I'm in my 40's - While I've lived off it most of my life, the last 4-5 years took me from big to booom, life changing levels of success. You don't really know when you'll boom but it definitely requires consistency, talent/skill stacking, and when it gets traction turning it into an actual business with quotas and output and scalability and everything else that comes with trying to build a timeless brand/catalog. I'll also say - we're in the hybrid era - you ARE the label, the artist, the producer, you can operate as tons of aliases, you can keep 100% of all of it/sell the catalog one day for healthy multiples if it gets big.
@@xj_will I commented before realizing this is all sync stuff you're doing. My success comes from streams/big catalog. I just let my DISCO subscription expire because I just don't have the time to manage sync plus continue scaling the streams/main catalog. I have over 10K tracks, maybe we should talk, I'd be more than willing to share profits if you know how to get stuff placed. I have music in literally every genre, and stuff made for film/moods/scenes/beats/orchestral, etc. is that something you have done before (looking after others catalogs?).
fire. love hearing that u can do it as a side hustle cuz i feel like i have to do shit all or nothing but naw now i might slowly build this on the side thx fam!
I'm in my 40's - While I've lived off it most of my life, the last 4-5 years took me from big to booom, life changing levels of success. You don't really know when you'll boom but it definitely requires consistency, talent/skill stacking, and when it gets traction turning it into an actual business with quotas and output and scalability and everything else that comes with trying to build a timeless brand/catalog. I'll also say - we're in the hybrid era - you ARE the label, the artist, the producer, you can operate as tons of aliases, you can keep 100% of all of it/sell the catalog one day for healthy multiples if it gets big.
💎 all day
@@xj_will I commented before realizing this is all sync stuff you're doing. My success comes from streams/big catalog. I just let my DISCO subscription expire because I just don't have the time to manage sync plus continue scaling the streams/main catalog. I have over 10K tracks, maybe we should talk, I'd be more than willing to share profits if you know how to get stuff placed. I have music in literally every genre, and stuff made for film/moods/scenes/beats/orchestral, etc. is that something you have done before (looking after others catalogs?).
This video was very encouraging, it was exactly what I needed to hear right now. Thanks!
Bro woke up and decided to be the Sync master for real lol. Great content! 💪🏽🔥
fire. love hearing that u can do it as a side hustle cuz i feel like i have to do shit all or nothing but naw now i might slowly build this on the side thx fam!
Is the new Arturia Astrolab's sound's sync free sounds, or do the presets make creations from it, unsyncable unless cleared.
Are you required to recopyright your music when deals are offered, adding the label or brand?
Nope