Drone through fireworks with that thing would probably be dope. You know, send the ten grand camera through a bunch of explosions at 100 feet. Great plan.
I'd like to see you chase a frisbee throw. Starting with the disk leaving Winstons hand in real time, and then slowing down to see a Nurk logo spinning on the face of the disk, then speeding back up to see the disk land in a frisbee golf basket or similar.
Thanks for making this. I went through youtube after seeing the Mark Rober video and the fvp-slomo, this cleared a lot up. Less option for exposure, not really. The "shutter speed" as in exposure is more or less is built in your main fps. The shutter angle being at a optimum 180 degrees and the rest is you setting the fps, determening how fast the wheel has to spin and how long is the has to be exposure. It doesn't offer a reference point the of exposure time in seconds that you are normally probably used to look at. Looking it from a photography standpoint 1440fps has a 1/2880sec shutter speed at 180 angle, 1/840sec at 420fps, hence giving you a practical control of the exposure. Of course you can change the angle, but with that you are reducing the natural look of motion blur. And the iris is manual and ISO is fixed. Sucks for low light but that's slomo for you, even for a high end camera. Use variable ND-filters or dial down the iris if it's too bright. Same stuff different names or tools.
Great video Nurk! I love how you consistently figure out and describe what (and how) new technology can/should be used for. The way that you understand cameras and lighting etc paired with your desire for storytelling (and incredible piloting skills) brings a valuable and unique perspective to FPV & filming in general. Keep up the great work!
Appreciate you for saying all of this! I definitely want to push hard on all fronts, and I definitely feel like I fall short sometimes, but stuff like this helps me stay on track!
I got my insta360 Go 2 in. It has pretty much the same exact issues. Quick to overheat. Limited Internal memory. Short non swappable battery life. Long delays in transferring data. But the pros outweigh the cons so far. But looking forward to a newer GO version 3, that addresses the current GO 2 pain points.
I'm not sure if you've done it already, but it's always pretty sweet to see sports in slow-mo. From a tennis ball being hit, to a player being tackled, any and every sport can look pretty cool. Plus they have the benefit of not being too hard to find someone to do for a quick photo shoot if you don't do it yourself. But just shooting this idea out there. Great video man! Very informative, and inspiring for sure!
@@NURKFPV Oh that's really interesting. I wonder if the laowa 33mm f.95 would cover it or not. The only problem the .95's is that they're pretty heavy though.
thx for the review , and sharing the experience having a PWM port on that camera will be really nice , you can then trigger the shot from the FC while flying
Hey big guy, I had to drop back in and see how you're doing...saw you on that record video and rolled. Congrats on all the big wins and still crushing it on the sticks! Think flying at Meijer before it was built and a big crane....haha. You'll remember.
wow what a detailed explanation. I like your channel. so I leave a thumbs up 👍 and subscribe to your channel to see what great things are still to come, I don't want to miss 😀
Fireworks and other explosions, confetti and celebration at sporting events. With enough practice, maybe turn a 30 second race course into a 5+ minute zen experience?
That is a nice camera. When is somebody going to make a 3d camera that can be transmitted to the goggles, so we can look any direction that we want, (via motion sensing on the goggles), while flying? Maybe you could do it? There are so many cool things to do with these drones.
