My new album "one month of January" is available on bandcamp from today (and it includes project files and synth patches)! It's made up of remastered versions of the pieces I put out on my channel during January, where I was attempting to make a finished piece of ambient / drone music each day. You can check it out here: oscillatorsink.bandcamp.com/album/one-month-of-january
It's very nice! I really like when I see how a person makes music. Touches the keys. Creates sound. It's like sadness. At the end of the cry leaving in the void. My headphones reproduced this music well, without overload, it was interesting to listen to. This is how life is born and fades .. I liked it.
Yeah that was just grand. It sounds like walking among decaying buildings on a forgotten planet as half remembered dreams of someone else's life flash across your mind.
Thanks! I think this patch was a combo of ring mod, filter mod and good old FM - but if you want to dissect the patch, the collection of jams will be going up on my bandcamp on Friday, and I'll be including the patches and project files. You'll be able to find it here on Friday: oscillatorsink.bandcamp.com/
Cheers! This question was actually asked earlier in the month as it happens, so if it's OK I'll paste my response here too: They do different things well - for rawer, harder and definitely punchier sounds the Digitone wins, but for flexibility, richness and more experimental sounds the opsix wins easily (but doesn't hit as hard as the Digitone no matter what you do). Then, of course, the real power of the Digitone comes at the intersection of the sound engine and the sequencer - the opsix doesn't come anywhere near close in that regard. Also the Digitone is 8 part multi-timbral, which again, spanks the opsix.. But then the opsix has well over double the polyphony. I actually don't see them as being in competition - I use them to achieve different things in different ways. Obviously this month they are both being used for drones, but the type of drone sonically and the way they are being performed and programmed are completely different.
Not that particular combo, might be fun though! That's said with the comb filter operator there's a lot of cool resonator things we can do just inside the opsix.
My new album "one month of January" is available on bandcamp from today (and it includes project files and synth patches)!
It's made up of remastered versions of the pieces I put out on my channel during January, where I was attempting to make a finished piece of ambient / drone music each day.
You can check it out here: oscillatorsink.bandcamp.com/album/one-month-of-january
Love the darkness of these videos
Thank you!
There's an amazing amount of story within these pieces. Great to listen to in the dark!
Thank you so much!
I totally get where you’re coming from
It's very nice! I really like when I see how a person makes music. Touches the keys. Creates sound. It's like sadness. At the end of the cry leaving in the void. My headphones reproduced this music well, without overload, it was interesting to listen to. This is how life is born and fades .. I liked it.
Thank you for your kind words.
I love this. Just bought the album!
Thank you do so much!
Just ace! I’m going to experiment more with the v patching on my Opsix now
There are so many sound worlds to explore!
🙂👍❤
Yeah that was just grand. It sounds like walking among decaying buildings on a forgotten planet as half remembered dreams of someone else's life flash across your mind.
It was...someone else's life... right?
This is top notch as always. Which type of operator (or combinations thereof) are you using for that wonderful hanging feedback?
Thanks! I think this patch was a combo of ring mod, filter mod and good old FM - but if you want to dissect the patch, the collection of jams will be going up on my bandcamp on Friday, and I'll be including the patches and project files. You'll be able to find it here on Friday: oscillatorsink.bandcamp.com/
how's the opsix in comparison to the digitone? amazin drone as usual my man
Cheers! This question was actually asked earlier in the month as it happens, so if it's OK I'll paste my response here too:
They do different things well - for rawer, harder and definitely punchier sounds the Digitone wins, but for flexibility, richness and more experimental sounds the opsix wins easily (but doesn't hit as hard as the Digitone no matter what you do).
Then, of course, the real power of the Digitone comes at the intersection of the sound engine and the sequencer - the opsix doesn't come anywhere near close in that regard. Also the Digitone is 8 part multi-timbral, which again, spanks the opsix.. But then the opsix has well over double the polyphony.
I actually don't see them as being in competition - I use them to achieve different things in different ways. Obviously this month they are both being used for drones, but the type of drone sonically and the way they are being performed and programmed are completely different.
Have you had a chance to experiment with the opsix and Wingie 2?
Not that particular combo, might be fun though! That's said with the comb filter operator there's a lot of cool resonator things we can do just inside the opsix.
Sau-geil! 😊 (German, vulgar but positively for awesome)