Bach Now I have one more to add to my YT Cantata folder. Thank You so MUCH for the post. The Pipe Organ is for me the Greatest Instrument Ever conceived. Magicalpipes.
I have loved this piece since the first time I heard it back in to 70s on an old E Power Biggs record.
Tack!
Exquisite playing! Beautiful shoes ..
Wonderful sound
Organ, artist, recording, and everything Magnifique!
vanmedevoortaudio.nl/producten/c1000.html
Magnifiques couleurs de sonorités et très bons jeux de doigts et de pieds. Magnifique
Espectacular performance!!
Epic - truly worshipful
Beautiful!
Oh my God...WONDERFULLLLLLLLLL💪💪💪💪 Superb...💙💙
I love this transcription! When I hear the St. Clotilde organ by Cavaill-Coll, I hear Cesar Franck! I remember Jean Langlais!
Absolutely superb.
Je like à donf! Jamais encore eu l'occasion de l'entendre en live à Ste Clo!!
Fantastic!
칸타타29 번은 언제 들어도 상큼해요 ! 잠에서 확깨는.........
bravo
Bravissimo. Esecuzione bellissima
AMAZING !!!👋
Mega geil. Danke grüße aus Deutschland
The lower notes on the pedal board sound like fog horns! Fantastic! This is a favorite piece in all its different guises. The feet and the hands together has always mystified me. LoL!
Ditto comments below. Great tempo. nice and relaxed and lets the music speak clearly. NO amphetamine tempo. faster is not better. Virgil Fox used to play fast just to show off he could do it.
Impresionate
J'adorais cette interpretation ,,,y compris les chaussettes rouges au pedalier,,,,
je suis aussi resté schoché sur les chaussettes rouges ;-) mais j'ai pensé que l'art c'était comme l'amour que ça vous pénétrait ,jusqu'à régler la danse , la respiration, les hoquets les attentes les je relâche et je me donne ..et que même avec les chaussettes rouges bach et olivier s'aimaient
BRAVO!!!!
Masterpiece.
So beautiful. I used also headphones for more intens quality.
Perfect tempo - a gift to the audience, not a competition as played by some others. Clear and clean.
I love the red socks : From Gamarelli ??? or Barbiconi ...
Music of the Universe !
great job
This will be playing as I go through the pearly gates to meet my maker.!!!!!
Gonna learn this on the organ for church. Wish me luck.
French organists play by memory and their sound is more powerful.
Très belle orgue à Ste Clotilde, mais qui rend cette version encore plus attirante !J'aime particulièrement le choix des registres, la clarté du pédalier et votre tempo. Chapeau bas, Monsieur!
WOW! Bravo Upon Bravos! The purest of the purest sounds on the pipe organ. Your choice of registrations was off the chart! My gosh how lush rich and so gracelessly played with such sharp feeling of this piece. You defiantly could sense how you were one with the music. I did catch onto that 1 or 2 sec delay. I would find that kinda hard to get use to such a delay but seeing how immense that church your playing in i fully understand. Is any of the sounds on that organ digital? what kind is it?
Currently learning this on the violin and am in love with the piece and would love to have a go at it on organ. This transcription is fantastic - does anyone know where I can find the sheet music?
This is soul-cleaning
There is something about the Queen of Instruments that seems to attract infinite talent ... What a beautiful song - so well performed. American Bandstand : Eat your heart out. B-) [Just kidding, Dick Clark certainly had his moments too. )
😳👏🏻🙀🙀🙀🙀
js bach
I doubt this is Vivaldi-Bach-Dupre' ; could someone please help ? Thanks .
Cher Olivier Penin Quelle fabuleuse performance. C'est comme si j'entendais à nouveau Jeanne Demmessieux. Les mots me manquent pour cette performance. Je serais ravi de vous entendre à l'orgue. Une génération française nouvellement ressuscitée d'organistes fabuleux. Je dirais de télécharger encore plus de performances sur RUclips. Avec un accueil chaleureux de Hoorn Nh. , Les Pays-Bas.
I must have listened to this a dozen times...and each time, I find it breathtaking. Olivier Penin is utterly magnificent in every way. His musicianship is exhilarating to hear, and to watch. God bless...
This famous masterpiece he plays with exquisite skill and incomparable technique is overwhelmingly comfortable to the ears
In a word, "definitive." I've listened to this great work for 50 years and dear Olivier, it doesn't get any better. The whole post was great, the sound recording, the video and of course the playing. Thanks for sharing... your joy.
I agree with you. I've heard several versions. He is a superb organist and musician.
No words can say how brilliant the artist is❤
I love the way he plays it slower than most organists- it brings out the ingenuity of this amazing piece, combined with the wonderful organ that it is performed on and the perfect registration changes at the right times.