neat... the heat sink would probably work better if you put a piece of tape over the fins to force the air along the fins instead of blowing into atmosphere. in machine vision cameras you can teach the camera to balance out those vertical noise lines. i'm not entirely sure how they do it but it's some sort of localized gain adjustment that gets calibrated and saved at the pixel level. Not sure if the mfg could do that with this cam or not. can you zoom in on the monitor to better check focus? would it be helpful if they could exchange refresh rate on the monitor for quality? Then your colors and sharpness should be better at the exchange for lower frame rate. i would think it's possible to do and keep the same bandwidth limitation. Happy Friday Gorgeous! Hi Paul and Winston
I was playing fantasy FPV rig the other month with this camera. Very much looking forward to seeing your results! I think you need to find your local building demolition company. 😎
Hey Nurk love the level of professionalism you bring to the table. I have a question when you use DJI on such an expensive cinema rig what size and what type of BEC do you use to have stable voltage to your DJI system ? I am having video freezing during flight. I changed FC to the Aikon F7 HD 20x20 I’m using the plug Supplied. I have the Fetteck spike absorber and I changed the capacitor to a 1000 UF cap I am still getting a picture freeze during flight I still have control of the model. I’m thinking that I need a BEC I’m running 6S 2306.5 1900 KV motors. My question is how can you trust DJI you must not be having this problem with your vistas how do you do it please tell me? I have been struggling with this for a year almost Dji‘s customer service is useless I’ve already sent the goggles back to them they’re saying there’s nothing wrong with them and they sent them back on an old firmware I had to upgrade to the latest. I am on 5.8 GHz only please give me some information that can save me otherwise this unit is going to destroy my gear and I’m going to never order DJ I products again which would be very upsetting As I love it !!!!
Any thoughts on which style of cinelifter you prefer to fly? It seems like you have a massive cinewhoop as well as an eight motor dead cat style frame. I’m looking to fly mirrorless setups while I save my pennies for true cinema camera.
I just started watching your channel… Have you ever thought of shooting a 12u Fast pitch tournament team. I’m in Oregon.. Best time of year for weather in Sandy. Go Rough Riders..✌️
10 stops, banding, global shutter,... so, its a Cmosis sensor then? Same as BMD, AJA, Leica, FlareIO use.... add a LowCon or DigiCon filter to lift the shadows and roll off the highlights. There are plenty of remote focus options, and you'd know more options for wireless HDMI links then most of us.
The sample clips look (at least) 10 years behind in terms of color quality, dynamic range, and image contrast. I understand the continuous recording benefits from a specifications point of view, but incorporating this footage with modern camera output looks like a color grading nightmare.
Great review, thanks! ........... question: for studio use, the low res monitor output is a bit of a deal breaker. What's the quickest way to get the image into the computer so you see an actual preview at the real resolution, even if only a still image? Is it something you can do in seconds, and if so, how?
Just wondering something about that 180-degree shutter angle. If you select an 180-degree angle you get motion blur, which also unsharpens the image when you are moving. What is fundamentally wrong with choosing a lower shutter angle such as 45 degrees, keeping more detail in the source footage, and adding motion blur in postproduction when desired? In Resolve that seems to work well? But I am just a beginner with all this. What do I know?
Its a good question. The answer is "Saving Private Ryan", specifically the D-Day landing sequence, where the sharper motion is clear, and stuttered - objects jump frame to frame instead of smooth motion. Adding blur in posts costs time to render, and that eats up money in more hours the production has to pay for instead of shooting at the shutter speed that gets the desired blur.
@@PiDsPagePrototypes : With that scene it adds to the drama, together with the shaking of the camera. It was an artistic choice to setup the cameras the way they did. Regarding the question: I tried it with Gopro footage during toying around with the new-to-me (Gopro) toy: shot with 180-degree shutter angle and shot with 45-degree shutter angle and added a bit of motion blur in Resolve using its 'better motion estimation' over a few frames. The end result feels the same, so I am leaning towards 'if you have only one chance for the shot, you want the most versatile source data possible and worry about details later. You cannot really correct overexposed/oversharpened/overmotionblurred footage'. Regarding extra rendering time and thus cost: the same can be said for color grading, framing, sharpening, and more operations that are often delegated to postprocessing, right? It might be me, but adding a bit of extra motion blur to footage increases the amount of time spent for a minute of end result insignificantly. Still, nobody does it, so I must be terribly wrong somewhere.
@@dabit4840 You're right in that you want the most versatile footage, though there's another rabbit hole to fall down there about producers who hire based on brand of gear owned, rather then skills learned. The extra render time does come in to effect, adding the blur in the process might only take a moment, but all the elements added in to the vision grow the render time on export, but you still have to pay for that, so you grow the post production budget more then cost of fitting the right filters and getting the blur in the original footage - The more you get right in camera, the less the whole production costs. But, like everything in film and TV production, there are many ways to get the desired results, and no one technique is right or is wrong, just some are more appropriate to each production.
