There is so much new talent surfacing each year in Carnatic music. But this guy is one in a thousand... Captivating concert without even a single dull moment. We miss his veena when he only sings and we miss his voice when he only plays.
The Music Academy truly honoured itself when it invited Ramana Balachandran to perform. Its system of scaled recognitions would seem to rob quality to reward quantity, however. But it is good to see this musician--I think it's about time we stopped calling performers like this young--here, and to see the here and now here and now. When you see a gift, you don't bring conditions and erect fences around it. Ramana's singing brings to this instrument its rightful place--lost, alas, to louder neighbours--as the primal, and I dare say primary, influence on both the theory and practice of music in the South of the country. Vocal music had two inexhaustible souces of inspiration and models, the veena and the nadaswaram, the one imparting the detail that only a chamber context can bestow, and the other providing the range of improvisation and clarity that only a public purposiveness and temporality can call forth. The fact that Ramana sings and plays the veena reminds me very much of how these lost connections are being happily restored to us, after what must be at least one whole century. I have often thought of how delightful it would be if Ramana were to master the Rudra Veena. I would love to hear what the descent of the octaves and the emphasis on vertical playing would do to his music. The Dhrupad touch that would result would then be able to resume the pollination of our music that it had stopped doing with the passing of Dikshitar (who was a great vainika, note). I would very much love to be on that bridge of hope. Truly, this musician is a gift hamper that we have barely had time to take the brown paper off. I hope he doesn't start making too many long trips abroad to comfort the nostalgia of expatriates. We have lost one too many a 'genius' to the winds of that kind of success, alas! We have lived too long without the unity of language, thought, and music that produced the Trinity. Southern child 'prodigies' (in the North, all of them start very young anyway, so it is not necessary to be precocious or to need special labels!) also have faster burnout rates, so the question of who might continue the kind of roundedness that we associate with the big three cannot even arise. Any sign of an inner life of any sort is nowadays confined to the forehead signage and strict and loudly proclaimed copycat credentials. That is why Ramana's talent, his creative engagement with the lyric impulse, and the fact that his mangalam does not differ from any lay person's warms my heart, because I read in them signs of a whole new generation of creativity in Carnatic music.
Your comment was most insightful @Vichar Tatwa ! I'd like to add that our Sampradayam always encouraged change and diversity. Mudduswami Dikshitar brought Dwijavanthi from HM, Tyagaraja brought Kharaharapriya from folk traditions, (I could go on and on). We as rasikas should understand that Carnatic Music, like all other forms of Music evolves through such methods, and has grown through change and transfer of information across genres and baanis. The information channels with HM, and even Arabic music helped CM grow, and to continue this smooth exchange of information to facilitate the growth of CM is indeed welcome. I particularly enjoyed your reference to how CM was once greatly influenced by the Nagaswaram and the Veena, and the Vainika-Gaayaka bani of Ramana Balachandhran (and Karaikudi Sambashiva Iyer and even Mudduswami Dikshitar himself!) signals a step towards restoring those influences. I completely agree with you there!
Listening to Carnatic Music concerts since last 55 years. Listened to live Kutcheris of S.Balachandar, Chittibabu, Gayathri every one was unique & Great!. What attracts me to this young Prodigy is total involvement and unique style of singing while playing the veenai. There will be many naysayers but mark my words this young man will reach Greater heights with Bhagwan Ramana Maharishi's ashirvadham. I feel the same way when I heard U.Srinivas, Kumaresh-Ganesh, Sanjay Subramanhyam, Abhishek Raghuram for the first time. Ayushmann Bhava 🙏🏻
Sir, the educational system in India should have Arts as a compulsory subject and at least 1 musical instrument should be made mandatory till high school. Both Arts and music should be a compulsory co-curricular and not optional/extra curricular activity. Unfortunately, the new NEP turned out to be even more pathetic than the previous educational system.
Ramana u r just an embodiment of music. I think sadguru Thyagaraja Swamy himself has reincarnated to revive all his compositions in its granduren originality. I wonder whether u r nadashareera or ur shareera is made from musical vibrations rather than physical nerves. God blessu ma.infact I feel blessed to listen to u in this life.
