Joseph Haydn: Symphony in D major, no. 6 'Le Matin'
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- Опубликовано: 6 окт 2024
- The Norwegian Chamber Orchestra
Steven Isserlis, leder
I. Adagio-Allegro 0:03
II. Adagio-Andante-Adagio 6:06
III. Menuet e Trio 12:58
IV. Finale: Allegro 17:06
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Surprised nobody has done this, so...
0:03 I. Adagio-Allegro
6:06 II. Adagio-Andante-Adagio
12:58 III. Menuet e Trio
17:06 IV. Finale: Allegro
ty bro
Thank you
It's there in the description already 🙂
Because everyone knows that😉
I love the Bassoon and solo double bass in the 3rd movement. ..Amazing early music from Haydn....These early symphonies should be played more often.
Jamie Wilkins o
I think he was at his best in the earlier symphonies
@@nottinghillad
Haydn’s Symphony 1 was composed in 1757 when Handel and Telemann were still alive; Symphony 104 was composed in 1795 when Beethoven was busy with the Opus 1 piano trios and Opus 2 piano sonatas.
Haydn’s symphonic production therefore spanned a period from the end of the Baroque to the post-Classical world of Beethoven, so yes, the music will be very different; not sure the early work could be labelled ‘…best’, but if you prefer it, that’s cool - but a different thing.
Even at this early stage in his symphonic output Haydn's genius reveals itself! Fascinating performance! Always one of my favourite pieces of music.
He was such an outstanding composer. I feel so many different emotions throughout this… Constantly smiling to almost tears at the end of the menuet-trio … 16:45 … Such a big fan of his.
mit staunen hört das wunderwerk-das bewahrheitet sich mal wieder
You never see musicians so happy when performing than when do that with a Haydn work.
Specially the conductor
Bellissima sinfonia e bravissima orchestra
Magnificent! Both Haydn’s Symphony & this performance. Bravo to all!
I have never seen that leading and playing cello at the same time :O The sound is lovely and lively :) Haydn lives :D Good job !!!
J'ignorais que Steven Isserlis dirigeait ainsi depuis son violoncelle ! Sublime !
Great perfomance
Bravo !
The joy you can see on Mr. Isserlis face is really amazing. Love it!
I enjoy listening to the "Le matin" mostly in the evening.
I enjoy "listening" to u mostly in the evening
I like both of your comments but just at night...
Lol it's the afternoon right now...
Have you tried listening to "Le soir" in the morning?
Title of the symphony does not match
Spinal Tap brought me here. If "D-minor is that saddest of all keys; makes people weep instantly," then surely the key of D major would bring tears of joy and happiness in the breath of a morning sunrise . . .
He was such an outstanding composer. I feel so many different emotions throughout this… Constantly smiling to almost tears at the end of the third movement 16:44
@@MrWoodCy I've been listening to some Hayden Sonatas. I simply did not know they were out there. I didn't think they would have that extra spark of life in them! (PS, don't over look what I was saying about D and D-minor. Do check out my Theory of Pitch Psychology. On my channel. I have found patterns of themes in musical pieces and songs that show a clear emotive choice for specific keys. I feel my work is substantially groundbreaking. And it could offer you some new insights about interpretation.
Your, _Acoustic Rabbit Hole_
20:38 The violinist nails it and Isserlis gives him this amazing smile xD
The bassoon and bass solos in the Trio section of the 3rd movement is just wonderful to listen to! ☺️🎶🎶
That's a gorgeous performance, I love it
Un bello concierto!! Gracias por compartirlo!!
Wonderful performance of this beautiful little symphony by one of music's supreme geniuses. A text book example of how to structure a piece and Haydn's brilliance as an orchestrator. Rimsky Korsakoff thought he was the greatest. I agree.
Not sure it is entirely accurate to characterise either ‘Le Matin’ or the two sister symphonies ‘Le Midi’ and ‘Le Soir’ as ‘…little’; as an example, Hogwood takes about 28 minutes and he’s fairly rapid.
Additionally, there is nothing ‘little’ about the music as each of the three works are extremely rich in musical content.
You are quite right though that this is an interesting performance of a work clearly loved by the players.
Just to say I used the term ' little ' thinking of the likes of Mahler or Bruckner. Nothing Haydn does is little in terms of intellectual conception.
Truly excellent.
This is an outstanding performance of my favorite Haydn Symphony. As wonderful as some of the "Sturm and Drang" symphonies are, I keep coming back to these delectable early symphonies, especially 6, 7, and 8.
You and me both!
This Cello guy is very special...
Very enjoyable performance by a superb group of musicians.
superba interpretazione, bravi!!!!
Fine performance. The adagio is the best i've heard
Thanks so much for this marvellous upload. A superb performance of a symphony that is quite simply delicious.
Beautiful...really beautiful. !!! I particularly loved how well the players all synchronized so perfectly with one another. Thank you.
Very preety BRAVO BRAVO BRAVO BRAVO BRAVO. APPLAUSE. APPLAUSE!!!!
This is why we have to listen to music.
So delightful!!