@@PiDsPagePrototypes : Thanks for the explanation. Sure, if you do it for a long time you can probably fit the exact filter and settings for a given situation faster than I can blink my eyes. But I am glad there seems nothing fundamentally wrong with choosing a lower shutter angle and doing 'cinematic motionblur' later when desired and amount according to taste. With 60fps instead of 24fps there is also a lot more data to correctly calculate the motion blur afterwards.
Liked !! Seen that camera last year before Jhonny's video and I was excited for people (other than me) to get it hhahaha. So what we wanna see in FPV with this camera is some fast flying around slow action, then you slow it down and it seems like it's some cg paused frame moving !! Try that :) example someone just riding a bike slow, but you come raging to it 😂
Not directly. This does not record audio, which is needed for steadxp. That being said, you could probably hack it together with some sort of external audio recorder.
This really feels like a first generation camera, (because it is). Hopefully the mark 2 and 3 of this camera have good dynamic range and add the creature comforts to make the camera more useable. Not having swappable batteries is the main reason I don’t want to buy one.
Great video and awesome camera! However, in my opinion it seems like an odd resolution and aspect ratio, if it's measured in pixels. Wider than wide-screen but not as wide as ultrawide. Somewhere between that 16:9 and 21:9 area. I'm curious the reasoning behind that? Cheers
It's a slomo standard. It has cinematic aspect ratios, but if you want some really fast framerates, you start to cut out vertical lines. The camera is a all arounder used for scientific purposes too so it climbs up to plus 9000+ fps, but the quality isn't good at that point and the aspect ratio is atrocious at 16:1.
Those resolutions were created by the Film industry, not for slo mo only. The math of them crops better to 2.39:1 aspect ratio, lookup "DCI 4K" to find out more.
Man, I get why. I get it. As my cinelift hero, you know what the purpose and limits will afford you. Q: Why do your two monitor cameras in this video have such varying exposure? And B: will my Shen Insider 4" actually lift a dslr? Like a Canon Ti5?
thanks for the real-world review, that footage looks terrible, I was curious about the opening reel when it looked like the shot of the exploding color boxes had clipped highlights. I can understand them limiting some features but not even having a second ISO is absurd, it looks like 8-bit files I used to get on a AF-100 15 years ago and that dynamic range would make this thing unuseable. I would take less fps for 10 bit files with a log profile. Maybe they update the firmware someday, I can see why these are popping up on eBay for half the original cost
This video persuaded me to hold off on this camera. I was stoked seeing the video produced by Freely, but now knowing that the actual coloring and exposure of this camera are this lack luster, i'll pass for know.
This is a hard sell, especially when the RED komodod exists. I get it, every tool has a purpose but the fact that you said a GoPro looks better, I can pass on extreme slow motion. Thanks for the review.
hmm.. 150ish gigs per 1minute, 2tb, 13minutes? 45mins to dump, so like 3.5camera bodies with integrated batt and solid state drive to shoot almost continuously; heh, we've come so far from the Red one
Im not a filmaker or anything but the fringing and grading throughout this video irked me! there was a green cast throughout most of the video and lots of purple/green fringing hope this feedback can help improve your videos and i mean no offence, informative video otherwise!
Because phones dont have Global Stutter, and because they compress the crap out of footage with a per-second data allowance, instead of a per-frame method,. So on a phone, you have less data per frame at higher speeds. 60fps has half the data per frame as 30. 120fps is quarter,.. and the image suffers because of it.
Drone through fireworks with that thing would probably be dope.
You know, send the ten grand camera through a bunch of explosions at 100 feet. Great plan.
Dude I love how you are so in your element talking about this camera it's getting me excited. Nurk my man doing big things and I'm here for the ride!