Another outstanding performance by this enormously talented musician Chiranjeevi Ramana. His Asaveri and Mayamalavagoula were excellent. He has the natural ability to not only follow impeccable layam and weave in complex phrases with ease, but immerse himself in the full bhavam of the compositions he renders. What an immense Divine blessing! Love his Vainika Gayaka bani - rare to find these days. All further enhanced by his inherent humility. Brilliantly supported and enhanced by Kishore Ramesh on the Mridangam. Beautiful stage setup. Thanks for sharing such outstanding music.
What a surprise man! I used to listen to your music some 15 years ago and was always a fan. My cousin and I used to comment that something in the water of Kerala produces such outstanding vocalists ! Good to run into you here again !
I met Chittibabu 1970 in Music Academy Madras A great Artist a Master!!! From Nov. 1970 I settled in France, loving veenai & Carnatics, Ramana, wishing you a wonderful career like S. Balachandar!!!
Ramana Balachandran performed melodiously with utmost precision. What makes his performance outstanding is his utmost devotion which adds Bhavam to the songs. The young mridangam player Kishore Ramesh also did a fine job. May God bless you both.
Outstanding performance. May Bhagwans Grace be always be there with you. It will surely be as you are associated with Ramanasramam and have been performing there.
Young bright stars....the young shoulders carry lot of weight....huge expectations on such youngsters to reclaim lost glory of our sacred music....hope they stick to tradition and continue to enthrall people with pure divine music akin to yester year Jambhavans.... dirgaisuman bhava...
A prodigal Vainika Vidwan in the traditional mould. Truly amazing performance. Excellent support by the young and promising Mridangam artiste as well. Thanks a lot to Music Academy!
Thanks MAM. As usual you have brought to us such talnted young artist. Vocal and Instrumental . Excellent. I agree with JS and Savitri R , can't refrain from thinking of R Maharshi.
Is this RTP in Mayamalavagowla? Some experts call it simply Malavagowla. That is a rare treat. My guess is correct : It is indeed a Ragam-tanam-padam as he is singing the whole song! He did not announce prior to singing to insult serious rasikas who would much rather guess the raga and song. Thank the vidwan for that classy gesture. VainikagayakaRamana !!!! "Ganamuna shobhillu kanakabhushana" the Mridangam is at its best here!!! Ha ha ... Fast swaroms in the hands of an expert instrumentalist do not sound uncouth as is the clear case here. Both youngsters must be proud of this flawless kutcheri for the rest of their lives.
What an amazing takent. Unique katcheri indeed! It is no mean task to perform vocals and Veena together. It also requires guts to present this format. I hope Rasikas continue to encourage Vidwan Chi. Ramana. May Ma Saraswati bless him always
Wonderful talent , playing Veena and singing with clarity is amazing , on the instrument no doubt he going to match Veena supremo Yamini Shankara Shastry Garu for sure in the coming years
It is not easy to play been n sing simultaneously. It is a rare that Shri. Bala R. manages very effectively both singing n playing Veena. It should be appreciated wholeheartedly. Bale! Ramana!
The young Lad is on fire. This gifted Vainika cum Vocalist is really passionate about his music. Thanks for keeping up the tradition of Singing together with the Veena. You will need a collar mike for your vocals. Excellent Studio Recording by Music Academy.
Listening to him feels like meditation!! I'm very happy that we have young musicians like Ramana to take Carnatic music to our next generations to come. And is he beatboxing at 41:58??
Excellent performance. Let not the fact that the Veena playing is accompanied by Vocal be a factor to not appreciate his Nada-reverberating playing. I too personally prefer that he only play the Veena, but let's also give him that respect and space.
Namaskarams. He has an illustrious example before him that of Veenai Dhanammal. This child will definitely scale very great heights. His is already so sublime and divine, without much noise and ஆரவாரம் you see in some of the accomplished vainikas. Let Maa Saraswati bless this boy profusely. 🙏🙏🙏🙏🙏🎉🎉
I think it is good to present the lyrics - especially of rarer kritis. The bhava (that the player is portraying) becomes clearer to the audience resulting in the right rasaanubhava (in the sense of the rasa as influenced by the underlying lyrics and the associated ragam, and layam).
