Hi Gavin. Great video & interesting to see what you are doing with images from a shoot we were both at. It gives me a good point of reference, even if we were shooting on different cameras & focal lengths. You Sony & 50mm & me Nikon & 85mm. This may be a little controversial, but artistically converting to mono/black & white has a great deal to do with how the colours are converted to a monochromatic image. Whether using Light Room Classic, Photoshop with Camera RAW, or a plug-in such as Silver FX Pro. Colour translation involves a form of colour grading unless you want to be not at all artistic & just desaturate your image. Hopefully, no one here would choose the latter method of creating black & white images from sRGB colour files. Good to chat to you the other week too, it's been a while.
Amazing work - and fantastic model ❤
Thank you Gareth and really helpful 🙏
good extensive ALR Video thanks Park Cameras.
I learned a lot. Thank you.
Nice job, good video, thanks.
Hi Gavin. Great video & interesting to see what you are doing with images from a shoot we were both at. It gives me a good point of reference, even if we were shooting on different cameras & focal lengths. You Sony & 50mm & me Nikon & 85mm. This may be a little controversial, but artistically converting to mono/black & white has a great deal to do with how the colours are converted to a monochromatic image. Whether using Light Room Classic, Photoshop with Camera RAW, or a plug-in such as Silver FX Pro. Colour translation involves a form of colour grading unless you want to be not at all artistic & just desaturate your image. Hopefully, no one here would choose the latter method of creating black & white images from sRGB colour files. Good to chat to you the other week too, it's been a while.