Siiick slow mo camera on a drone, such a sweet setup! 🚁
I'd like to see you chase a frisbee throw.
Starting with the disk leaving Winstons hand in real time, and then slowing down to see a Nurk logo spinning on the face of the disk, then speeding back up to see the disk land in a frisbee golf basket or similar.
That'd amazing!
Thanks for making this. I went through youtube after seeing the Mark Rober video and the fvp-slomo, this cleared a lot up.
Less option for exposure, not really. The "shutter speed" as in exposure is more or less is built in your main fps. The shutter angle being at a optimum 180 degrees and the rest is you setting the fps, determening how fast the wheel has to spin and how long is the has to be exposure. It doesn't offer a reference point the
of exposure time in seconds that you are normally probably used to look at. Looking it from a photography standpoint 1440fps has a 1/2880sec shutter speed at 180 angle, 1/840sec at 420fps, hence giving you a practical control of the exposure. Of course you can change the angle, but with that you are reducing the natural look of motion blur. And the iris is manual and ISO is fixed. Sucks for low light but that's slomo for you, even for a high end camera. Use variable ND-filters or dial down the iris if it's too bright. Same stuff different names or tools.
Great video Nurk! I love how you consistently figure out and describe what (and how) new technology can/should be used for. The way that you understand cameras and lighting etc paired with your desire for storytelling (and incredible piloting skills) brings a valuable and unique perspective to FPV & filming in general. Keep up the great work!
Appreciate you for saying all of this! I definitely want to push hard on all fronts, and I definitely feel like I fall short sometimes, but stuff like this helps me stay on track!
0:30 Mark Rober video! That was so cool. Amazing flying, Nurk!
I got my insta360 Go 2 in. It has pretty much the same exact issues. Quick to overheat. Limited Internal memory. Short non swappable battery life. Long delays in transferring data. But the pros outweigh the cons so far. But looking forward to a newer GO version 3, that addresses the current GO 2 pain points.
Why did you X out the geese around 16:22?
I'm not sure if you've done it already, but it's always pretty sweet to see sports in slow-mo. From a tennis ball being hit, to a player being tackled, any and every sport can look pretty cool. Plus they have the benefit of not being too hard to find someone to do for a quick photo shoot if you don't do it yourself. But just shooting this idea out there. Great video man! Very informative, and inspiring for sure!
Watching Rober's vid, I had a feeling it was you flying based on style. Way to keep the bar high mate, you are a legend!
EXCELLENT review and reasoning behind why you bought that particular camera! 👍👍💙💙
Mikey
Is it full frame? You said the sensor was small? You can use some of the f.095 lenses if its a cropped sensor.
Super 35
And I was saying small compared to the amount of light that can get into a phantom
@@NURKFPV Oh that's really interesting. I wonder if the laowa 33mm f.95 would cover it or not. The only problem the .95's is that they're pretty heavy though.
waiting for the next generation of this camera while saving money. thanks for the review
honest review and super helpful, many thanks!
thx for the review , and sharing the experience
having a PWM port on that camera will be really nice , you can then trigger the shot from the FC while flying
Nurk,
Great Video, and Awesome Review!! Thank You For Your Honesty!!
You're a legend. Thanks for all the positive you bring this technology.
Here I am putting everything I can together for my $1000 dji changeover. (Goggles and 2 camera setup) love the content, thanks.
Gotta spend money to make money!
@@NURKFPV Well, I've got the first one down pat. Unfortunately not a "one out of two ain't bad" situation.
Hey big guy, I had to drop back in and see how you're doing...saw you on that record video and rolled. Congrats on all the big wins and still crushing it on the sticks! Think flying at Meijer before it was built and a big crane....haha. You'll remember.
Good to see you here!
wow what a detailed explanation. I like your channel. so I leave a thumbs up 👍 and subscribe to your channel to see what great things are still to come, I don't want to miss 😀
Really dope to watch. That slow motion is 🔥
Fireworks and other explosions, confetti and celebration at sporting events. With enough practice, maybe turn a 30 second race course into a 5+ minute zen experience?