☺️-Such a phenomenon of talent. Leave it to him as he sings, when he does. Overall an engaging Artiste. Before the might of his talent, any suggestions would look silly
Two most of the most accomplished youngsters in action together. I tell you when Ramana sings along it is such delight. This Asaveri's Lekana ninnu came to rasika's heart when MDR with the pakkom of TNK and UKS in a lovely garden kutcheri in the old Madras city. How cah anyone forget that? It is in circulaation on RUclips. Check it out. Kishore is such delight. Kishore is as good as the senior Patri who thrives in Ramana's company. Sri Vichar Tatwa is amply correct: Take up Rudraveena, Ramana ! I would urge Ramana to come calling us rasikas including yours truly at 75 in Central Valley California when the pandemic is history. Namaskar to the vidwans. Narayanakurup Kanthikumar
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
There is so much new talent surfacing each year in Carnatic music. But this guy is one in a thousand... Captivating concert without even a single dull moment. We miss his veena when he only sings and we miss his voice when he only plays.
The Music Academy truly honoured itself when it invited Ramana Balachandran to perform. Its system of scaled recognitions would seem to rob quality to reward quantity, however. But it is good to see this musician--I think it's about time we stopped calling performers like this young--here, and to see the here and now here and now.
When you see a gift, you don't bring conditions and erect fences around it. Ramana's singing brings to this instrument its rightful place--lost, alas, to louder neighbours--as the primal, and I dare say primary, influence on both the theory and practice of music in the South of the country.
Vocal music had two inexhaustible souces of inspiration and models, the veena and the nadaswaram, the one imparting the detail that only a chamber context can bestow, and the other providing the range of improvisation and clarity that only a public purposiveness and temporality can call forth. The fact that Ramana sings and plays the veena reminds me very much of how these lost connections are being happily restored to us, after what must be at least one whole century.
I have often thought of how delightful it would be if Ramana were to master the Rudra Veena. I would love to hear what the descent of the octaves and the emphasis on vertical playing would do to his music. The Dhrupad touch that would result would then be able to resume the pollination of our music that it had stopped doing with the passing of Dikshitar (who was a great vainika, note). I would very much love to be on that bridge of hope.
Truly, this musician is a gift hamper that we have barely had time to take the brown paper off. I hope he doesn't start making too many long trips abroad to comfort the nostalgia of expatriates. We have lost one too many a 'genius' to the winds of that kind of success, alas! We have lived too long without the unity of language, thought, and music that produced the Trinity. Southern child 'prodigies' (in the North, all of them start very young anyway, so it is not necessary to be precocious or to need special labels!) also have faster burnout rates, so the question of who might continue the kind of roundedness that we associate with the big three cannot even arise. Any sign of an inner life of any sort is nowadays confined to the forehead signage and strict and loudly proclaimed copycat credentials. That is why Ramana's talent, his creative engagement with the lyric impulse, and the fact that his mangalam does not differ from any lay person's warms my heart, because I read in them signs of a whole new generation of creativity in Carnatic music.
Your comment was most insightful @Vichar Tatwa ! I'd like to add that our Sampradayam always encouraged change and diversity. Mudduswami Dikshitar brought Dwijavanthi from HM, Tyagaraja brought Kharaharapriya from folk traditions, (I could go on and on). We as rasikas should understand that Carnatic Music, like all other forms of Music evolves through such methods, and has grown through change and transfer of information across genres and baanis. The information channels with HM, and even Arabic music helped CM grow, and to continue this smooth exchange of information to facilitate the growth of CM is indeed welcome.
I particularly enjoyed your reference to how CM was once greatly influenced by the Nagaswaram and the Veena, and the Vainika-Gaayaka bani of Ramana Balachandhran (and Karaikudi Sambashiva Iyer and even Mudduswami Dikshitar himself!) signals a step towards restoring those influences. I completely agree with you there!
Vichar Tatwa chgb
Excellent event.Enjoyed the occasion.Pleased to listen again and again.
👌
Your mastery of English is unparalled; no doubt. Keep it up. Narayanakurup Kanthikumar/California
Listening to Carnatic Music concerts since last 55 years. Listened to live Kutcheris of S.Balachandar, Chittibabu, Gayathri every one was unique & Great!. What attracts me to this young Prodigy is total involvement and unique style of singing while playing the veenai. There will be many naysayers but mark my words this young man will reach Greater heights with Bhagwan Ramana Maharishi's ashirvadham. I feel the same way when I heard U.Srinivas, Kumaresh-Ganesh, Sanjay Subramanhyam, Abhishek Raghuram for the first time.
