"Writing the Half-Hour Comedy Pilot" with Phil Kellard
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- Опубликовано: 18 окт 2024
- Phil Kellard, television writer; UCLA Extension Writers' Program instructor; and author of Chapter 7 in Inside the Room: Writing Television with the Pros at UCLA Extension Writers' Program; talks about the importance of character, the difference between single-camera and multi-camera shows, and the hardest thing about sitcom writing.
The hardest step to take is believing in yourself and your idea, once you get past that everything starts to run smoothly, or at least I assume so, haven't really gotten to that part yet xp
Character. Character. Character.
I'm buying this book right now. Working on a spec pilot for a series and i neeeed this. Great video
how are things going with your pilot
Really well. Working on two, 1-hour pilots with a cable network. This book helped a lot.
thanks for the reply. good luck with everything. I just placed an order for the book on amazon. wish me luck
How are things going now?
Wow forgot about this post. I'm shooting a feature film and working on 2 pilots right one. One with a friend at a network. This book was a huge help. How about you?
Great insights thanks for upload
Does a firs-time writer need to write a pilot before he can get an Agent?
Hey, does a pilot episode have to be the first episode of a series, filled with exposition, or can it just be the best /funniest episode that you've written?
The pilot is name given to the first episode
@@realKhalilG First episode filmed, not necessarily the first one aired.
@@experi-mentalproductions5358 Does a writer have to have a Pilot episode when pitching a sitcom, or could they just show a collection of their funniest scenes?