That is a nice camera. When is somebody going to make a 3d camera that can be transmitted to the goggles, so we can look any direction that we want, (via motion sensing on the goggles), while flying? Maybe you could do it?
There are so many cool things to do with these drones.
I’ve been flying 3D FPV since 2005. Most of the earlier goggles do 3D. It’s great but only up close to objects. The 3D effect goes away with altitude.
Thanks for sharing all this. What's the link to your film company?
love to see what you do and where you are taking it
The shots in Mark Robers video were epic
Very cool 😎,glad you had ability to do such a cool item on your channel !
God bless
Keep up the great work!
neat... the heat sink would probably work better if you put a piece of tape over the fins to force the air along the fins instead of blowing into atmosphere.
in machine vision cameras you can teach the camera to balance out those vertical noise lines. i'm not entirely sure how they do it but it's some sort of localized gain adjustment that gets calibrated and saved at the pixel level. Not sure if the mfg could do that with this cam or not.
can you zoom in on the monitor to better check focus?
would it be helpful if they could exchange refresh rate on the monitor for quality? Then your colors and sharpness should be better at the exchange for lower frame rate. i would think it's possible to do and keep the same bandwidth limitation.
Happy Friday Gorgeous! Hi Paul and Winston
I was playing fantasy FPV rig the other month with this camera. Very much looking forward to seeing your results!
I think you need to find your local building demolition company. 😎
Now that I want to see
Hey Nurk love the level of professionalism you bring to the table. I have a question when you use DJI on such an expensive cinema rig what size and what type of BEC do you use to have stable voltage to your DJI system ?
I am having video freezing during flight. I changed FC to the Aikon F7 HD 20x20 I’m using the plug Supplied. I have the Fetteck spike absorber and I changed the capacitor to a 1000 UF cap I am still getting a picture freeze during flight I still have control of the model. I’m thinking that I need a BEC I’m running 6S 2306.5 1900 KV motors. My question is how can you trust DJI you must not be having this problem with your vistas how do you do it please tell me? I have been struggling with this for a year almost Dji‘s customer service is useless I’ve already sent the goggles back to them they’re saying there’s nothing wrong with them and they sent them back on an old firmware I had to upgrade to the latest. I am on 5.8 GHz only please give me some information that can save me otherwise this unit is going to destroy my gear and I’m going to never order DJ I products again which would be very upsetting As I love it !!!!
Great video I bet u can get great shots with that camera thank u for the video
Any thoughts on which style of cinelifter you prefer to fly? It seems like you have a massive cinewhoop as well as an eight motor dead cat style frame. I’m looking to fly mirrorless setups while I save my pennies for true cinema camera.
I like both and they're both two different things for different sorts of missions. However, I think I prefer flying the X8 to be honest.
Ah! You were in the Mark Rober’s recent video
That's correct
I just started watching your channel… Have you ever thought of shooting a 12u Fast pitch tournament team. I’m in Oregon.. Best time of year for weather in Sandy. Go Rough Riders..✌️
10 stops, banding, global shutter,... so, its a Cmosis sensor then? Same as BMD, AJA, Leica, FlareIO use.... add a LowCon or DigiCon filter to lift the shadows and roll off the highlights. There are plenty of remote focus options, and you'd know more options for wireless HDMI links then most of us.
The sample clips look (at least) 10 years behind in terms of color quality, dynamic range, and image contrast. I understand the continuous recording benefits from a specifications point of view, but incorporating this footage with modern camera output looks like a color grading nightmare.
Great review, thanks! ........... question: for studio use, the low res monitor output is a bit of a deal breaker. What's the quickest way to get the image into the computer so you see an actual preview at the real resolution, even if only a still image? Is it something you can do in seconds, and if so, how?
maybe the chronos 2.1 has better image quality?
Awesome Camera Paul. 👍 great content . Thanks for the info brother
So wait. That ducted rig next to you is a Sicario with ducts on it? Or it’s a whole other rig?