Ayushmann Bhava 🙏🏻
Agree
No words to express the extraordinary performance of this prodigy child!! God bless him🙏
Kritagya - unique veena cum singing, The 1st note of his singing gives goosebumps - followed by the nuances on the Veena.
veena should be taught in schools. It is our national instrument. no instrument can beat veena. Ramana Balachandran is saraswathi putra
Sir, the educational system in India should have Arts as a compulsory subject and at least 1 musical instrument should be made mandatory till high school. Both Arts and music should be a compulsory co-curricular and not optional/extra curricular activity. Unfortunately, the new NEP turned out to be even more pathetic than the previous educational system.
True 👍
Nija Ramana Balachandran avre nimma sammana yaaru baralla, nimma veena jeltaa keltaa kannali neeru suriyalu shuruvaagutte, Astu adbhuvaagi nudisuttiraa neevu, Aa Ramanakrupe yaavagalu nimma mele iralebdu Haaraisuva nimma abhimaani. 🙏🙏🙏🙏👌👌👌👌👌👌
Ramana u r just an embodiment of music.
I think sadguru Thyagaraja Swamy himself has reincarnated to revive all his compositions in its granduren originality.
I wonder whether u r nadashareera or ur shareera is made from musical vibrations rather than physical nerves.
God blessu ma.infact I feel blessed to listen to u in this life.
You have a new admirer Ramana - my granddaughter who’s less than 2 years old, she thoroughly enjoyed your concert!
Another outstanding performance by this enormously talented musician Chiranjeevi Ramana. His Asaveri and Mayamalavagoula were excellent. He has the natural ability to not only follow impeccable layam and weave in complex phrases with ease, but immerse himself in the full bhavam of the compositions he renders. What an immense Divine blessing! Love his Vainika Gayaka bani - rare to find these days. All further enhanced by his inherent humility. Brilliantly supported and enhanced by Kishore Ramesh on the Mridangam. Beautiful stage setup. Thanks for sharing such outstanding music.
Divine music many thanks
I heard many ragas alapane,swara prasthara...he is such a brilliant 👍👍 very highly talented 🙏 what a dedicated soul.God bless you dear ❤️❤️
Amazing performance.. He is in a different league. Immensely talented....
What a surprise man! I used to listen to your music some 15 years ago and was always a fan. My cousin and I used to comment that something in the water of Kerala produces such outstanding vocalists ! Good to run into you here again !
I have listened to this for fifth time.... Still feeling to listen again and again.. Such an Awesome program
Shri Ramana's singing brings so much of 'bhava' in to the lyrics...soulful singing and playing of veena....Bhagawan Ramana's blessings..🙏
Not everyday, do you find one so talented as Ramana. Truly gifted by Goddess Saraswati👌🙏
Amazing, ❤️👍👍🙏🙏
Goddess blessed progedy 👍🙏
I met Chittibabu 1970 in Music Academy Madras A great Artist a Master!!! From Nov. 1970 I settled in France, loving veenai & Carnatics, Ramana, wishing you a wonderful career like S. Balachandar!!!
He is unbelievable ... after a long time i hear Veena.. really enjoyed. Long live RB
Ramana Balachandran performed melodiously with utmost precision. What makes his performance outstanding is his utmost devotion which adds Bhavam to the songs. The young mridangam player Kishore Ramesh also did a fine job. May God bless you both.
Saraswati has blessed him with both her hands. Such elegance, confidence and devotion in his playing.
வீணையுடன் சேர்ந்து பாடுவது
மிகவும் சிறப்பாக இருக்கிறது
மகிழ்ச்சி அளிக்கிறது நன்றி
பாராட்டுக்கள்
Divine music. The VEENAI spreaks With Bhava! Goddess Saraswathi is playing through him!
The voice and the veena ❤
Amazing talent. Magical fingers at young age. Unique style of singing while playing veena. Well supported by Mridangam. God bless
I love the masterful way Kishore is tuning the valamthala with the stone without missing a beat. He is clever with that winning smile!!
எத்தனை தடவைகள் கேட்டாலும்
சிக்கவில்லை வாசிப்பதும்
சிறப்பாகவே இருக்கிறது நன்றி வாழ்த்துக்கள்
இப்போதும் கேட்டேன்
சலிக்கவில்லை நன்றி
வீணையுடன் பாடுபவருக்கு எமது பாராட்டுக்கள்
Outstanding performance.
