A Revolutionary Arpeggio Exercise

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  • Опубликовано: 6 сен 2024
  • A Revolutionary Arpeggio Exercise
    In this video, check out an awesome exercise (or 4) for improving your awareness of harmonic substitutions 🔥 You can download the FREE PDF at: www.stevekorty...
    To check out my members site that has loads of courses visit members-stevek...
    For PDFs including transcriptions, methods and etude books visit www.stevekorty...
    My Setup in this Video:
    Horn: Yamaha YTS 62
    Neck: Boston Sax Heritage with Stippled Rhodium
    Reeds: Boston Sax Shop Black Label
    Ligature: Boston Sax Shop Superlative
    Yamaha YTS62: sweetwater.sjv...
    Yamaha Amber Lacquer YTS62 🔥: sweetwater.sjv...
    All things Boston Sax: www.bostonsaxs...
    The Apogee USB Microphone: sweetwater.sjv...
    Key Leaves: sweetwater.sjv...
    SaxLab Holder: sweetwater.sjv...

Комментарии • 61

  • @parkerpolen
    @parkerpolen 5 месяцев назад +5

    Triads over bass notes harmonic analysis assuming a tonic function:
    C (add9)
    Db/C = Csusb9b13
    D/C = Cmaj13#11
    Eb/C = C-7
    E/C = Cmaj7#5
    F/C = C13sus
    F#/C = C7b5b9
    G/C = Cmaj9 (no 3)
    Ab/C = C7#9b13
    A/C = C13b9
    Bb/C = C9sus
    B/C = C°maj7

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад +1

      Good stuff thanks Parker 👍

    • @parkerpolen
      @parkerpolen 5 месяцев назад

      @SaxophoneSteveKortyka no problem. This was helpful for me! I was using triads for all slash chords except the tonic for this analysis, so for example, there was a doubled C in Ab/C (which you wouldn't want in a voicing).

  • @parkerpolen
    @parkerpolen 5 месяцев назад +2

    Minor triads over bass notes harmonic analysis assuming a tonic perspective;
    C-(add9)
    C#-/C = C7b9b13
    D-/C = C13sus
    Eb-/C = C-7b5
    E-/C = Cmaj7
    F-/C = Csusb13
    F#-/C = C13b9#11
    G-/C = C9 (no 3)
    G#-/C = C-maj+
    A-/C = C6 (no 5)
    Bb-/C = C7susb9
    B-/C = Cmaj7#11 (no 3)

  • @LCohenSax
    @LCohenSax 2 месяца назад +1

    Three octaves...mind blown.

  • @clarinetninja
    @clarinetninja 4 месяца назад +2

    Great stuff! That is an idea that is simultaneously beautiful, useful, and that I have never thought of before. Time well spent watching this:)

  • @LCohenSax
    @LCohenSax 2 месяца назад +1

    Wonderful. Colorful. Inspiring.

  • @jeffjonesworld
    @jeffjonesworld 5 месяцев назад +2

    I hear so much in that simple exercise! ..there are some Michael Brecker sounds in there..

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад +1

      Absolutely! This really helps me understand how pianists are thinking. Often times they will place triads on top of a shell voicing (13b7) and the sounding result is sonic magic!

  • @JacquesPardo
    @JacquesPardo 14 дней назад +1

    Wow! this is hard, great ear training thought!

  • @elliottbrown5151
    @elliottbrown5151 5 месяцев назад +2

    So creative! I am definitely going to add this to my routine!

  • @56820966ym
    @56820966ym 22 дня назад

    Thank you

  • @sheskimusic
    @sheskimusic 5 месяцев назад +1

    Nice, Steve

  • @sac7575
    @sac7575 6 месяцев назад +2

    Thank you! Great exercise 😅

  • @PabloVestory
    @PabloVestory 5 месяцев назад +1

    Brilliant exercise! thank you very much!

  • @oosaxx
    @oosaxx 5 месяцев назад +1

    Thinking of transposing this down to the spatula keys. @drwallysax has an 'Exercise 0' holding a Low Bb pedal and playing a scale to maintain a flexible and relaxed embouchure

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад

      Cool - yes every key you put it in will give you unique challenges. There are a lot of cool idiosyncratic things that you can do on the saxophone especially in the keys of Bb, B and C# 😎

  • @Jazzapatiss
    @Jazzapatiss 5 месяцев назад +1

    merci very much !!!!!

  • @RFDSAX
    @RFDSAX 5 месяцев назад +1

    WOOOOO

  • @Stianb9
    @Stianb9 5 месяцев назад +1

    Love your content, Steve!

  • @klangschamane
    @klangschamane 5 месяцев назад +1

    Super Exercise, thanks!

  • @pablomorenodearcosmora3003
    @pablomorenodearcosmora3003 5 месяцев назад +1

    Great! Thanks

  • @saxfish
    @saxfish 5 месяцев назад +2

    < !This is So Much FUN¡ GRACIAS Esteban!¡!>🎷😇

  • @mrthiasco6465
    @mrthiasco6465 5 месяцев назад +1

    Great ! Thanks a lot

  • @HealingWord_Psalm107-20
    @HealingWord_Psalm107-20 5 месяцев назад +1

    I love it

  • @QuevedoSax
    @QuevedoSax 5 месяцев назад +1

    Beautiful! Hey what mouthpiece did you use on this video?

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад +1

      Thanks! It’s the @bostonsax E series 👍🏼

    • @QuevedoSax
      @QuevedoSax 5 месяцев назад +1

      @@SaxophoneSteveKortyka Thanks for the reply! Sounding great!

  • @darbyslick7718
    @darbyslick7718 5 месяцев назад +2

    Keep doing this and you'll discover a novice version the classical music if India.

  • @olivierherment1188
    @olivierherment1188 5 месяцев назад +1

    Merci

  • @markhubenthal
    @markhubenthal 5 месяцев назад +1

    This seems like a great ear training exercise too! And easily could be extended to minor or diminished triads

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад

      Yes indeed! It has helped me make sense of a lot of the 'upper extension' triads that exist on dominant chords with alterations :)

  • @bostonsaxshop
    @bostonsaxshop 5 месяцев назад +1

    Ya Steve!!

  • @DanielKJohanssonTrombone
    @DanielKJohanssonTrombone 5 месяцев назад

    Fantastic exercise(s)!

  • @magohipnosis
    @magohipnosis 5 месяцев назад +1

    Hey, Im new here. What are some possible uses for this?

    • @SaxophoneSteveKortyka
      @SaxophoneSteveKortyka  5 месяцев назад +1

      Hey! for solo playing this is the quickest way to outline a tonality and change the color of what you're playing. It will also give you a thorough understanding of 'slash' chords and how they relate to traditional harmony or harmony the way it is taught in school. A breakdown could look like this:
      C = C2
      B/C = Cº∆7
      Bb/C = C7Sus
      A/C = C13b9
      Ab/C = C-7b6
      G/C = C∆9
      F#/C = C13b9#11
      F/C = C∆11
      E/C = C∆7#5
      Eb/C = C-7
      D/C = C7#11
      Db/C = Cø7
      If you can play through the exercise from memory, over time all of this information will start to make more sense and become a device that you can apply to your improvisations to emote in a more specific way :)

  • @miau7720
    @miau7720 6 месяцев назад +1