Just wondering something about that 180-degree shutter angle. If you select an 180-degree angle you get motion blur, which also unsharpens the image when you are moving.
What is fundamentally wrong with choosing a lower shutter angle such as 45 degrees, keeping more detail in the source footage, and adding motion blur in postproduction when desired? In Resolve that seems to work well?
But I am just a beginner with all this. What do I know?
Its a good question. The answer is "Saving Private Ryan", specifically the D-Day landing sequence, where the sharper motion is clear, and stuttered - objects jump frame to frame instead of smooth motion.
Adding blur in posts costs time to render, and that eats up money in more hours the production has to pay for instead of shooting at the shutter speed that gets the desired blur.
@@PiDsPagePrototypes : With that scene it adds to the drama, together with the shaking of the camera. It was an artistic choice to setup the cameras the way they did.
Regarding the question: I tried it with Gopro footage during toying around with the new-to-me (Gopro) toy: shot with 180-degree shutter angle and shot with 45-degree shutter angle and added a bit of motion blur in Resolve using its 'better motion estimation' over a few frames. The end result feels the same, so I am leaning towards 'if you have only one chance for the shot, you want the most versatile source data possible and worry about details later. You cannot really correct overexposed/oversharpened/overmotionblurred footage'.
Regarding extra rendering time and thus cost: the same can be said for color grading, framing, sharpening, and more operations that are often delegated to postprocessing, right? It might be me, but adding a bit of extra motion blur to footage increases the amount of time spent for a minute of end result insignificantly.
Still, nobody does it, so I must be terribly wrong somewhere.
@@dabit4840 You're right in that you want the most versatile footage, though there's another rabbit hole to fall down there about producers who hire based on brand of gear owned, rather then skills learned.
The extra render time does come in to effect, adding the blur in the process might only take a moment, but all the elements added in to the vision grow the render time on export, but you still have to pay for that, so you grow the post production budget more then cost of fitting the right filters and getting the blur in the original footage - The more you get right in camera, the less the whole production costs.
But, like everything in film and TV production, there are many ways to get the desired results, and no one technique is right or is wrong, just some are more appropriate to each production.
@@PiDsPagePrototypes : Thanks for the explanation. Sure, if you do it for a long time you can probably fit the exact filter and settings for a given situation faster than I can blink my eyes. But I am glad there seems nothing fundamentally wrong with choosing a lower shutter angle and doing 'cinematic motionblur' later when desired and amount according to taste. With 60fps instead of 24fps there is also a lot more data to correctly calculate the motion blur afterwards.
where to buy big whoop frame i want 1
You got a 3D printer by any chance? I'd love to see what my 3D printed TPU props look like at high speed.
I can print TPU for us, have an stl?
Bent lol
I'd like to see that too, honestly.
@@wingarth See the description of my video "Five33 TinyTrainer with 3D printed TPU props
"
Liked !! Seen that camera last year before Jhonny's video and I was excited for people (other than me) to get it hhahaha. So what we wanna see in FPV with this camera is some fast flying around slow action, then you slow it down and it seems like it's some cg paused frame moving !! Try that :) example someone just riding a bike slow, but you come raging to it 😂
Cool! what about horses and dogs races?
No external battery 🤨 wait for Straw Hat Sam to strip it down 😅
Can you use SteadyXP with this camera?, and how does that work?
Not directly. This does not record audio, which is needed for steadxp. That being said, you could probably hack it together with some sort of external audio recorder.
This really feels like a first generation camera, (because it is). Hopefully the mark 2 and 3 of this camera have good dynamic range and add the creature comforts to make the camera more useable. Not having swappable batteries is the main reason I don’t want to buy one.
Is there a small rig option available?
Great video and awesome camera! However, in my opinion it seems like an odd resolution and aspect ratio, if it's measured in pixels. Wider than wide-screen but not as wide as ultrawide. Somewhere between that 16:9 and 21:9 area. I'm curious the reasoning behind that?