May Bhagwans Grace be always be there with you. It will surely be as you are associated with Ramanasramam and have been performing there.
I couldn’t see anything - closing eyes & completely immersing in this nAdhabrahmam & his chosen instrument weave magical music
Young bright stars....the young shoulders carry lot of weight....huge expectations on such youngsters to reclaim lost glory of our sacred music....hope they stick to tradition and continue to enthrall people with pure divine music akin to yester year Jambhavans.... dirgaisuman bhava...
Brilliant and promising young musician with great future. God bless him. Thanks to music academy.
Awesome. Gaatra Vainica. Pumbhaava Saraswathi. Stay Blessed.
A prodigal Vainika Vidwan in the traditional mould. Truly amazing performance. Excellent support by the young and promising Mridangam artiste as well. Thanks a lot to Music Academy!
Stupendously talented. Fantastic voice and amazing Veena player. So blessed to hear him sing and play.
Excellent both veena and his vocal. Enjoyed every moment.
Very pure sound and playing. Its a pleasure to listen to authentic music without unneccessary flourishes and dressing.
Excellent rendition,may goddess Saraswati bestow her full blessings on Sri Ramana
Hi Ramana, You are able to synchronise Your human voice with the celestial sound of your Veena.
Lalgudi.K.Sankaran.
Thanks MAM. As usual you have brought to us such talnted young artist. Vocal and Instrumental . Excellent. I agree with JS and Savitri R , can't refrain from thinking of R Maharshi.
Great rendition. It brought goosebumps and tears to my eyes. I could see the Devine in his music. No words to express the feelings. Thank you 🙏
Unbelievable quality followup by Kishore Ramesh! Keep up the amazing work. It is a pleasure to listen to you play :)
Divine hand on veena.
Ramana r u Bhagawan DAKSHINAMURTHY himself
Is this RTP in Mayamalavagowla? Some experts call it simply Malavagowla. That is a rare treat. My guess is correct : It is indeed a Ragam-tanam-padam as he is singing the whole song! He did not announce prior to singing to insult serious rasikas who would much rather guess the raga and song. Thank the vidwan for that classy gesture. VainikagayakaRamana !!!!
"Ganamuna shobhillu kanakabhushana" the Mridangam is at its best here!!! Ha ha ... Fast swaroms in the hands of an expert instrumentalist do not sound uncouth as is the clear case here. Both youngsters must be proud of this flawless kutcheri for the rest of their lives.
Superb katcheri
Excellent concert... Saraswathi kataksham paripoornam.
Ohh Very nice performance & heart Tuchhing. God bless you are all.
Really great singing and playing the veena. God bless you 🙏
Great! I have no words... His singing helps me to understand the kirtan better
What a classy performance....
Superb playing
Loved the program!
May you be amply Blessed by Bhagawan
and give us all immense divine experience!
Maybe this is one more way of reaching the divine.. Dont know which is better.. his singing? his playing of the Veena? Unbelievable talent this guy...
Simply superb. Good bless you.
Superb playing as always.God bless Ramana with good health.
Excellent support on Mrudangam by Kishore.Splendid.
Just amazing. I got my work done and felt so relaxed. Balachander’s violin is a wonder. Way to go. Another gem in making.
You mean his Veena? 😊
Unbelievable! Amazing demonstration of confidence while he makes every note as clear as a vocalist would do. A great musician!
It always has a magical touch 😇🙂
out of the world performance!!!
Both Ramana & Kishore are rocking. Excellent performance. Enjoy :)
Thank you for an outsanding concert and a truly divine experience!
Amazing Mmg was outstanding👏🏻👏🏻👏🏻👏🏻🙏🏼🙏🏼god bless
Ramana Balachandran knows the meaning of the composition. He sings and strings it with its bhava; and shares the joy he experiences with his audience!
Incredibly talented guy he is!!!!
What an amazing takent. Unique katcheri indeed! It is no mean task to perform vocals and Veena together. It also requires guts to present this format. I hope Rasikas continue to encourage Vidwan Chi. Ramana. May Ma Saraswati bless him always
Superb...his youthful enthusiasm..flows ..no bounds...what a bhava in meru samana.... brilliant...God bless him
Wonderful talent , playing Veena and singing with clarity is amazing , on the instrument no doubt he going to match Veena supremo Yamini Shankara Shastry Garu for sure in the coming years
Sorry. It's not yamini it's eemani shankara sastry
Extremely talented artist & May the God & RAMANA Bhagawan bless him
Very promising artist. Voice merging with Veena, brings to mind Neelamma Kadambi
Just beautiful......
