Thank you! To answer your question, it's not only about playing without errors, but more importantly to get the most inspired version. In this case, I took the first part from one "take" and cut the second part from another "take" that was errorless, but which first part wasn't as good as the one I chose. Then I joined the two.
Yes, a really interesting piece, I don't know it. Beautifully realised, those higher registers sound particularly intimate and haunting. Superb, Andreas.
Yes, the Werckmeister temperament sometimes sounds particularly well. I also nourish a personal interest in exploring the possibilities modern synthetic sounds provide. For instance, I recorded this same piece on the synthesizer some months ago: ruclips.net/video/mUY0hqzbGow/видео.html
The most calming playing I know. Love it!
Wow, that's quite a compliment! Thanks!
Fantastic, as usual - I wonder how many takes it takes to play a whole fugue in real time without mistakes?
Thank you! To answer your question, it's not only about playing without errors, but more importantly to get the most inspired version. In this case, I took the first part from one "take" and cut the second part from another "take" that was errorless, but which first part wasn't as good as the one I chose. Then I joined the two.
Yes, a really interesting piece, I don't know it. Beautifully realised, those higher registers sound particularly intimate and haunting. Superb, Andreas.
Thank you, Graham!
Who played this? Mr. Andreas? Wonderful. I am into this fugue f minor rarely played by other pianists.
Yes, it's my interpretation. I am glad you like it!
love the temperament. perhaps just my prejudices, but would love to hear this on harpsichord.
Yes, the Werckmeister temperament sometimes sounds particularly well. I also nourish a personal interest in exploring the possibilities modern synthetic sounds provide. For instance, I recorded this same piece on the synthesizer some months ago: ruclips.net/video/mUY0hqzbGow/видео.html