Cheers
It's a slomo standard. It has cinematic aspect ratios, but if you want some really fast framerates, you start to cut out vertical lines. The camera is a all arounder used for scientific purposes too so it climbs up to plus 9000+ fps, but the quality isn't good at that point and the aspect ratio is atrocious at 16:1.
Those resolutions were created by the Film industry, not for slo mo only. The math of them crops better to 2.39:1 aspect ratio, lookup "DCI 4K" to find out more.
Great tips ,interesting! Thanks
Cool hfr camera! PL style bayonet locking ring is very wise thing, because sony mount is Very soft.
That's soo cool thing that cinelifters. Hope my channel will afford me to build and work with one of those.
Man, I get why. I get it. As my cinelift hero, you know what the purpose and limits will afford you. Q: Why do your two monitor cameras in this video have such varying exposure?
And B: will my Shen Insider 4" actually lift a dslr? Like a Canon Ti5?
Looking forward to the "naked" freefly tutorial 🤣
thanks for the real-world review, that footage looks terrible, I was curious about the opening reel when it looked like the shot of the exploding color boxes had clipped highlights. I can understand them limiting some features but not even having a second ISO is absurd, it looks like 8-bit files I used to get on a AF-100 15 years ago and that dynamic range would make this thing unuseable. I would take less fps for 10 bit files with a log profile. Maybe they update the firmware someday, I can see why these are popping up on eBay for half the original cost
Thanks, now I really know that we are gonna wait for a V2 before spending that amount of cash!
This video persuaded me to hold off on this camera. I was stoked seeing the video produced by Freely, but now knowing that the actual coloring and exposure of this camera are this lack luster, i'll pass for know.
Well Ive got the Ember (wave V2) on the way soon so hopefully that will be better!
This is a hard sell, especially when the RED komodod exists. I get it, every tool has a purpose but the fact that you said a GoPro looks better, I can pass on extreme slow motion. Thanks for the review.
Camera flex is on point. You're even juggling three GO2's.. Don't bring your ladies around Nurk fellas.
just so cool
yeah buddy!
No back screen 30 min rec time what do you expect for 11,000 dollars
MID AIR COLLISIONS OF DRONES!!
I've got some smoke grenade poi you can film ;)
hmm.. 150ish gigs per 1minute, 2tb, 13minutes? 45mins to dump, so like 3.5camera bodies with integrated batt and solid state drive to shoot almost continuously; heh, we've come so far from the Red one
please film a cheetah running top speed in africa with the wave lol that would be friggin awesome!
why you buy a 11k camera ? cause you can !! :D Period!
Hey I thought you lost your job...although I am sure its more of a business expensive.
*dream job. Still got other stuff going on haha.
Komodo or Wave?
both completely different cameras
Wave is more likely to turn on, and not come with a huricane sound level fan.
Im not a filmaker or anything but the fringing and grading throughout this video irked me! there was a green cast throughout most of the video and lots of purple/green fringing hope this feedback can help improve your videos and i mean no offence, informative video otherwise!
I would say lesser cost not cheap
That internal battery is super lame otherwise I like it
Your a madd photo wizard make sum madd spells NURK air2 s army out
Why not just strap a phone to the drone. Something like s21 ultra might be comparable to this
Because phones dont have Global Stutter, and because they compress the crap out of footage with a per-second data allowance, instead of a per-frame method,. So on a phone, you have less data per frame at higher speeds. 60fps has half the data per frame as 30. 120fps is quarter,.. and the image suffers because of it.
Wider if it costs 11,000 to make
should hack that battery.
if you run 6s you can probably power it through the jack with an ez hack.
That’s cheap lol . Great video
11K for that camera is total waste of money sorry for being honest :/
My car cost 1,100$ why the fuck am i watching 11,000$ camera reviews lmao. I just like nurk videos i guess
Kinda seems like a one trick pony...if you absolutely need slow motion this is for you.
totally agreed
Lmao trying to make a "cheap" high speed camera. At 11k this thing should be waxed
such a waste of 11k lol