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[@mariosp6781]

amazing exercises! thank you Yasuhiro!

[@arkadiomorales340]

Thank you so much for these exercises . For me they are very helpful .🙏👍

[@toniamarchesiello1753]

Thanks so much M° Yasuhiro, you're always the best and most generous teacher, I'll learn all what you submit to us. Need to relearn all from the very beginning, and with your great and precious work I'll get there, I'm sure, I'll improve everything, grazie mille per tutto 🎶🎷⚘👌👏👏🏽👏🏿✌

[@МаратБикчантаев-у2п]

Thank you very much, Maestro! 👍👋🙏

[@yoshioabe9150]

これはよい練習になりますね！

[@sax-jazz]

はい！アドリブへの道！

[@giaron9930]

Indeed, there are many possibilities
In my case I thought that there were only 4 possibilities
B Mixo b9b13 (Emin Maj7 - Harmonic)
B b13 Emin (Emin - Mel.)
B Altered (E - Dorian)
B unitonic (E-Aeolian)
Glad to hear there are other options.
Thank you for your answer

[@sax-jazz]

Also you can you use H-W diminished scale on B7.

[@giaron9930]

Indeed, but more often used for a ii V I Maj7
To be used (like the altered range) with caution because a lot of tension - In music everything is possible - The ear will appreciate...
Thank you for your answer

[@giaron9930]

Hello Mr Yasuhiro,
Congratulations for your relevant exercises
But I don't understand where the range of B7(b9) comes from
If we use Em7 there is the range - Dorian - Aeolian - Phrygian - melodic - Harmonic but always with the 7th min
B7(b9) can be used in mixolydian or altered with Em7
So, I would like to know which scale you used to have a D sharp
Thank you for your answer

[@sax-jazz]

Sorry, I don't know what to answer.
In the B7 chord, there are a number of options.
For example.
1. B HmP5↓
B C D# E F# G A B
2.B Altered
B C D D# F G A B
3.B Mixolydian b6th
B C# D# E F# G A B
In all of these cases, the D Sharp note is included.