There is definitely a magnetism in his voice and veena, blessed to see and hear this.🙏🙏
It is not easy to play been n sing simultaneously. It is a rare that Shri. Bala R. manages very effectively both singing n playing Veena. It should be appreciated wholeheartedly. Bale! Ramana!
Veena
Sri Gurubyo Namaha....Arunachala Siva ArunaSiva.... absolutely divine concert.
Outstanding performance
Namaskaram to all. Excellent performance. Enjoy our pure divine music. Love you all. God bless :)
Such a graceful performance 👏👏👏👏👏
The young Lad is on fire. This gifted Vainika cum Vocalist is really passionate about his music. Thanks for keeping up the tradition of Singing together with the Veena.
You will need a collar mike for your vocals.
Excellent Studio Recording by Music Academy.
There is a future for the real Carnatic music after all. Bravo!!
Loved it
Aahaa... brilliant, divine, soothing, and soul touching🙏
Listening to him feels like meditation!! I'm very happy that we have young musicians like Ramana to take Carnatic music to our next generations to come.
And is he beatboxing at 41:58??
excellent good hard work god bless the team
very talented veena player and a very
gifted artist'
Suprabhat.. hrdayulai nityAnandamu 🙏
Excellent concert
Excellent concert
Divine music
Great concert mate! Blissful music
👍🏻👍🏻👍🏻🙏🏻🙏🏻🙏🏻 arunachala shiva . Om ramana sadhgururayane
Excellent performance. No words to appreciate.
Excellent performance. Let not the fact that the Veena playing is accompanied by Vocal be a factor to not appreciate his Nada-reverberating playing. I too personally prefer that he only play the Veena, but let's also give him that respect and space.
Namaskarams. He has an illustrious example before him that of Veenai Dhanammal. This child will definitely scale very great heights. His is already so sublime and divine, without much noise and ஆரவாரம் you see in some of the accomplished vainikas. Let Maa Saraswati bless this boy profusely. 🙏🙏🙏🙏🙏🎉🎉
I think it is good to present the lyrics - especially of rarer kritis. The bhava (that the player is portraying) becomes clearer to the audience resulting in the right rasaanubhava (in the sense of the rasa as influenced by the underlying lyrics and the associated ragam, and layam).
@@chidunarayanan Yes, and in that sense singing while or before playing really helps.
Outstanding performance ! What a prodigy ! God bless you kanna 🥰
☺️-Such a phenomenon of talent. Leave it to him as he sings, when he does. Overall an engaging Artiste. Before the might of his talent, any suggestions would look silly
Two most of the most accomplished youngsters in action together. I tell you when Ramana sings along it is such delight. This Asaveri's Lekana ninnu came to rasika's heart when MDR with the pakkom of TNK and UKS in a lovely garden kutcheri in the old Madras city. How cah anyone forget that? It is in circulaation on RUclips. Check it out. Kishore is such delight. Kishore is as good as the senior Patri who thrives in Ramana's company. Sri Vichar Tatwa is amply correct: Take up Rudraveena, Ramana ! I would urge Ramana to come calling us rasikas including yours truly at 75 in Central Valley California when the pandemic is history. Namaskar to the vidwans. Narayanakurup Kanthikumar
So beautiful
Ramanan exhibits highest regard to the instrument, Sangeetam and our culture.
oh it is so nice
Man in thosands
A gifted artist . Saraswati putra savyasachir
🙏 I rever a place where such a sound is produced 🙏
I mean a LAND in which such beauty can be expressed Karuna Sagara Sooo moving... Heart melts!!! Pure sukham!
Such hights
Divine
Majestic
The tanam!
The artist accompanied on Mrudangam is also equally talented. The style he used his both hands is soo nice to watch
Undoubtedly he is a Saraswati putra...his veena sound taking us into Trance....🙏🙏🙏🙏👌🌹🌺💐
Excellent playing Veena all the best 🙏
Superb
What talent, imagination and delivery. Wow
Outstanding Asaveri...
So pure, traditional rendition
Rare now
Excellent performance ❤
Quite absorbing and devine 👍