Something I noticed when working on the arpeggios is that A7 to Cmin6 can also be Amaj (A C# E)to Adiminished (A C Eb) (not dim7) and then the G to Bb is obviously Gmajor to Bbflat diminished. I just thought that it was more than just a coincidence but part of the soundscape colour. It creates somekind cadential (not sure if that word exists) logic.
Hi boldstrummer. Pacing is always a tricky one to judge because I have literally no idea of the level of the people watching. What specifically did you have trouble with and I'll try and help? I'm not terribly interested in teaching fingerings (I'm doing this youtube for free) but if it's a conceptual difficulty your having, I might be able to help. Thanks for the comment.
Thanks for this. I've finally got it because of your explanation.
Something I noticed when working on the arpeggios is that A7 to Cmin6 can also be Amaj (A C# E)to Adiminished (A C Eb) (not dim7) and then the G to Bb is obviously Gmajor to Bbflat diminished. I just thought that it was more than just a coincidence but part of the soundscape colour. It creates somekind cadential (not sure if that word exists) logic.
Yes - voice leading really, chromatic against diatonic descent
A A G G G F# G
C# C B Bb A A G
E Eb D Db C C B
Good ;-)
man you have noisy neighbors :) good lesson though.
Might be good to explain how you got the arpeggios. Too fast to be useful.
Hi boldstrummer. Pacing is always a tricky one to judge because I have literally no idea of the level of the people watching. What specifically did you have trouble with and I'll try and help? I'm not terribly interested in teaching fingerings (I'm doing this youtube for free) but if it's a conceptual difficulty your having, I might be able to help. Thanks for the comment.
Use the Pause Button ;) Also it's a good practice to transcribe!