Shostakovich - Symphony No. 13 "Babi Yar" - Alexey Tikhomirov, Riccardo Muti, CSO - 2018
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- Опубликовано: 20 июн 2019
- Riccardo Muti conducts Shostakovich’s Babi Yar
Alexey Tikhomirov, bass; Men of the Chicago Symphony Chorus; Duain Wolfe, director
CSO Resound release of Shostakovich’s ‘Babi Yar’ available Jan. 17 2020
Amazon www.amazon.com/Shostakovich-Symphony-B-Flat-Minor-Babi/dp/B083PXHCY4/ref=sr_1_1?keywords=CSO+Resound+Babi+Yar
Apple Music music.apple.com/us/album/shostakovich-symphony-no-13-in-b-flat-minor-op-113/1494342020
Spotify open.spotify.com/album/7Guzk1XOV8BZ4KCYILZQCY?si=LSPgv9AoQtuC9wbHh6-9cA
The Symphony Store www.symphonystore.com/shostakovich-13.html
Flawless performance. Thanks for sharing!
totalement génial !
La 13@ de Shostakovich se estrenó el 18 de diciembre de 1962, por Kiril Kondrashin.
I. 0:00
II. 17:48
III. 26:54
IV. 40:30
V. 54:41
Shostakovich`s music is so serious. Also Bach`s music is serious, but the mood is different.
Shostakovich definitely has his humorous moments though. Symphony 9 is hilarious for example, in a good way.
True, very comical. The 1st part is almost intentionally flat, bad music. (The slow part is typically tragic.) There is so much terror in Shostakovich`s music that no other composer gets even close: 4th symphony, violin sonata...In ”Testimony” he tells the stories behind his music.
Bach has a ”Burlesca” in partita no. 3 (burlesca is meant to be funny) but is not at all funny, same serious Bach. A great religious mind.
Wang do you possibly have sany idea at all just when, beyond in 2018, and where this performance of Shostakovich's t hirteenth symphony took place? I am really starting to pull out my hair wondering about that!
Chicago Symphony Center, September 2018.
There were 3 performances (21/09/2018, 22/09/2018, 25/09/2018), I don't know exactly on which day this recording was made.
@@kolyur08-35 - How does the violist's hand come OUT-OF the Baritone's stomach? What kind of photographic trick is this?
Babi Yar should be a STATEMENT of horror but in Muti's hands it sounds smooth, romantic, totally out of context. First choice Kondrashin, then Masur, perhaps Nelsons.....
Do listen to the version by Barshai as well. Hari
ロジェストヴェンスキーの録音もお忘れなく!!
@@harinagarajan2296 second that
You should have been in the hall when this monumental performance took place; totally, utterly gripping from beginning to end. Muti took the composer at his word and maintained incredible tension throughout, despite the slow tempos. Maybe the recording doesn't capture these qualities.
MANKINDS TRADGADie in words and music
After about 2 minutes I really couldn't handle Muti's tempo anymore... This is by far the worst performance of the first part I've heard in ages...
Shostakovich would rise from his grave to push him off the baton
This is not pucinni.....
Go for Barshai, Kondrashin, Haitink, or my personal favorite Wigglesworth ( Dutch Radio Philharmonic, BIS)
Nonsense; Muti totally understands this work; the tempos (particularly in Mvt IV) are the composer's own, and Muti not only trusted him, but sustained the tension throughout. I was in the hall that night, and the audience was gripped from beginning to end by the subtle, nightmarish, almost hallucinogenic tension that Muti created. Too bad it doesn't strike you that way. No doubt that Kondrashin automatically has a much greater sense of RAW, brutal power. But Muti's was equally powerful, in its own way. Now ORMANDY...there's a guy whose plush performance skimmed the surface of the music, and didn't seem to care about the work, other than the fact that his was the 1st performance in the West.