I second the comments approving of Mr. Penin's tempo. This sinfonia, played at presto, cannot yield its thrills in full. Allegro, at most, allows a skilled organist to keep his or her tempo constant and precise through the more difficult central passages, which contribute to the "rush" for listeners. Also, at faster tempos, the risk increases that those passages will be muddied by the "noise" of echos with a long bounce in the larger churches that possess the great organs preferred by leading professionals. This can be a factor, even if the organist can sustain note-perfect play at such a fast tempo. As At0mCollision points out, most concert-level organists do play it faster, perhaps simply because they can. Opinions vary, and I respect all informed ones, but for me, even if there were no echo noise, the speed not only adds nothing, it subtracts from this sinfonia's muscular nature, turning the steady gallop of a race horse into the flight of the bumblebees.
Widor repeatedly warned his students against rushing for the sake of rushing. So did Dupré.
I agree
Most of the performances I've heard of this Sinfonia are, in my opinion, played WAY too fast. This is a perfect tempo!
Nope. Too slow.
One of the best "Oh Wows..." played on the King of Instruments presented on RUclips.
Wow!! I must have listened to this performance a thousand times by now and never tire of it. It is really uplifting, inspiring musical artistry.
This is the best performance of this I have heard. I think Bach would be overjoyed! The registration and articulation are perfect! Thank You!
Jon William I feel it to be among the more tolerable versions, but completely unexciting. Many organists are too caught in trying to “interpret” the work by using their own arrangements. This is no exception. No doubt he’s a decent organist, but he can’t keep time or a beat to save his life, nor does he pay any attention to the time signature. This was written to be a VERY fast piece, not something from the romantic period. This is the most accurate version I’ve ever heard, and is played with the original composition, not a rearrangement. ruclips.net/video/MkzFNqc-rvg/видео.html
@@johnreynolds9477 I'm sure we all look forward to your superior personal interpretation, played by yourself..I await!
John Reynolds - Yes ... I see what you mean!
Bob Bobberson - She is awesome!
I just listened to Diane Bish's performance of the Sinfonia. Before explaining why I prefer Penin's, I want first to give both organists due credit. Very few human beings ever reach, as both Bish and Penin have, such a lofty pinnacle of sensorimotor skill.
I prefer Penin's performance. He chose an allegro tempo that allowed him to play, with no appreciable change in tempo, the more challenging middle passages with the same skill and command of the notes as his opening. To my ear, Bish's presto went through a slight ritardando as she got to those middle passages, and it seemed she imposed another, more compressed slow-down shortly after that, establishing a new tempo, still fast but slower yet, as she headed to the finish line.
While both did the typical dramatic slowdown at the end, I found Penin's to be within my acceptable zone and Bish's tipping over into melodrama---the last thing Bach's music needs. I would love, some day, to hear the sinfonia played to the end with NO slow-down, and with the final chord released after no more than an instant of extra hold. Maybe I wouldn't like it, but I'd love to hear it that way, at least once.
At the risk of digressing, I'll note that many a performance of Bach's two great masses have been spoiled for me by the use of opera soloists rather than those trained in choraI singing to keep the vibrato in check and never scoop a note. For those who agree, I recommend the cantatas performed by the J.S. Bach Foundation (J.S. Bach-Stiftung), the ensemble's choir and orchestra ably conducted by Rudolf Lutz. Their ambitious aim is to perform all of Bach's hundreds of cantatas. The DVDs are beautifully engineered in both video and audio---high quality and worth the money. Most of the soloists are masters at singing in the clean style that best suits choral music of the Baroque era.
Returning to Bish vs Penin, I don't know whether it is the organ Bish played or her choice of stops, but I heard an overlying sound that evoked the calliope organs to be found most readily, these days, in carousels. I can best describe it as a honking resonance---slight, but audible, that comes from differences in the metal of the pipes compared to a pipe organ. For me at least, not the right sound for Bach---from the viewpoint of one who likes most of the Swingle Singer Bach interpretations and most synthesizer renditions and eschews transcriptions for brass quartets, despite playing first chair cornet in my high school band.
Everything about the playing, registrations, instrument, acoustic and camera work could not be better. Best video rendition of the Sinfonia on RUclips. Hands down! Superbe!
Robert Walsh Robert, I agree with you completely! ❤️❤️🙏🏻👍🏻🇨🇦
Love this piece.
Robert Walsh Very well said. I could not agree more!!
Spot on! Everything in this performance is near perfect. So many organists race through this piece as if they have to finish quickly and catch a plane. I especially love his pedal registration which allows those big reed stops to sound their majesty. Bravo, Olivier!
Wonderful. This piece is well appropriate to be played on organ.
This reflects years of endless practice and devotion. True mastery of the organ. Well done and thank you.