I started out last year with Library Music. At that time I didn't know a lot about these things, and I submitted to AN and got rejectec 2 times last year(yes I was that stupid..lol). But now I know my music has improved a lot and I got into 3 stock and 2 sync library and gained some expirience(Also thanks to the communities of library composers helping and giving constructive criticisms on my music to help me improve). So, should I try again?
@@MusicForIncome thanks :) and thank you for the greay vids. If its ok with you, id love to put a link to your channel on my vids on YT for ppl wanting to seek advise and help on music?
Thanks a lot Michael for this review and recommendation... I will certainly keep Audio Network in mind when I am ready to send out music to these kind of Library Music companies... Thanks for your continuous commitment and help. Kind regards and blessings, MaxT
Hi Michael, thank you so much for these valuable insights and the effort you put into these videos. That is so helpful and highly appreciated! Thanks a ton! All the best, Andy
Hey Michael- Thanks so much for providing material that gives such value.Your Music For Income brand is definitely a 100% trusted source! Very few people readily supply useful unique information for musicians.Thanks again-off to check out Audio Network!!!
This is what AN has in their submission site: Are you currently exclusively signed with any other music companies for either master or publishing? (we typically cant work with artists and composers who are already signed exclusively) So you can only work with this music library only?!
@@MusicForIncome considering their placements they have on their page I am very interest in them. Especially as it's more aligned to the big blockbuster sound I am leaning toward. I can't get access to their music to hear their catalogue offerings in any depth. Unlike others, like Audio Machine and Audio Network which can be accessed by the public. You put Audio Network as a huge spike on my radar for Television. Thank you very much.
These review are golden. Thanks again Michael! I like that this library seems open to new composers, but the super high standards would seem to be a big roadblock. It's hard to get that type of quality in production from a small home studio. Especially since I am more composer than producer, so might need to send tracks to a studio for mixing/mastering.
Hey Matt! Remember that on their site you’re listening to the live musician versions. That said, you could produce up just a couple of tracks to get your foot in the door as initial uploads to them. Even if they didn’t accept them, I imagine it might be a small investment worth making, as if your tracks are good compositionally, somebody is going to accept those well produced masterpieces & that could be the start of a good long term working relationship.
@@MusicForIncome Good point. Gotta make sure those compositions are well orchestrated, and they won't need much mixing, then find a good working partner to do mastering. Eventually, I want to learn to do the whole process myself of course, but I suppose mixing/mastering is pointless if your comps are lousy 😆
I watched a lot of videos and websites about sync music; yours are really good advices! Thank you! Whats do you think about Airbit? Also, as strategy for sellings, a sell pro sync music platform is better than a distribution platform: people can hear musics anywhere, everyday for FREE but to get sells, we need a website... Artlist, musicbed, epidemic sound, not really perfect for sync music in decent remuneration. So my plan is Airbit, what is your opinion about that? Thank you :)
![Production Music Submissions [ALWAYS DO THIS!]](http://i.ytimg.com/vi/meigwjGNI38/mqdefault.jpg)
![How To Email Production Music Libraries [2021] by a Music Library OWNER!](http://i.ytimg.com/vi/4ie-EnXf7Bo/mqdefault.jpg)
What are your thoughts on Audio Network and their deal for composers? When is a music library too big to submit to? Leave your thoughts below!
I started out last year with Library Music. At that time I didn't know a lot about these things, and I submitted to AN and got rejectec 2 times last year(yes I was that stupid..lol). But now I know my music has improved a lot and I got into 3 stock and 2 sync library and gained some expirience(Also thanks to the communities of library composers helping and giving constructive criticisms on my music to help me improve). So, should I try again?
Thank you for supporting and getting info for us Composers. Cheers🎉
Great stuff. I got accepted into crimesonics after watching you video so definitely gonna check out AN
YESS! Congratulations!! So happy for you. Their bar is high so you’re clearly writing some great music. Well done! 👏🏽
@@MusicForIncome thanks :) and thank you for the greay vids. If its ok with you, id love to put a link to your channel on my vids on YT for ppl wanting to seek advise and help on music?
@@beautifulmusicchanneluk Please do! Trying to help as many music producers/composers as possible! Thank you.
I trully apreciate these reviews, thank you
Thanks so much, Alex! That means a lot. A lot of time goes into gathering this info so it’s great to hear that these videos are of use.
Thanks a lot Michael for this review and recommendation... I will certainly keep Audio Network in mind when I am ready to send out music to these kind of Library Music companies... Thanks for your continuous commitment and help. Kind regards and blessings, MaxT
Hi Michael,
thank you so much for these valuable insights and the effort you put into these videos. That is so helpful and highly appreciated!
Thanks a ton! All the best, Andy
Thanks Andy, really appreciate that! 🙌🏽😊
Hey Michael- Thanks so much for providing material that gives such value.Your Music For Income brand is definitely a 100% trusted source! Very few people readily supply useful unique information for musicians.Thanks again-off to check out Audio Network!!!
Thanks so much Chris - that means a lot!
Thanks Michael!
My pleasure, Chris!
great video thank you very much
This is what AN has in their submission site:
Are you currently exclusively signed with any other music companies for either master or publishing? (we typically cant work with artists and composers who are already signed exclusively)
So you can only work with this music library only?!
Thank you for the breakdown of Audio Network. Very informative! Is Evolving Sound on your list?
Not at present: should I check them out, Peter?
@@MusicForIncome considering their placements they have on their page I am very interest in them. Especially as it's more aligned to the big blockbuster sound I am leaning toward. I can't get access to their music to hear their catalogue offerings in any depth. Unlike others, like Audio Machine and Audio Network which can be accessed by the public.
You put Audio Network as a huge spike on my radar for Television. Thank you very much.
@@PeterSatera My pleasure!
These review are golden. Thanks again Michael!
I like that this library seems open to new composers, but the super high standards would seem to be a big roadblock. It's hard to get that type of quality in production from a small home studio. Especially since I am more composer than producer, so might need to send tracks to a studio for mixing/mastering.
Hey Matt! Remember that on their site you’re listening to the live musician versions. That said, you could produce up just a couple of tracks to get your foot in the door as initial uploads to them. Even if they didn’t accept them, I imagine it might be a small investment worth making, as if your tracks are good compositionally, somebody is going to accept those well produced masterpieces & that could be the start of a good long term working relationship.
@@MusicForIncome Good point. Gotta make sure those compositions are well orchestrated, and they won't need much mixing, then find a good working partner to do mastering. Eventually, I want to learn to do the whole process myself of course, but I suppose mixing/mastering is pointless if your comps are lousy 😆
I watched a lot of videos and websites about sync music; yours are really good advices! Thank you!
Whats do you think about Airbit?
Also, as strategy for sellings, a sell pro sync music platform is better than a distribution platform: people can hear musics anywhere, everyday for FREE but to get sells, we need a website... Artlist, musicbed, epidemic sound, not really perfect for sync music in decent remuneration.
So my plan is Airbit, what is your opinion about that?
Thank you :)
Is it true that Audio Network doesn't not work with composers from Germany / Switzerland / Austria? If yes, why?
Michael another very helpful review excellent! Also do you anything about CrucialMusic
Have heard of them, Ronald! Worth looking into?