Wonderful!!! One of my favourite Haydn symphonies.
The concerting aspect of this music, at the beginning of the story of the symphony, has something moving.
Magnificent melody 🎉
This is wonderful, to hear this on a rainy Sundaymorning is such a great joy!. Thank you so much.
Just - how lovely - really lovely
den er mega👍
Warum dann die Daumen nach unten ?😮 verstehe ich nicht
Merry Christmas and a Happy New Year 2018 from Philippines !
I love how they all raise their bows at the end of the performance. They must have really enjoyed playing this piece!
THATS A COMMON PRACTICE AMONG QUARTETS,TRIOS ETC.......
Stunningly beautiful. Thank you Norwegian Chamber Orchestra.
Fantastic! Thank you for sharing this lovely piece with us.
Wonderful!
14:37 ❤️
Director misses opportunity to pull focus between bassoon and double bases.
Excellent rendering of this early symp)hony by Haydn. One can noye the numerous soli parts.
AMO A HAYDN..SOS EL MEJOR DEL MUNDO !!!
che boludo
Спасибо
Unpredictable creativity
First time seeing a leading cellist leading the orchestra with back to audience. Looks a bit strange but hey it works! Pianists/Harpschicordists do that too!
Better when cellists do it.
that kid has the hardest job!
Wow. I just listened to Mozart’s Piano Concerto No. 10 in E-Flat Major, and there’s a melody in the third movement that sound a lot like a melody in the second movement of this piece,
I wonder why? People cannot live without music.
Комплименты! А девочка в красном, с скрипкой - просто красавица. Одна её улыбка, это награждение.
Nu vot! Vlubitsya, shto li?
Merveilleuse symphonie !
Good morning 🌻
Having listened to Haydn's Symphony No. 31 first, I found lots of similarities. :D
You are joking! Doubt anybody else has.Except it by Haydn and before 1800.
Though eminently and thoroughly enjoyable, I couldn't help but get the feeling this orchestra is new to this piece and they played it so delicately as if they thought they were going to break it. Just a thought.
Well, you can probably blame Isserlis for that. Still trying to understand what the hell he's doing up there other than being a clown.
@@vegaalbela1 While this whole setup seems extremely unusual, I don't think that's a fair description of Isserlis. I believe he's one of the most expressive soloists out there. Why do you dislike him so much?
Wow!!
Haydn's answer to Vivaldi's The Four Seasons.
Not really; the extra-musical programme for the music can be seen clearly painted on the ceiling of the Haydnsaal at the Eszterhazy palace at Eisenstadt where these three symphonies were premiered in 1761.
(Seach it, and look at the images).
The second movement is exquisite
ur exquisite
Looks so fun!
Absolutely wonderful! My favourite on youtube thank you & congratulations
05:00 bis 1:35
1:42 bis. 2:30
13:12 bis. 14:03
14:37 bis 15:22 wiederholt sich danach
17:06 sehr schnell und immer lauter
Very enjoyable !
Eloquent, ordered and enlightened. Harmony epitomised ...
BELLEZA MUSICAL...!
a rega sta canzone di Fabri Fibra dissa un botto, credo che sarà la mia canzone preferita dopo auto blu
Cosa c'entra Fabri Fibra???
14:36 - doublebass solo!
Really the bass is just providing the harmony and the spotlight is on the bassoon, but it's incredible that the bass even gets a part that stands out in the first place!
9:03
One gentleman requires a haircut
Haydn's first piece for his new employer at Eisenstadt, so everybody gets something interesting to do, all 20 or so of them. why the the forte piano? He wrote the part, presumably for rehearsals but you can't hear it and it's doubtful he ever intervened unless there were problems. Its where he conducted from rather than waving arms about.
Peter Crosland
It is generally accepted now that Haydn did *not* use a harpsichord continuo in his symphonies either at Eisenstadt or Eszterhaza; neither did Haydn wave about his arms, he would have played the violin.
However, some conductors choose to use the harpsichord; they are not playing a ‘part’, they are simply realising the bass (ie filling in the chords).
@@elaineblackhurst1509 Hi, well we agree - no arm flapping, no attempt to fly. Early pieces would have had a harpsichord part, but what we have here is a forte piano. Interesting thing is that although it is obviously being played you can't hear it, so is it a dummy, or has it been digitally removed? You would expect to hear the odd note out of it. I can't believe that he let his tiny orchestra go into battle unrehearsed so maybe that is why he wrote a continuo. Disagree about the violin theory, one of the first things he did at Eisenstadt was to book violin lessons because he was unsure his technique was up to scratch. In performances of string quartets with Mozart, they both tried to get the viola part. Ultimately he was a composer and not a performer.
Peter Crosland
Some interesting points, thank you; a few observations:
I think I can hear the continuo filling in the chords but I’m sure it’s a harpsichord; do you know for sure that it’s a fortepiano - one of us is mistaken!
The continuo is realised from a figured or thorough bass, usually just one or two numbers written on the bass clef with a flat or sharp if needed; it is a sort of musical shorthand which any competent keyboard player would be able to ‘realise’ and produce the correct chords.
The continuo part was rarely written out, and almost never had an independent part (though the continuo player may contribute the occasional flourish here and there).
The composer Kraus who visited Haydn at Eszterhaza in 1783 as part of a four year tour of Europe that took him to Italy, Austria, England, France and Germany wrote that Haydn’s orchestra was one of the best he had heard.
We know that some of Europe’s finest players were engaged - Prince Nicholas spent a fortune on the musical establishment - and that the performances from all reports were very good; this would indicate that works were rehearsed properly, something we know from other sources that Haydn insisted upon.
There is not a single piece of evidence that Haydn ever wrote a continuo part, and no continuo harpsichord player was ever employed at Eszterhaza or Eisenstadt, there are no figures on any extant scores or Eszterhazy orchestral parts.
Whenever a keyboard player was needed - either as a harpsichordist, or organist for the church services - Haydn did the job.
This point about the absence of a continuo has been researched extensively by James Webster if you wish to investigate this further, as is the issue of Haydn playing the violin in the symphonies.
Haydn without doubt played the harpsichord for the opera performances where obviously, for the secco recitative, it was essential.
The violin lessons at Eisenstadt is a totally new story to me; as is both he and Mozart wanting the viola part at the famous quartet party.
Michael Kelly who is the source for this story lists the players thus:
Haydn - 1st violin
Dittersdorf - 2nd violin
Mozart - viola
Vanhal - cello
Dittersdorf was considered the finest violinist in Vienna in the early 1760’s, and was a much sought after virtuoso soloist; Haydn’s abilities, to take 1st violin above Dittersdorf - who was by some distance the best string player of the four - shows that he was clearly a more competent string player than sometimes credited (the same is true of his keyboard playing).
You are quite correct though, that Haydn was a composer, rather than a composer/keyboard solo performer; Mozart and Beethoven were clearly the latter.
I question your comment about Haydn needing violin lessons as Robbins Landon, in his giant biography of the composer, notes that Haydn himself stated that he was competent ‘to play a concerto neatly’.
I’d be interested to know the sources for the points you raised that were new to me - RUclips at its best, always something new to learn.
@@elaineblackhurst1509 Hi Elaine, always nice to hear from you. I like your idea that keyboard part was a summary of the work, makes a lot of sense. Violin lessons were organised after he started work at Eisenstadt, and he met the leader of his orchestra Luigi Tomasini, probably to fully exploit the talents of his first violin, which may account for some of the fiendish first violin parts. They remained friends for life and they died within a year or so of each other. As to harpsichord v forte piano, guessing it is the latter mainly because most harpsichords had two keyboards. Also if it is a harpsichord you would hear it, probably the most annoying noise after the banjo. As to Haydn as performer contemporary newspaper reports whilst he was in London say he appeared at least twice, as pianist in Symph 98 and timpanist at premiere of 103. Both times the audience surged forward and this raised safety concerns. Saw touching interview with organist at Eisenstadt church, the organ is the same as when Haydn played it although it has a new console,. He said that he was sure he could hear him spinning down below and didn't sound as though he was joking. I became a Haydn fan late in life but he fascinates me, I have no idea how he managed to do so much varied quality work in a single lifetime.
@@petercrosland5502
Lots of interesting points; thank you.
Just one comment: harpsichords could be either one *or* two manuals, they were not always two.
Lovely, but why is the cellist playing the part that ought to be played by the bassist?
It's the same part always
ISSERLIS MAY HAVE ADAPTED THE SCORE FOR HIS OWN SOLOSHIP
@@Cellinator
It’s not; Haydn clearly notated sections in Symphonies 6, 7, and 8 for the double bass solo, similarly in Symphonies 72 and 31.
Otherwise, you could say that it was *usual* for the bass line to be played by cello, double bass and bassoon, whilst keeping an eye on the score as to when any of them were to be tacet or solo.
Bass continuous in firsts Haydn's symphony?
Some do, some don’t.
The latest research suggests that Haydn did not use a harpsichord as part of a basso continuo, and it is actually quite superfluous.
Haydn himself would have played the violin in the orchestra, and as he was the only keyboard player employed at Eisenstadt or Eszterhaza, that would suggest that a harpsichord was not used when the works were first performed.
1:58
14:35
Snapcrackling flutist.
8:57 increible solo de cello.
HAYDN INCLUDED SOLO CELLOS TO HONOR HIS BENEFACTOR SOLOMON......
The plans chosen by the director leave much to be desired.
Mullug
With all respect, this was somehow played indifferently, as if the orchestra didn't have much interest in it or much time to practice it...
Just want to be the 69 comment
Beautiful playing. But a cellist without solos playing with his back to the audience doesn’t really work for me.
What is the type of piano in this orchestra?
David: Thank you for educating me! Xiao
Que feo eso de darle la espalda al publico.
Díselo a todos los directores de orquesta
... y calvo con canyas rizadas además! Que aparencia mas hazgo. Jozef Haydn se habrá revolcado en la tumba, seguro. Spiro-torpe.
7:33